list http://www.spout.com/ Sound on Sight recent group discussions Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/groups/Sound_on_Sight/Sound_On_Sight_Radio_149_The_Cove/529/43713/1/ShowPost.aspxPost Subject: Sound On Sight Radio #149 - The Cove
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 8/25/2009 5:03:03 PM
Body: 2005’s March of the Penguins proved that animal documentaries, even those with a subtle environmental message, could generate good box office. Moving off the ice flow and into the ocean, a couple of recent docs have taken up the plight of two diametrically opposed, yet sometimes confused sea creatures: dolphins and sharks. Tonight, Sound on Sight takes a look at the deeply personal Canadian film Sharkwater and the winner of the Audience award at this year’s Sundance Film Festival, the caper-esque The Cove. listen here www.soundonsight.org
]]>Tue, 25 Aug 2009 21:03:03 GMTSound On Sight Radio #149 - The CoveSound on Sight 2005’s March of the Penguins proved that animal documentaries, even those with a subtle environmental message, could generate good box office. Moving off the ice flow and into the ocean, a couple of recent docs have taken up the plight of two diametrically opposed, yet sometimes confused sea creatures: dolphins and sharks. Tonight, Sound on Sight takes a look at the deeply personal Canadian film Sharkwater and the winner of the Audience award at this year’s Sundance Film Festival, the caper-esque The Cove. listen here www.soundonsight.org 8/25/2009 5:03:03 PM 2005’s March of the Penguins proved that animal documentaries, even those with a subtle environmental message, could generate good box office. Moving off the ice flow and into the ocean, a couple of recent docs have taken up the plight of two diametrically opposed, yet sometimes confused sea creatures: dolphins and sharks. Tonight, Sound on Sight takes a look at the deeply personal Canadian film Sharkwater and the winner of the Audience award at this year’s Sundance Film Festival, the caper-esque The Cove. listen here www.soundonsight.org http://www.spout.com/groups/Sound_on_Sight/Sound_On_Sight_Radio_148_Tetro_Francis_Ford_Co/529/43712/1/ShowPost.aspxPost Subject: Sound On Sight Radio #148 - Tetro (Francis Ford Coppola special)
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 8/25/2009 5:01:31 PM
Body: In celebration of the release of his latest film, the semi-autobiographical Tetro, Sound on Sight finally takes its first look at the filmography of Francis Ford Coppola, who is of course most famous for helming the Godfather trilogy. We’re going to steer clear of those films for now, and instead talk about Tetro, along with the less-than-rapturuously-received Youth Without Youth, as well as rewind back to 1974’s The Conversation, which Coppola produced between the first and second Godfathers. listen here www.soundonsight.org
]]>Tue, 25 Aug 2009 21:01:31 GMTSound On Sight Radio #148 - Tetro (Francis Ford Coppola special)Sound on Sight In celebration of the release of his latest film, the semi-autobiographical Tetro, Sound on Sight finally takes its first look at the filmography of Francis Ford Coppola, who is of course most famous for helming the Godfather trilogy. We’re going to steer clear of those films for now, and instead talk about Tetro, along with the less-than-rapturuously-received Youth Without Youth, as well as rewind back to 1974’s The Conversation, which Coppola produced between the first and second Godfathers. listen here www.soundonsight.org8/25/2009 5:01:31 PM In celebration of the release of his latest film, the semi-autobiographical Tetro, Sound on Sight finally takes its first look at the filmography of Francis Ford Coppola, who is of course most famous for helming the Godfather trilogy. We’re going to steer clear of those films for now, and instead talk about Tetro, along with the less-than-rapturuously-received Youth Without Youth, as well as rewind back to 1974’s The Conversation, which Coppola produced between the first and second Godfathers. listen here www.soundonsight.org http://www.spout.com/groups/Sound_on_Sight/Sound_On_Sight_Radio_147_Pulp_Fiction/529/43711/1/ShowPost.aspxPost Subject: Sound On Sight Radio #147 - Pulp Fiction
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 8/25/2009 5:00:00 PM
Body: Director/screenwriter/actor/producer Quentin Tarantino was perhaps the most distinctive and explosive talent to emerge in American film in the early ’90s. Unlike the previous generation of American filmmakers, Tarantino learned his craft from his days as a video store clerk, rather than as a film school student. He developed an audacious fusion of pop culture and independent art house cinema and his films were distinguished by their clever, twisting dialogue as their outbursts of extreme violence. Today we take a look at three of Tarantino’s films starting with his Palme Dòr winning Pulp Ficiton, his very under-rated Jackie Brown and his half of the grindhouse double feature Deathproof. listen here www.soundonsight.org
]]>Tue, 25 Aug 2009 21:00:00 GMTSound On Sight Radio #147 - Pulp FictionSound on Sight Director/screenwriter/actor/producer Quentin Tarantino was perhaps the most distinctive and explosive talent to emerge in American film in the early ’90s. Unlike the previous generation of American filmmakers, Tarantino learned his craft from his days as a video store clerk, rather than as a film school student. He developed an audacious fusion of pop culture and independent art house cinema and his films were distinguished by their clever, twisting dialogue as their outbursts of extreme violence. Today we take a look at three of Tarantino’s films starting with his Palme Dòr winning Pulp Ficiton, his very under-rated Jackie Brown and his half of the grindhouse double feature Deathproof. listen here www.soundonsight.org8/25/2009 5:00:00 PM Director/screenwriter/actor/producer Quentin Tarantino was perhaps the most distinctive and explosive talent to emerge in American film in the early ’90s. Unlike the previous generation of American filmmakers, Tarantino learned his craft from his days as a video store clerk, rather than as a film school student. He developed an audacious fusion of pop culture and independent art house cinema and his films were distinguished by their clever, twisting dialogue as their outbursts of extreme violence. Today we take a look at three of Tarantino’s films starting with his Palme Dòr winning Pulp Ficiton, his very under-rated Jackie Brown and his half of the grindhouse double feature Deathproof. listen here www.soundonsight.org http://www.spout.com/groups/Sound_on_Sight/Sound_on_Sight_Radio_146_Toronto_After_Dark/529/43710/1/ShowPost.aspxPost Subject: Sound on Sight Radio # 146 - Toronto After Dark / District 9
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 8/25/2009 4:58:13 PM
Body: August brings with it another fun genre fest, so we’re going to take a quick look at this year’s Toronto After Dark fest by reviewing the French arty blaxploitation epic Black, as well as the insanely delayed anthology-style horror flick, Trick r’ Treat. We’ll also be reviewing this weekend’s biggest new film, the ambitious first feature from Neill Blomkamp, a sci-fi actioner called District 9. listen here www.soundonsight.org
]]>Tue, 25 Aug 2009 20:58:13 GMTSound on Sight Radio # 146 - Toronto After Dark / District 9Sound on Sight August brings with it another fun genre fest, so we’re going to take a quick look at this year’s Toronto After Dark fest by reviewing the French arty blaxploitation epic Black, as well as the insanely delayed anthology-style horror flick, Trick r’ Treat. We’ll also be reviewing this weekend’s biggest new film, the ambitious first feature from Neill Blomkamp, a sci-fi actioner called District 9. listen here www.soundonsight.org8/25/2009 4:58:13 PM August brings with it another fun genre fest, so we’re going to take a quick look at this year’s Toronto After Dark fest by reviewing the French arty blaxploitation epic Black, as well as the insanely delayed anthology-style horror flick, Trick r’ Treat. We’ll also be reviewing this weekend’s biggest new film, the ambitious first feature from Neill Blomkamp, a sci-fi actioner called District 9. listen here www.soundonsight.org http://www.spout.com/groups/Sound_on_Sight/Sound_On_Sight_Radio_143_Inglourious_Basterds/529/43709/1/ShowPost.aspxPost Subject: Sound On Sight Radio #143 - Inglourious Basterds (non spoiler review)
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 8/25/2009 4:56:20 PM
Body: ‘Directed by Quentin Tarantino.’ Aside from ‘Hand jobs by Megan Fox,’ those are perhaps the words most likely to cause an excess of blood flow in young males. His violent, comedic odes to cinema are jam-packed with references to grindhouse movies, underground film, and European art cinema, like Dennis Miller reciting the liner notes to a rep theatre programme. And Inglourious Basterds, Quentin Tarantino’s pulpy war epic, is no different. Sound on Sight caught a sneak peak of Tarantino’s new film at the Fantasia Film Festival, and tonight we’ll give it a spoiler-free review, as well as take a look at the 1978 Italian war movie that inspired Tarantino’s film. listen here
]]>Tue, 25 Aug 2009 20:56:20 GMTSound On Sight Radio #143 - Inglourious Basterds (non spoiler review)Sound on Sight ‘Directed by Quentin Tarantino.’ Aside from ‘Hand jobs by Megan Fox,’ those are perhaps the words most likely to cause an excess of blood flow in young males. His violent, comedic odes to cinema are jam-packed with references to grindhouse movies, underground film, and European art cinema, like Dennis Miller reciting the liner notes to a rep theatre programme. And Inglourious Basterds, Quentin Tarantino’s pulpy war epic, is no different. Sound on Sight caught a sneak peak of Tarantino’s new film at the Fantasia Film Festival, and tonight we’ll give it a spoiler-free review, as well as take a look at the 1978 Italian war movie that inspired Tarantino’s film. listen here 8/25/2009 4:56:20 PM ‘Directed by Quentin Tarantino.’ Aside from ‘Hand jobs by Megan Fox,’ those are perhaps the words most likely to cause an excess of blood flow in young males. His violent, comedic odes to cinema are jam-packed with references to grindhouse movies, underground film, and European art cinema, like Dennis Miller reciting the liner notes to a rep theatre programme. And Inglourious Basterds, Quentin Tarantino’s pulpy war epic, is no different. Sound on Sight caught a sneak peak of Tarantino’s new film at the Fantasia Film Festival, and tonight we’ll give it a spoiler-free review, as well as take a look at the 1978 Italian war movie that inspired Tarantino’s film. listen here http://www.spout.com/groups/Sound_on_Sight/Podcast_137_Park_Chan_Wook_s_Thirst_and_Love_Exp/529/43051/1/ShowPost.aspxPost Subject: Podcast 137 - Park Chan Wook's Thirst and Love Exposure
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 7/14/2009 5:06:36 PM
Body: Fantasia, Montreal’s international genre film festival, has expanded its mandate over the years to include a wide variety of films from around the world, with the sole proviso seemingly being that they’re not based on an SNL skit or a Dane Cook routine. There has, however, always been a focus on Asian films, particularly the weird ones that might give the impression the entire Eastern half of the world grew up watching Faces of Death and Leave it to Beaver at the same time. And this year is no exception. Tonight, Sound on Sight takes a look at hotly anticipated South Korean vampire movie Thirst, from Oldboy director Park Chan Wook, four-hour romantic comedy Love Exposure, and Thailand’s fantasy epic . listen now
]]>Tue, 14 Jul 2009 21:06:36 GMTPodcast 137 - Park Chan Wook's Thirst and Love ExposureSound on SightFantasia, Montreal’s international genre film festival, has expanded its mandate over the years to include a wide variety of films from around the world, with the sole proviso seemingly being that they’re not based on an SNL skit or a Dane Cook routine. There has, however, always been a focus on Asian films, particularly the weird ones that might give the impression the entire Eastern half of the world grew up watching Faces of Death and Leave it to Beaver at the same time. And this year is no exception. Tonight, Sound on Sight takes a look at hotly anticipated South Korean vampire movie Thirst, from Oldboy director Park Chan Wook, four-hour romantic comedy Love Exposure, and Thailand’s fantasy epic . listen now 7/14/2009 5:06:36 PMFantasia, Montreal’s international genre film festival, has expanded its mandate over the years to include a wide variety of films from around the world, with the sole proviso seemingly being that they’re not based on an SNL skit or a Dane Cook routine. There has, however, always been a focus on Asian films, particularly the weird ones that might give the impression the entire Eastern half of the world grew up watching Faces of Death and Leave it to Beaver at the same time. And this year is no exception. Tonight, Sound on Sight takes a look at hotly anticipated South Korean vampire movie Thirst, from Oldboy director Park Chan Wook, four-hour romantic comedy Love Exposure, and Thailand’s fantasy epic . listen now http://www.spout.com/groups/Sound_on_Sight/Podcast_135_Fantasia_2009_Bruno_The_Immaculate/529/43048/1/ShowPost.aspxPost Subject: Podcast 135 - Fantasia 2009: Bruno, The Immaculate Conception of Little Dizzle & Must Love Death
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 7/14/2009 4:35:47 PM
Body: omedies are a tricky genre to critique because it all boils down to whether the film in question makes you laugh or not. There is nothing more subjective than comedy, and it is almost impossible for us to break down a joke and tell you why we find it funny; comedy is a serious business, though, so on Episode 135 of Sound On Sight, we will review three of the most unique and bizarre comedies to see recent release. First up is Sacha Baron Cohen’s much-anticipated Bruno; second, a bizarre romantic comedy / torture porn hybrid, Must Love Death; and finally, David Russo’s South By Southwest indie favorite, The Immaculate Conception of Little Dizzle. (Those last two both premiered here in Montreal at the Fantasia Film Festival.) On this hour, Rick and Simon are joined by recurring guest Chrystina Benyo. listen here
]]>Tue, 14 Jul 2009 20:35:47 GMTPodcast 135 - Fantasia 2009: Bruno, The Immaculate Conception of Little Dizzle & Must Love DeathSound on Sightomedies are a tricky genre to critique because it all boils down to whether the film in question makes you laugh or not. There is nothing more subjective than comedy, and it is almost impossible for us to break down a joke and tell you why we find it funny; comedy is a serious business, though, so on Episode 135 of Sound On Sight, we will review three of the most unique and bizarre comedies to see recent release. First up is Sacha Baron Cohen’s much-anticipated Bruno; second, a bizarre romantic comedy / torture porn hybrid, Must Love Death; and finally, David Russo’s South By Southwest indie favorite, The Immaculate Conception of Little Dizzle. (Those last two both premiered here in Montreal at the Fantasia Film Festival.) On this hour, Rick and Simon are joined by recurring guest Chrystina Benyo. listen here 7/14/2009 4:35:47 PMomedies are a tricky genre to critique because it all boils down to whether the film in question makes you laugh or not. There is nothing more subjective than comedy, and it is almost impossible for us to break down a joke and tell you why we find it funny; comedy is a serious business, though, so on Episode 135 of Sound On Sight, we will review three of the most unique and bizarre comedies to see recent release. First up is Sacha Baron Cohen’s much-anticipated Bruno; second, a bizarre romantic comedy / torture porn hybrid, Must Love Death; and finally, David Russo’s South By Southwest indie favorite, The Immaculate Conception of Little Dizzle. (Those last two both premiered here in Montreal at the Fantasia Film Festival.) On this hour, Rick and Simon are joined by recurring guest Chrystina Benyo. listen here http://www.spout.com/groups/Sound_on_Sight/Podcast_131_Racist_Transformers_More_than_meets/529/42871/1/ShowPost.aspxPost Subject: Podcast 131 - Racist Transformers? More than meets the eye?
Group Name: Sound on Sight
Last Post By: NakedLunchRadioShow
Post Date: 6/30/2009 2:50:43 AM
Body: www.soundonsight.org
]]>Tue, 30 Jun 2009 06:50:43 GMTPodcast 131 - Racist Transformers? More than meets the eye?Sound on Sightwww.soundonsight.org6/30/2009 2:50:43 AMwww.soundonsight.org