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Biography

Genoa native Pietro Germi briefly attended the Instituto Nautico before entering Rome's Centro Sperimentale di Cinematographia . There he studied acting and directing, supporting himself with a number of bottom-level movie industry jobs. In 1946, he directed his first film, Il Testimone, which he also co-scripted. Almost immediately tagged as a "neorealist," Germi actually had more in common stylistically and thematically with American director John Ford (whom he deeply admired) than his Italian contemporaries. By the mid-1950s, Germi had pretty much abandoned drama in favor of satirical comedy, often utilizing the poverty-stricken regions of Sicily as his backdrop. Germi's Divorce Italian Style (1961) was a huge worldwide box-office hit which earned him an Oscar for "Best Screenplay" (in collaboration with Alfredo Giannetti and Ennio de Concini). In 1965, he was co-recipient of the Cannes festival "Best Picture" award for Signore e signori, released in the U.S. as The Birds, the Bees and the Italians. Pietro Germi's last completed film was Alfredo, Alfredo (1972); he was forced to pull out of his final project, Amici Miei (1975), suffering from the acute hepatitis that would ultimately kill him. ~ Hal Erickson, All Movie Guide

Most loved movie

Divorce, Italian Style

Most disliked movie

Five Branded Women

Awards

Best Original Screenplay (win)
Divorce, Italian Style 1962
Academy

 

Best Director (nom)
Divorce, Italian Style 1962
Directors Guild of America

 

Best Director (nom)
Divorce, Italian Style 1962
Academy

 

Best Italian Film (win)
La Città si difende 1951
Venice International Film Festival

 


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