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  • SITA SINGS THE BLUES available free online

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    SITA SINGS THE BLUES available free online

    One of Karina Longworth’s favorite undistributed films of last year is available to watch for free on Reel 13. Sita Sings the Blues won the Best Film Not Playing at a Theater Near You award at the 2008 Gotham Awards. In Karina’s review from Tribeca 2008, she called it, “a strange and beautiful little film, a potentially wispy slice of autobiography smartly elevated through irresistible, orgiastic style.”

    Watch the movie and read Brandon Harris’ interview with director Nina Paley from last November (republished) after the jump.


    Originally published on 11/17/08 as SITA SINGS THE BLUES Director Nina Paley: The Media Diet by Brandon Harris

    For fans of relatively offbeat animation, 2008 seems to have been a banner year. Pixar produced perhaps their most acclaimed effort yet with Wall-E, which is drawing considerable heat for a best picture nomination. Ari Folman’s Waltz with Bashir thrilled and horrified audiences in Competition in Cannes with subject matter and personal introspection not usually broached by animated films. Yet the most satisfying animated film that surfaced in 2008 may well have been Nina Paley’s delightful Sita Sings The Blues, which marries the tunes of obscure 30’s blues songstress Annette Hanshaw to a retelling, by three hip, Gen-Y Indians, of the Indian myth Ramayana and a mildly autobiographical story of a Seattle-based female cartoonist loosing her husband to his job in India. The film, a nominee for this year’s Gotham Award for the Best Film Not Playing at a Theater Near You after an impressive festival run that began at this year’s Berlinale, screens at MoMA on Thursday and Saturday. Clearly a dedicated postmodernist, Paley discusses Sci-Fi channel’s Eureka, Lawrence Lessig’s Free Culture and the strange ambiguities of influence.

    What films or television shows have you seen recently?

    Whatever they had on the airplane. It was Virgin, and they charged $7.99 for movies, so I stuck with the free TV channels (I don’t have TV at home). The SciFi channel was showing a commercial-free marathon of Eureka which I had never even heard of before, but it was pretty good plane fare. Also some other station was playing Spiderman, but with tons of commercial breaks which made it kind of tedious to watch.

    Which ones stuck with you and why?

    Eureka because I saw like 5 episodes, without commercials.

    Does your interest in them have anything to do with your own work as an animator?

    Not in any way I can identify consciously, but I’m sure it does somehow.

    How do the films that you think of as “influences” affect your own style and preoccupations as a animator, if at all?

    So many people have asked “what are your influences” over the years. I now conclude my answer is: EVERYTHING. Everything I see, even if it’s just out the corner of my eye, is an influence.

    I’m one of those crazy free culture people who insist there are no original ideas; all creativity builds on what has come before. As an artist I pull stuff out of the hive mind, the culture that’s all around me. I’m so saturated in culture I can’t separate influences out, or keep track of each discreet one. Just as corals build complex structures from the calcium floating in the ocean around them, artists pull ideas and influences from the sea of culture, and organize them in ways that suit us.

    How often do you read fiction? Do you wish you read more?

    I read a lot. I prefer reading to watching TV. I also read nonfiction.

    What would be your ideal literary adaptation and why?

    Hmm. Free Culture by Lawrence Lessig would make a good movie, because people need to discuss this stuff and most can’t be persuaded to read a book.

    How, if at all, has reading informed your animation?

    It gives my mind an escape, something to do in “foreground” while my subconscious is solving problems in “background.” And it enriches me as a human being. My work is an expression of my whole being, so anything that touches me will in some way touch my art too.

    What are you listening to recently?
    I’m currently staying at a friend’s house in Oakland (I’m in town for the San Francisco Animation Festival). My hosts are cleaning up the kitchen right now, playing something on their boom box. I have no idea what it is, but I know I’m absorbing it and if I ever hear it again, it’ll sound familiar.

    I almost never sit down and consciously listen to music. But just walking around, I hear tons. Stores and restaurants pipe in music, people play it in subways and on the street, it’s on people’s cell phone ringtones, it blasts from the windows of passing cars, it’s in the background everywhere. I can’t close my ears. I may only hear snippets at a time but it sticks in my mind, somewhere, adding to all the other influences in
    there.

    I enjoy quiet. In silence I can play back all the junk my mind has collected, and really listen to it. I have a lifetime of music playing in my head constantly. The DJ is my id, or subconscious, or maybe God.

    Since I typed all that, my host’s soundtrack has turned to the Talking Heads, “Once in a Lifetime.” I’ve never owned a Talking Heads record, and don’t have an MP3 collection, but I know that song, and countless others.

    If you could collaborate with one musician on one of your own films, whom would it be and why?

    That would depend on the story, the idea behind the piece, and a lot of other factors. Right now I’m looking for a 30-second ditty on the theme of “copying isn’t theft.” Anyone have one or want to write one?

    If there were such a thing as an “animated concert film”, who would be the best subject?

    Live, from the Inside of Nina’s Head: God the DJ! That’s one long concert though.


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch 110: Movies That Should be Graphic Novels

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    Die Hard  (1988)

    Mystery Train  (1989)

    Zardoz  (1973)

    Walkabout  (1971)

    Hero  (2002)

    Iron Man  (2008)

    In episode #108, we posed a simple question: Which movie should be turned into a graphic novel? Your responses to the question became the fodder for a great conversation. Turning the typical page-to-screen progression on its head, we dig into the strengths and weaknesses of each medium. We discuss the possibility of seeing Mystery Train, Walkabout, The Man Who Fell To Earth, Zardoz, Hero, Die Hard, and Gangs of New York crammed into little action-packed drawings.

    We check in with Karina for a hindsight conversation about awards season. She poses the question: Who would win in a fight, Benjamin Button or Iron Man? The answer is as obvious as it seems, but not for the reason you think.

    Want to win a copy of Watchmen: The Official Film Companion? Send us an e-mail telling us what film you think has the best production design in entire history of cinema. It’s that simple. E-mail filmcouch [at] spout [dot] com.


    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

    0:00 - Intro

    3:22 - From film to comic.

    26:40 - The Oscars. What happened?

    filmcouch-110


    Originally posted on:SpoutBlog » Paul Moore

  • Twittering The Oscars and Spirit Awards

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    Twittering The Oscars and Spirit Awards

    My favorite memory of the Oscars last year was Karina Longworth’s Twitters hitting my iPhone every few minutes. The way she can describe Diablo Cody’s dress in one sentence had me turning to my wife saying, “You’ve got to hear this…” By the end of the night we had the iPhone sitting between us, propped on a pillow where we could both see each twitter as it popped up.

    Sunday, February 22nd, Karina and a gaggle of other SpoutBlog writers will live-twitter the Oscars again. Check back here at 8:00 EST. If you won’t have a laptop with you to see all the action, you can at least follow Karina on Twitter.

    Saturday, February 21st, Karina will also be at The Spirit Awards, twittering from the scene.  IFC’s televised coverage begins at 5:00 EST, hosted by Steve Coogan.

    Want to see Karina’s Twitter stream? It’s embedded after the jump.


    Originally posted on:SpoutBlog » Paul Moore

  • 500 Days of Summer: Why I Walked Out Of The Sundance ‘Hit’

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    Typically at SpoutBlog, we rarely state the obvious when it comes to a mediocre movie, trying to instead direct our gaze toward a gem that deserves some advocacy. Unless, of course, there’s a danger that said movie is going to overshadow the much earned good buzz around a great film. Such is the case with 500 Days of Summer starring Joseph Gordon-Levitt and Zooey Deschanel. It’s a movie I walked out of at Sundance 2009, not because it sucked, but because it was lukewarm. I figured I’d never write, “It was so-so” for a review, so I left. But in the past week it has, surprisingly, garnered ovations that threaten to eclipse so many excellent films coming out of that festival.

    Case in point, it’s number one in Coming Soon’s Best of the Fest:

    Clearly the biggest crowd-pleaser at this year’s festival was this romantic comedy from first-time director Marc Webb and screenwriters Scott Neustadter and Michael Webber, which covers a year and a half in the relationship between Tom Hanson (Joseph Gordon-Levitt) and Summer Bishl (Zooey Deschanel), the latter a flighty woman who breaks the former’s heart. While some of the ground covered is stuff we’ve seen before, the film is told in an innovative and clever narrative style, jumping around in time from the height of their developing love affair to the months that follow their break-up. Gordon-Levitt creates an infinitely likeable character that both guys and women can relate to, much like John Cusack in his heyday…. What could easily be seen as a “…Say Anything” for the younger generation, the film’s Sundance premiere received a standing ovation from the audience, and one can expect that when it opens in July, it will be another Searchlight hit in the vein of Garden State and Once.

    Of course, I can’t write a “review” of a movie I didn’t fully watch. I can, however, write a review of my decision to walk out a half hour into it. In fact, I’ll use the above blurb to record what was going through my mind in the half hour before I left.

    “Clearly the biggest crowd-pleaser at this year’s festival…” Must be taken with a grain of salt. A festival like Sundance combines star-spotting mania with meditative art films, wrist-slashing character studies and unsellable passion projects. So, seeing a couple stars (who happen to be seated in the audience) perform in a mildly funny comedy often brings the house down when, in a regular multiplex, the house would shrug and head to the bathroom when the credits roll.

    “… from first-time director Marc Webb and screenwriters Scott Neustadter and Michael Webber, which covers a year and a half in the relationship between Tom Hanson (Joseph Gordon-Levitt) and Summer Bishl (Zooey Deschanel), the latter a flighty woman who breaks the former’s heart.” Deschanel’s greatness in other roles is that she can be flighty without being shallow. She has an introspective, girl next door quality that gives her romantic leads the feeling that she’s not the girl you get, she’s the girl you marry. It appears that Neustadter and Webber probably had Deschanel in mind for the part when they wrote it, but in their mind she’s Kate Hudson.

    “… the film is told in an innovative and clever narrative style, jumping around in time from the height of their developing love affair to the months that follow their break-up.” Non-linear story-telling can make an already compelling story that much more compelling (Pulp Fiction, Memento). But if you take an old episode of Two Guys and A Girl and recut it with a non-linear plot, it’s still an ABC sitcom that’s easy to watch, but doesn’t compel you to laugh out loud.

    “Gordon-Levitt creates an infinitely likeable character…” It’s not that he’s unlikable as much as tedious. If the male lead is a bore for at least a half hour of the movie, can you really say “infinitely likable?”

    “…the film’s Sundance premiere received a standing ovation from the audience, and one can expect that when it opens in July, it will be another Searchlight hit in the vein of Garden State…” If there is one thing that Summer does have in common with Garden State, it’s that it tries to be a cinematic mix tape. But there was a certain chemistry between Zack Braff and Natalie Portman in that movie. However corny, the scene where Braff falls for Portman when she plays The Shins for him doesn’t have the screeching-brakes feeling to it that Levitt’s swoon does when Deschanel says, “Are you listening to The Smiths? I love The Smiths!”

    In a lot of ways, 500 Days of Summer feels derivative of Garden State and a lot of other better romantic tweener comedies. It’s kind of like if Garden State had been turned into a TV series, recast, cancelled, then bought by USA network and restarted. Which is maybe why I felt watching half an hour was enough.


    Originally posted on:SpoutBlog » Paul Moore

  • PUSH: BASED ON THE NOVEL BY SAPPHIRE Review, Sundance 2009

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    Push took top prizes at Sundance 2009 (Grand Jury for Drama, Audience Award and special acting prize for Mo’Nique), but–like a lot of prize winners in the past–it may prove to be too much for regular audiences. During the Q&A after the screening I attended, a girl stood up and said, “I’m from Harlem and I know people like that, but I’ve never seen it on a screen before.” She then thanked director Lee Daniels through her tears and sat down. It was the kind of moment Sundance programmers live for.

    This small, risk-taking film does show something that hasn’t been on a screen before, and it eclipses the feel-good-and-give-me-your-money bigger pictures. Push: Based on the Novel by Sapphire is a simple story about an uneducated, pregnant girl in Harlem circa 1987. It leaves you a sweaty wad of mixed emotions and defies you to figure you what you’re feeling and why you feel it.

    Precious (Gabourey Sidibe) is a sixteen year old girl who lives in hell. She’s morbidly obese and hated wherever she goes, except in her fantasies. (Kind of like Pan’s Labyrinth, but the war torn country Precious escapes is the Harlem ghetto and her fantasy world comes from TV.) It’s a little absurd and supposed to be funny. She has an indomitable wit despite the fact that she carries her father’s second child and her mother (Mo’Nique) is one of the most tragic and despicable villains, maybe, in all of cinema. Precious’ entire life is just a vessel to absorb all the victimization possible from being poor and black and female. Through her hallucinogenic fantasies, her protective sarcasm, and a couple of women who refuse to let her disappear, she inches — and I mean inches — towards prevailing.

    If you’re starting to think Stand and Deliver with incest, think again. Precious’ journey is like watching somebody held under water learning to breath through a straw. If Push did not completely absorb you into the world of Precious, it may appear that her victories (like reciting the alphabet from start to finish) are minute, maybe even pathetic, but their monumentality in Precious’ world is visceral. It also helps that every once in a while there’s a fall-down funny joke.

    Daniels’ freestyle comedy is what prevents the audience from walking away with PTSD. Shortly after what’s probably the most difficult scene in the movie, Precious is staying with her teacher and her teacher’s lesbian partner and remarks to herself, “They talk like TV channels I don’t watch.” At the screening I attended, the theater fell into fits of laughter, the way a death row inmate might when granted a pardon. When Daniels introduced Push, he encouraged the audience to look at how Precious laughs at what’s thrown at her, and laugh with her. My immediate thought was that his last screening must have been completely morbid and he wanted to lighten this one up. But now I think he may have been prepping us for the real brilliance of the movie. In some way, Precious’ humor creates an even deeper connection for us to her suffering because it makes her suffering more authentic. Isn’t it human nature to find some weird whiff of humor in the darkest hour? Finding a way to make a joke, albeit a dark one, can be the only reason at the end of the day to think tomorrow could be any better.

    I know Push has everything going against it. Incest, a cast of “real” characters (even Mariah Carey looks like she’s served time in prison) and a location people don’t want to visit unless they have to, but it has an undeniable authenticity. It definitely pushes what an audience is willing to take. Some will say the waves of tragedy hitting Precious’ life smack of melodrama. Does Push go over the top? I really haven’t decided yet, but there’s that girl in the audience who said it was a spot on depiction of people she knows. I think there are lives which are more broken and sad than anything we’ve seen in movies before. Wrestling with whether or not I’ll allow Preicous’ life be authentic to me is, I think, is exactly what Daniels wants because days after I attended the screening, I still haven’t forgotten her.


    Originally posted on:SpoutBlog » Paul Moore

  • Art and Copy Review, Sundance 2009

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    Art & Copy  (2009)

    On the surface, Art & Copy is a tribute to legendary creative minds in advertising, and the process through which they made their most iconic ads. From taglines that became pop touchstones like “Just Do It” and “Got Milk?” to how Mac, Budweiser and Volkswagon went beyond their product and became “lifestyle brands,” the charismatic advertisers share how it happened from their point of view, which smacks of self-mythologizing. Not only does the director, Doug Pray, appear to completely buy the mythology presented, but when the film raises moral and ethical questions about advertising, I’m not sure he realizes the questions are even there.

    The documentary follows a simple structure. An advertising legend (Hal Riney, George Lois, Dan Wieden, David Kennedy, Mary Wells, Rich Silverstein, Jeff Goodby, Lee Clow among others) tells a story or expounds on creativity. Between each story is a meditative sequence that harkens back to Koyaanisquatsi: billboard scaffolding, a city highway, a satellite being constructed –the real concrete and steel lattice work advertising travels to get to us. Usually, over these images a disturbing statistic pops up like, “We receive 5,000 advertising messages a day.” Often, the images include workaday drones putting up billboards or sitting at banks of computers monitoring satellites. Then there’s a statistic revealing how absurd post-modern life has gotten like,  “Children receive a zillion advertisements before they’re potty trained.” Paradoxically, these statistics are always followed by another ad executive sitting in an architectural masterpiece of a workspace talking about the power of creativity and how they harnessed it to the betterment of the world.

    After a while, it becomes apparent that Pray’s desolate shots of satellites, billboards, highways and cables with the creepy statistics superimposed continually beg a question that won’t be answered: And do you, rebel/artist/advertising billionaire, feel complicit in creating this consumer madness? This massive spider web where we’re sold stuff from the time we open our eyes to the time we close them?

    Although the question is not so subtly raised, it is obviously averted. In defense of the film, there is an insinuation that bad advertising has polluted the world and degraded consumers, but good advertising–the kind we’re talking about here–is basically art. Case in point: Nike’s Just Do It.

    Nike wanted to sell sporting equipment that assists in a healthy lifestyle. Altruism, capitalism and creative genius align to make Just Do It. All of the sudden, people aren’t just buying Nike, they’re leaving abusive relationships, going back to school, changing jobs because they decided to “Just Do It.” Now, would these people have gone on to just do it–whatever it is–without Nike’s ad? Probably. Did Nike make billions by becoming an aspiration for a lifestyle rather than a pair of shoes that wasn’t significantly better than their competition? Definitely. Is the world a better place because Nike was able make shoes represent the life you want instead of the life you have? Well, that’s a question this documentary continually steps up to ask, then avoids.

    Unlike Art & Copy, Beautiful Losers is a doc I reviewed last year wherein the artists actually ask themselves whether using their creativity to sell stuff is moral. In fact, wrestling with the question is part of their process of going from juvenile artist/rebels to grown ups. It’s troubling that in Art & Copy the altar of the artist/rebel has become so sacred that when questions about the ethics of one’s work become unavoidable, the worshippers simply won’t acknowledge them. These advertisers don’t ask hard questions about what they’ve created. It’s an elephant in the room which has been ignored for so long, that even though it seemed to be standing in the very editing room for this documentary, nobody acknowledged it.


    Originally posted on:SpoutBlog » Paul Moore

  • Burma VJ Review, Sundance 2009

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    Burma is under a repressive military regime. To a Western mind, it’s hard to imagine plain clothes agents of the government arresting anybody holding a camera (who’s not another agent), or soldiers shooting protesters in the streets then airing TV messages like “RFA, AFP, BBC [free press] saboteurs, watch your step!” Almost all images from inside Burma come from a few brave Burmese “reporters” with Sony Handicams. They leave them rolling in their bags, then briefly unveil the lens to capture a piece of an event without being discovered, which is the extent of their reporting. They upload the footage over the Internet or smuggle it to Thailand. From there it goes to Oslo, Norway where it’s broadcast back into Burma. Burma VJ is Anders Ostergaard’s documentary about the anonymous cameramen known as The Democratic Voice of Burma (DVB). Without them, the world does not see what happens in Burma.

    Having the emotional effect of a thriller because each action anticipates a truly brutal response by the government, to actually use the word “thriller” cheapens the power of the footage and the sacrifices made to get it out. “Joshua” is the narrator of the story (”Joshua” is his handle). He was compromised during a very small protest in 2007 and went into exile in Thailand. The footage he and his VJs caught of that small protest was played over and over on national media. Something changed. Since 3,000 Burmese were killed during massive protests in 1988, the country had been oppressed in an airtight silence. For 19 years, Joshua says “our stories were silent,” meaning they filmed silent people, restrained from any political expression. VJs themselves questioned whether anybody that wound up in front of their hidden lens was an agent who was onto them. Then the small sidewalk protest that sent Joshua to Thailand inspired thousands of monks to step out of monasteries in peaceful protest. At that point, bravery spread like a virus. For a week in September 2007, the brief clips captured and smuggled out by the BVD to Joshua in Thailand and on to Oslo changed world politics.

    This is not a traditional fiml and it defies a traditional review. Director Anders Ostergaard does a compelling job re-stiching the events in chronological order. Reenactments of Joshua in his office in Thailand, gives the the film a personal point of view as the story unfolds before him, like it does us, in the footage coming in from the reporters he handles. But the story of the events from the start of the protests to their inevitable demise was a matter of simply telling what happened, rather than the sporadic bursts of information broadcast news provided at the time. The bulk of the footage is authentic, real people doing something truly brave. Real bravery, not being retold by people or reenacted with actors, is inexplicably beautiful.

    As tens of thousands of people who’ve lived for 19 years stifled by fear begin to clap, shout and march down the street knowing they may not see nightfall, watching the movie feels like a privilege to see an authentic record of our capacity for courage. It’s a pure decision, to set aside fear and say “I want to be free,” even if it means death. Witnessed with wonder and then with despair as the inevitable response from the government comes, there’s a palpable feeling that watching Burma VJ is an amazing cinematic experience that somehow becomes an act of solidarity.


    Originally posted on:SpoutBlog » Paul Moore

  • Thriller in Manilla Review, Sundance 2009.

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    Take an epic sporting event, cut together the highlights and interviews with the athlete (or athletes) and coach (or coaches), and you have an instant crowd-pleaser, because the crowd already been pleased once and knows it will be again. I expected Thriller in Manila to be that documentary until the build up of “the greatest fight of all time” between Muhammad Ali and Joe Frazier unexpectedly wheezes, as a 63 year old, nearly incoherent Frazier walks into his decrepit Badlands of Philadelphia gym. With one shot of the little, cluttered room he lives in upstairs, the tone shifts to the unapologetic telling of Joe Frazier’s side of the story. Director John Dower has an easy target (Ali can’t speak for himself anymore), but to his credit he lets the camera remain on the mixed emotions of people closest to the fight and thereby raises issues–and the film–above its genre.

    Through talking heads with the gray hairs who were there, archival footage and the relentless narration of Paterson Joseph, we go back to the late sixties when Joe Lewis and Muhammad Ali are friendly competitors. Joe Lewis personally lobbies President Nixon to get Ali back in the ring after Ali’s famous refusal to go to Vietnam for his religious convictions (a member of the all-black Nation of Islam). Back in the ring, Ali and Frazier go on to have three fights in a vicious rivalry that’s the stuff of sports legend and Greek tragedy. It all culminates in 1975 when Philippine dictator Ferdinand Marcos hosts the “Thrilla in Manila,” the third and final bout between Frazier and Ali.

    Much of the film dwells on Ali earning his Great American Hero status more for his publicity skills than his fighting skills. Joe Frazier was an uneducated sharecropper’s son who grew up in Beauford County, SC, where he still couldn’t cash a check even after he became the World Heavyweight Champion of Boxing. He’s presented as the real black working class champion, even though Ali’s radical political views and charismatic spirit made him an icon of 60’s political activism. Ironically, Frazier’s fans were usually white conservatives who admired his quiet, dogmatic work ethic.

    With Joe Frazier’s vicious left hook, it appears Thriller is going to pound Ali’s mythic image into the floor. The tipping point of the title fight and the film, happens when Lewis introduces his newly developed right jab, causing Ali to have to rethink how he’d protect his left side in mid-match. This turns the bout from a shoo in for Ali into a bloodied, epic war between the two men. At this point, Dower upends his own Ali exposé when Frazier’s drive to “take apart” the man who’d derided him for years as an Uncle Tom, sends Thriller flailing at religious fundamentalism, the group think of The Media, black on black racism and even the corruption between professional boxing and dictator regimes (Imelda Marcos, although married to a ruthless dictator, could not take sitting ringside anymore during the fight because it was too violent). All factors are complicit in what made “the greatest fight” the one neither man really walked away from.

    The exhaustion Thriller creates in the audience by its conclusion has less to do with the typical drama of boxing that movies like Rocky revel in. As they pound and pound each other, each man exhibits an almost supernatural willpower to go on, but unlike Rocky, that heroic willpower may be the very thing that has crippled their twilight years. “Each one is Ahab and the other is the Black Whale,” Ali’s biographer says. Although Thriller in Manilla is heavy-handed at times, taking a sports history documentary and infusing it with Moby Dick horror is definitely something to behold. Unless you’re queasy like Imelda Marcos.


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #99: Where’s the GI Joe PSA guy?

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    Australia  (2008)

    Eric Fensler created one of the first viral video sensations when he overdubbed the GI Joe PSAs. He’s a rare artist who, like Andy Kaufman, is hard to describe in a sentence or two. One thing is certain, he’d rather not be called, “The GI Joe PSA guy.”

    Listeners respond with what their families watched on Thanksgiving, while Karina Longworth was transfixed by Australia and Indecent Proposal over the holiday weekend.

    (See two of Eric Fensler videos after the jump.)


    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

    0:00 - Intro, listener feedback

    5:32 - Eric Fensler

    29:41 - Karina on Indecent Proposal, Australia

    42:21 - Listener voice mail: why movies are better than video games

    filmcouch-99


    Eric Fensler’s TRS-80 music video, featuring himself on keyboards

    Eric Fensler’s GI Joe PSA, “Body Massage”


    Originally posted on:SpoutBlog » Paul Moore

  • Film Nerd Terrorists on YouTube

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    In an email exchange this week with John Damer-a regular FilmCouch listener–he mentioned a movie called Gabriel Over the White House. Just go to this movie’s Wikipedia page, and a movie-dork acid will start to fill your stomach. William Randolph Hearst made a movie where there’s a gangster driveby of the White House and the President predicts last week’s bailout plan?!?!?! You must see it.

    You start searching for the DVD and, probably, wind up at Amazon.com. There you’ll find a few secondary vendors selling VHS copies of the movie for over $100. Your heart sinks. A little more digging reveals there’s no copy at the local library. For the more Internet immersed, you may try Archive.org hoping the copyright expired and it’s now in the public domain. No luck. MGM still holds the rights. But there’s a guerrilla spirit of VHS movie collectors out there who won’t let baby be put in the corner.

    YouTube is the current battleground in getting hard-to-find movies released, and John Damer has decided to start blogging about film essentials that are likely only available to you there. It was a short debate he and I had: Keep them a secret so they don’t get taken down? Or start letting people know as a bottom-up protest to release these movies in some legal way?

    My vote fell on the latter side because doing nothing usually results in nothing. Watch them while you can! Gabriel Over the White House (1933), The Decline of Western Civilization (1981), Quatermass and the Pit (1967)

    Postscript: Kevin Buist and I have an in depth discussion this week about Gabriel Over the White House on FilmCouch. That podcast will be up Friday morning.


    Originally posted on:SpoutBlog » Paul Moore

  • Revanche Review, Telluride 2008

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    Revanche  (2008)

    Revanche had its North American premiere here at Telluride 2008 and was far and away one of the most exciting new films playing. It’s a revenge thriller with cinema purist sensibilities from acclaimed Austrian director, Götz Spielmann. Keeping its German title, Revanche, the word carries two meanings: Revenge, but also a kind of second chance.

    In the Austrian countryside, Robert and Susanne (Andreas Lust and Ursula Strauss) have built a cozy house and are trying to start a family. He’s as a rural cop, she works at the local grocery and on Sundays she takes her elderly, widowed neighbor to church. In the red light district of Vienna, Alex (Johannes Krisch) is the errand boy for a pimp and has started an amorous–and very secret–relationship with one of his prostitutes, Tamara (Irina Potapenko). When the desperation of escaping Vienna kicks in for Alex and Tamara, it looks as if Revanche is heading into familiar genre territory: Alex plans a bank job out in the country (”What can go wrong?”), it goes wrong and Tamara is killed in the getaway by a cop, Robert. But it’s when Alex goes to hide out on his grandfather’s farm and realizes the cop who killed his girlfriend lives next door, the movie screeches like a getaway car into unexpected territory.

    With an excuse that his mother told him to chop all the wood for winter, Alex arrives at his grandfather’s farm. The wood pile is enormous, creating a sisyphean task. What follows are long takes of Alex in a self-imposed labor camp, cutting log after log to regulate the overwhelming grief and violence wanting to come out of him. The quiet little countryside becomes a cauldron, lit by the death of a Russian prostitute, where all four characters will be melted down to reveal what they’re made of.

    Johannes Krisch’s physicality alone is brooding and boyish, volatile and seductive, giving us the space to fear and like him. In an interesting sidenote, Spielmann mentioned in the Q&A afterward that people don’t feel at home in their skin when concentrating on what their saying. So, he and the actors rehearsed until what they said was no longer important, then their bodies began to do the acting. Spielmann also doesn’t use music, but the sound of the buzz saw and animal cries in the woods are more ominous than any music. He doesn’t give any easy answers away and we’re left wondering about the choices his characters make long after the movie ends. A typical revenge plot is fueled by the hero’s obsession, but Revanche has a different kind of energy, fueled by the collison of four obsessions. It’s a fascinating watch and by veering from the beats of a typical revenge plot with Revanche, Spielmann elevates the genre to a new level.


    Originally posted on:SpoutBlog » Paul Moore

  • I’ve Loved You So Long Review, Telluride 2008

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    Revanche  (2008)

    I’ve Loved You So Long came into Telluride with a lot of buzz about this being Kristen Scott Thomas‘ soon-to-be Oscar winning performance. Like Forrest Whittaker in The Last King of Scotland two years ago, it was the performance not to miss. So, I didn’t. And if Kristen Scott Thomas wins an Oscar it’s because there are very few actresses who can hold an audience for two hours alternating between chain smoking with a million-mile-stare and delivering long, expository monologues about her backstory. I mean that as a compliment to Ms. Thomas and a criticism to director, Philippe Claudel.

    Juliette (Kristen Scott Thomas) sits in an airport in France smoking. Her face is a map of heartache. In fact, it looks more dead than alive, which is probably the most impressive moment of the movie. (Why do directors insist that great actors talk so much?) Her sister, Léa (Elsa Zylberstein) arrives late. The ride to her sister’s country home is icy. They haven’t seen each other in a long time and they want to discuss anything but why. That’s how I’ve Loved You So Long begins.

    Quickly, we learn Juliette has been in prison fifteen years for murder. But obviously she’s not considered dangerous because her sister brought her home to live with her husband, two adopted daughters and mute father-in-law. Juliette and Léa reluctantly embark on trying to be sisters again. Meanwhile, Juliette looks for a job, smokes, visits her parole officer (Frédéric Pierrot, the most compelling character with the least screen time) and slowly defrosts around her sister’s family and friends. When somebody tries to talk to her, she snaps at them, but when she chooses to talk to somebody, there’s a huge backlog of stories about herself she needs to share. Its kind of a rhythm: Smoking, snapping, talking. Smoking, snapping, talking.

    It doesn’t take too much time for the audience to discern the nature of the murder she served time for, but for some reason the director orchestrates a big reveal at the climax of the movie, which is anything but. Juliette’s a classic tragedian whose slowly stepping toward a grand catharsis, a moment that begs us to be stunned by what we’ve known all along.

    At Berlin, I’ve Loved You So Long won the Ecumenical Prize for best picture promoting unity or something. I guess it won because we feel compassion for a prisoner walking the streets after serving time for a crime of compassion. But isn’t that kind of a non-criminal? It’d be like making a movie about learning to forgive Harriet Tubman for all the lies she told. I think if the award validates anything, it’s that people love to have great actors repeat their beliefs back to them.

    Now Revanche on the other hand. Phew-ee. That movie had a slimeball ex-con who was so magnetic I wanted to hire him as a nanny. Figure out how the director promoted that kind of unity because I can’t.


    Originally posted on:SpoutBlog » Paul Moore

  • Firaaq Review, Telluride 2008

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    Firaaq  (2008)

    A man on his phone next to me at the concessions said, “Things have definitely taken a turn for me, today. I’m now four feet away from Salman Rushdie.” In an unusual act of altruism only found at Telluride, author Salman Rushdie has championed the small Indian movie, Firaaq. He is introducing the screenings with the first-time director and acclaimed actress Nandita Das, and he’s conducting the Q&A afterward. This, of course, is helping an unknown movie with no big stars draw a crowd.

    Firaaq (translated: Separation) takes place in the immediate aftermath of the 2002 Gujarat riots, where as many as 2,000 people–mostly Muslim–were killed. The riots were a hindu backlash to the Godhra train burning where Muslims were accused of burning up a car with 58 Hindu pilgrims inside. Made with an ensemble cast and intersecting storylines, it’s a day in the life of would be neighbors right after the riots are over, the anger and fear still dense in the air.

    There’s a rickshaw driver whose house was burned down, his wife who suspects her Hindu friend did it, a gravedigger wanting revenge, a Muslim priest whose remained oblivious to the conflict outside, a secular shopkeeper married to a Hindu wife and another Hindu woman married to a man who was a perpetrator in the riots. Their lives loosely intersect to reveal they could be a community but for an age old hatred made fresh by the killing, raping and burning of the last month.

    A frequent pitfall of movies made this way is that the stories are only skimmed lightly and characters are forced to say exactly what they’re thinking (Crash) because they have to get out of the way for another storyline. Firaaq, at times, is didactic, but where it wins is in delivering on concept.

    A little discussed fact of massive violence is that it’s not over when the fighting stops. It’s just smoldering like a volcano returning to dormancy after an eruption. There’s a haze of fear and loathing still thick in the community. It happened with Jews who survived the camps trying to return home after WWII only to find they weren’t anymore wanted then they were during the war. The enduring displacement was maybe the biggest reason for establishing Israel, which shifted the war to a smoldering tension, and occasional eruption, with Palestine. It’s the same five years after the Gujarat riots between hindu and muslim Indians.

    If Salman Rushdie is any indication, I think the movie will be well received. There’s a reality that many of us will be oblivious to human suffering happening around the world unless it’s in a movie. Which is why filmmakers continually turn to movies to connect political action with human emotion and why, on some level, it continually works.


    Originally posted on:SpoutBlog » Paul Moore

  • Adam Resurrected & Paul Schrader, Telluride 2008

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    Affliction  (1997)

    Auto Focus  (2002)

    Adam Resurrected  (2008)

    (Complete interview with Paul Schrader available here.)

    Adam Resurrected is the new movie by Paul Schrader (Affliction, Auto-Focus) premiering here at Telluride 2008. I was at the first screening which was also the first time Schrader ever watched the movie with an audience. “I realized watching it how exhausting it is, ” he told me right after the screening, “And it’s full of extremes. Literally, that old saying ‘you don’t know whether to laugh or cry’ is true here, and some scenes I think either emotion is fine with me.”

    It’s in the navigation of extremes that my crush on Jeff Goldblum, who plays the title character, was born. I’m not one to get into Oscar buzz, but I will with Jeff and even add easily excerpted blurbs: Jeff Goldblum is magnificent. Jeff Godlblum’s peformance is a tour de force. I want to make out with Jeff Goldblum in the back of his Toyota Prius. Like how Daniel Day-Lewis’ character, Daniel Plainview (There Will be Blood), would have seemed flat or absurd in another actor’s hands, Jeff Goldblum’s wry delivery and velvet wit take the absurdity of Adam Stein and make him believable.

    Based on the wildly imaginative novel by Yoram Kaniuk, Adam Resurrected begins in 1961 in Tel Aviv where an aging, witty and debonair Adam Stein has gotten a little too rough with his landlord/girlfriend and she has him committed again to the Seizling Institute out in the Negev desert. Founded by an American philanthropist, the institute is an asylum for concentration camp survivors living in Israel. It’s purpose is to somehow restore a reason to care about humanity and god when they carry the weight of being survivors to unspeakable horrors perpetrated on everyone they loved. Each patient is a walking abstraction of a type of survivor: A speechless woman carrying a babydoll, a young man who was a Nazi servant, a man who couldn’t protect his daughter.

    Adam Stein is a susperstar in the asylum. The head nurse (Ayelet Zurer) is his mistress, Dr. Gross (Derek Jacobi) his biggest fan. A famous performer in Berlin, Adam was a one man circus who could throw knives, read minds, play violin, do magic, impersonate animals and, strangely, cause himself to bleed on command. Through flashbacks, we see his rise from a Cabaret performer in 1924 to a celebrity in 1936. One night as he works the audience, he reads the mind of an unstable audience member–played by Willem Dafoe–and makes him the butt of a joke. In 1945 when Adam and his family enter a concentration camp, Willem Dafoe has become Commandant Klein, head of the camp. He belittles Adam by getting him to impersonate a dog and charm his German Shepherd. From that night on, Adam literally becomes the Commandant’s pet: A dog whose a man.

    At the asylum, he finds what he thinks to be a dog. As if lifted from some horrific parallel dimension, the dog is a boy brought to the asylum. If Adam can turn this dog into a boy again, then maybe he can put away his past as a dog, as the commandant’s pet who survived the camp where his wife and daughters were brutalized.

    When I asked Paul Schrader what sparked his interest i the book he said, “Just the strength of the metaphor: The man who once was a dog who meets a dog who once was a boy. I’m not jewish, I’m not as invested as some others in issues of survival guilt and Jewish identity, but that aside, these are really universal themes.” It is universal. Dense with emotion and humor, Adam Resurrected is about the complicated path back from being treated as a dog, a non-human, to becoming a full person again. It’s a powerful metaphor that could have crushed another actor, but it’s the part Jeff Goldblum has been building up to his entire career.


    Originally posted on:SpoutBlog » Paul Moore

  • The Rest is Silence Review, Telluride 2008

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    The biggest budget movie ever made in Romanian history played for free at Telluride 2008 today. Nae Caranfil is the central figure of the current Romanian film renaissance (they call him “The Dean”). The Rest is Silence is a period piece loosely based on the true story of Grigore “Grig” Brezianu’s determination to create of the first epic Romanian movie and establish cinema as an art form. The War of Independence (1912) is about the Romanians war with the Turks, made about 35 years after the fact. According to Caranafil, the monarch at the time offered Grig 80,000 soldiers for his production.

    It’s Bucharest in 1911. Live theater reigns supreme and movies are just shy of an opiate appealing to base instincts and keeping lower class citizens out of live theater houses. Drama schools only enroll those who can best impersonate the nation’s “heroes of history.” Grig (Marius Florea Vizante) is a 25 year old movie director whose theater actor father is ashamed of him. The big french studio, Gaumonde, has set up a shop in Romania and catches wind of Grig’s “film libretto” about Romania’s war of independence. The famed actor Belcea was Grig’s only advocate and shot at making the movie, but he’s dead and Gaumonde wants to steal the story. Grig runs to get the help of Leon Negrescu (Ovidiu Niculescu), an eccentric tycoon who believes God mandated him to bring arts and sciences to Romania (he wears a toga and conducts art classes). But first Grig has to convince Leon that film is worthy of his patronage.

    It’s the first of several hysterical hurdles Grig faces to get his movie made. He wears the hats of both swindler–when he needs money–and moralist–when he needs control. Along the way, an aspiring actress, Emilia (Mirela Zeta) captures his heart, but her ruthless ambitions threaten to break him. By casting Marius Florea Vizante as Grig (think a young, Romanian Paul Giamatti) Caranfil finds the perfect fresh-faced optimist whose naive enough to know when he’s right. But as much as Silence is a story of Grigg sprinting the gauntlet to get his film made, it’s about how movies rose from humble beginnings to greatness and the sacrifices–or casualties–made along the way.

    It’s somehow pitch perfect that in this story where film is the underdog, Nae Caranfil wrote and directed it in classic Hollywood style. It has the rapid-fire charm and wit of movies like His Girl Friday, the visual eye-candy of the turn of the century sets from The Godfather II and a tightly wound script where each element must lead to the next.

    In fact, watching The Rest is Silence is kind of a bitter sweet pill. It’s just so enjoyable and such a respectful homage to Romania’s first major filmmaker, that it’s a little mournful the U.S. can’t tout such a film as the most expensive made in our history. And to add insult to injury, Silence’s budget was 2.6 million euros (somewhere around four million dollars). No wonder Romania is experiencing a renaissance when they’re smarter with four million dollars than Hollywood is with 100 million.


    Originally posted on:SpoutBlog » Paul Moore

  • O’Horten Review, Telluride 2008

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    Factotum  (2006)

    O'Horten  (2007)

    There just aren’t enough movies about old people. O’Horten is a Norwegian film about the title character coming of age, but this coming of age story takes place when he’s 67 years old, on the eve of retiring. Directed by Bent Hamer (Factotum), it’s a revealing movie about the quietly tumultuous transition in life with a soft name: Retirement.

    The movie opens with Odd Horten (Bard Owe), a 40 year veteran train engineer, waking up to his morning routine, which is just as mechanical as the train station he reports to each day. Helming the engine, he drives his train in and out of dark mountain passages opening to the stark landscape of Norway in winter.

    The night before his final voyage, the locomotive engineers association has a small banquet honoring his years of service where he’s given a dwarfed trophy called The Silver Locomotive. Already, Horten feels set apart from his colleagues who still have the enthusiasm of being full-tilt into their careers. Through a complex series of circumstances, Horten accidentally falls asleep in a stranger’s apartment and misses his final voyage. It’s the premature arrival of this next chapter in life, a symptom of which is chronically falling asleep, usually at the wrong times.

    The ceremony of his final voyage blundered, Horten trips into a retirement he’s not prepared for. His friends aren’t where they’re supposed to be because they’re also retired or passed away. He eats less, but sits longer in his regular pub. He’s an operator no longer operating. With no wife or children, he visits his mom whos is only a quiet shadow of her younger self. Finally, into the drudgery of establishing his new life while looking back at the old one, Horten meets a man laying in the sidewalk calling himself Dr. Sissener (Espen Skjønberg). Whether Dr. Sissener slipped on the ice, passed out or laid down for a nap is of no consequence. At a certain age, falling down or falling asleep comes to be an expected intrusion. Horten and Sissener spend a much needed evening together and give each other the nudge they’re looking for to make the next transition.

    Although the end of O’Horten is pretty dense with metaphor, it’s the hour and a half preceding it that’s hypnotic. Usually, when an old person is cast in a movie, they fit a young person’s view of them. They’re curmudgeonly and funny, often full of wisdom when it’s needed. The proverbial firecracker, which is really a young person with old skin on. Horten is cast not as young people see him, but how he sees himself: Confused, dissatisfied and burdened by how helpless this next chapter of life promises to be. The charm of the movie isn’t in the funny parts–and there are several–but in the quiet, alone moments with Horten. These are moments we rarely see, particularly with old charcters in movies. But they are the real connecting point between for an audience that spans generations. Generations preoccupied with a mythical sweet-spot in life that doesn’t come soon enough and passes too quickly.


    Originally posted on:SpoutBlog » Paul Moore

  • Tulpan Review, Telluride 2008

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    Highway  (1999)

    In The Dark  (2004)

    Tulpan  (2008)

    Telluride is celebrating a great talent coming out of Kazakhstan this year, Sergei Dvortsevoy. Although he’s here with only his first feature film (which, incidentally, took four years to make), there’s a slate of documentaries he’s brought that the festival directors tout as “must sees.” In the Q&A for his first feature film, Tulpan, Dvortsevoy described shooting the first scene of the movie, a 10 minute long take of a ewe giving birth. He showed it to his small cast of Kazakh actors and non-actors and said, “That’s what we have to live up to.” And it’s true. If there were a Best Non-human Actor Oscar, this sheep would have it (although the Academy would probably give it to one of these damn Disney chihuahuas). Fortunately, the cast lived up to the animal’s authenticity with each scene and breathed life into a simple fable.

    Asa is a young man living with his sister’s family after a stint in the navy. They’re nomadic sheep herders and Asa works for his older brother in law, Ondas. He’s anxious to start his adult life and for him it will begin with marrying Tulpan, the title character. But neither Tulpan nor her parents are interested in the arrangement. Asa’s not established himself as a herdsman. He begs his brother-in-law for a herd, but he can’t get a herd until he’s married. Therein lies Asa’s dilemma he must face to go from boy to man. But it’s Dvortsevoy’s meticulous direction that creates a cinematic experience.

    It’s not just the performances that are enamoring, it’s the sheer starkness of the environment. You see, Tulpan is not just the only girl for Asa. She’s literally the only girl, which sounds ridiculous until you see the Hunger Steppe of Kazakhstan. Kazakhstan is the largest landlocked country on the planet, and the steppe is a vast, flat sea of dust. From the family’s yurt–a tent that looks like a giant wicker basket turned upside down and covered in wool blankets–there’s 360 degrees of flat horizon and nothing to break it. Not even a telephone pole. A constant wind buffets the earth and its droll is only broken by the sharp cries of one of Ondas’ children, his sheep or the engine of a tractor-turned-truck driven by a porn loving courier, Asa’s only outside friend.

    The isolation is unnerving, but it also clarifies the inherent drama of this family. There’s no need for Dvortsevoy to impress us with symbolism. The reality is the metaphor. For Ondas, when he can save a lamb, he insures his children’s survival. Dvortsevoy’s long, uninterrupted takes pull up the quiet angst of their life. We don’t have to hear Ondas say, “Life as a herdsman is really hard,” because it’s a fact we become intimate with. So, in Tulpan when it’s time for a sheep to give birth, we’re right there, hanging on every moment. And that sense of The Other that Sasha Baron Coen used to make his Kazakh character Borat so funny, is nowhere to be found.

    (Sergei Dvortsevoy’s documentaries are also playing at Telluride’s Backlot: Paradise, Highway, Bread Day and In the Dark.)


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch 81 - Comic-Con 2008 and Mardi Gras: Made in China

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    Keanu Reeves tells Kevin Buist–in very inhuman terms–what it’s like to be an alien getting in touch with his “humanness,” just before Kevin gets melted by a cosmic glare for being near Keanu at Comic-Con. So, what’s up with all these A-list Hollywood types going to a comic book convention? Kevin tells the story of his first Comic-Con visit.

    Eureka! One of the great documentaries to slip through the cracks in 2004 was released this week through new DVD label, Carnivalesque FIlms. Mardi Gras: Made in China deftly examines globalization by stringing together life in a Chinese bead factory with the drunken, breast-baring party life of New Orleans during Mardi Gras.

    Plus, a listener emails us two movies about female vigilantes. Can you guess what they are?


    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

    FilmCouch-81

    The Day the Earth Stood Still (2008)


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch 80 - Wholphin 6 and Dark Knight Indigestion

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    The Dark Knight  (2008)

    Wholphin: Issue 6  Production Year

    Responding to your emails on The Dark Knight conversation. Wholphin 6 is here! Our favorite DVD quarterly returns with some amazing short films that have to be seen to be believed. We talk to Wholphin editor Brent Hoff about where it came from.

    Bonus: Can you name a post-apocalyptic movie where the human race is condemned to death? We can and do.

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

    FilmCouch 80


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch 79 - The Dark Knight

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    The Dark Knight  (2008)

    The Dark Knight totally changes the landscape of comic book hero movies, a kick-ass action flick with a lot to chew on. Two conversations, the first on how great the movie is, the second–at the end of the show–full of spoilers and plumbing the depths of The Dark Knight’s conclusion. Also, what Karina watches when her cable goes out.

    filmcouch-79

    0:00 - Intro, how do other vigilante movies measure up to The Dark Knight?

    4:35 - The Dark Knight gush review.

    19:24 - Karina prepares for a trip to Branson, Missouri by watching basic cable.

    27:50 - The Dark Knight redux, with spoilers.

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)


    Originally posted on:SpoutBlog » Paul Moore

  • SnagFilms launched today

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    We’ve been running into a really exciting company at festivals called SnagFilms (snagfilms.com). Today, they launched their beta site with a slate of over 270 free documentaries, many of them full-length. The next few weeks the library should increase to 400. They’ve also acquired the perennial news source for independent film, indieWIRE, which will be SnagFilms editorial voice for these unsung gems that would probably otherwise languish on the festival circuit.

    Many of the docs available were featured at the SXSW Film Festival, like award winning audience favorite of SXSW 2006, Darkon. Watch it. It’s free. (It feels so good to write that.)

    UPDATE: I just found Heavy Metal in Bagdad on SnagFilms! Probably the movie Karina was championing most last year. Oh boy. I know what I’ll be doing tonight.


    Originally posted on:SpoutBlog » Paul Moore

  • The Conversation: The future of filmmaking, games & new media

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    the-conversation

    Scott Kirsner (Cinematech, Variety) is ever-present at the point where film and technology meet. Now he’s involved in co-hosting a “two-day conversation… about the future of cinema, video, games, and telling stories with new media.”

    The Conversation will take place October 17 & 18 at the Pacific Film Archive theater in Berkley, CA. The guest list is exciting and includes Reed Hastings (founder Netflix), Peter Broderick (Paradigm Consulting, early advocate of digital moviemaking), Sharad Devarajan (CEO, Virgin Comics/Virgin Animation), John Batter (DreamWorks Animation SKG), and our friend Sara Pollack of YouTube among many others. You are eagerly invited to suggest topics and guests for the event, so it remains firmly informal, open and non-PowerPointy.


    Originally posted on:SpoutBlog » Paul Moore

  • The Dark Knight Review

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    Iron Man  (2008)

    The Dark Knight  (2008)

    Maybe you’re somebody who has no qualms when hundreds of millions of dollars are spent on a movie that amounts to a couple great chase scenes and a rock ‘em, sock ‘em fight with the hero’s girlfriend tied to some time-sensitive death contraption. But I always feel teased. Like I just got back from a date where my interest was exploited for a free meal. The Dark Knight is a diamond in a mound of cubic-zirconia gemstones, two and a half hours of blockbuster at it’s finest, a movie worth the price of a concert ticket.

    Please, allow me to clear my head of my immediate reactions: The Dark Knight is the shit! It is so awesome I can not stare into the light of its awesomeness without seeing spots. Better than I hoped–and I was hoping for a lot–there were even points where I sat looking at the screen thinking, “Can Christopher Nolan (writer/director) possibly sustain my amazement any further?” The answer: Yeppers, and with a choke-on-its-way-down ending. I’ll shut off the blathering even though I want to keep going.

    Christopher Nolan does what I wanted Jon Favreau to do with Iron Man. Kick ass and kick more ass while always staying a step ahead of me (Heath Ledger as The Joker is as mystifying and sensual as Hannibal Lecter). Then–so I don’t feel he just took my money for a couple great chase scenes–he knocks me in the head. When I walked out of the theater I couldn’t balance out the world. I laid awake in bed rethinking the Iraq war based on something a guy in a bat costume said, and that’s when I knew I’d gotten my money’s worth.

    Tonally, The Dark Knight picks up right where Batman Begins left off. The soft, sour notes in the concluding refrain of Batman Begins have grown in volume. The closing of the first movie suggests that donning a cape and mask to inspire fear in the ruthless and hope in the innocent has, in fact, unlocked the frenzied fantasies of Gotham’s sociopaths, which crescendos in the opening bank heist of Dark Knight. Heath Ledger’s Joker is so exceptionally twisted and brilliant, I can imagine casting agents boycotting future assignments to cast comic book villains. He’s a sociopath, a terrorist and he’s totally magnetic. If The Joker weren’t killing people, he’d make the perfect role model: Resolute, determined, brimming with self-confidence and unshaken by the material things of this world. He’d be a monk on his way to sainthood, if only he didn’t live to see the world suffer.

    There is no effort to explain where The Joker comes from, except for his own self-made mythology which changes whenever he tells it. Nolan won’t offer false comfort in “understanding” where The Joker comes from, but just the reality that some evil cannot be explained and must be faced. Gary Oldman returns as James Gordon (minus the befuddled old man in the Batmobile antics, thank god). And Maggie Gyllenhaal has replaced Katie Holmes as district attorney Rachel Dawes (again, god, thanks). Aaron Eckhart takes a prominent role as “The White Knight,” D.A. Harvey Dent, a surprisingly worthy double for Batman/Bruce Wayne (Christian Bale). Harvey Dent and The Joker orbit Batman like protons and electrons vying to change the very molecular makeup of our hero, and they do.

    Take all the brilliant action of the first movie and give it the psychological sparring up there with Anton Chigurh and Sheriff Bell in No Country for Old Men. It’s an art film with comic book heroes to geek out on. Ah, how refreshing for the hero to be challenged so far beyond his nemesis having a bigger, better contraption! The Joker is a spirit, a moral contaminant awakening uncomfortable admiration and shame over our silly values. He’s the most compelling defense for water boarding. Like a walking Sophie’s Choice, his sole purpose is to strip away any pretense of nobility and reveal what humans are truly capable of when only given the choice to kill or be killed. He’s Batman’s true nemesis because he preys not on Batman’s body, but the very hope he has in his city and the people in it. For us, he’s the enemy we won’t let ourselves believe in.

    I’m still thinking about it.


    Originally posted on:SpoutBlog » Paul Moore

  • Journey to the Center of the Earth With 5 Actors Who Shouldn’t Be Famous

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    Brendan FraserBrendan Fraser will be in two big mother movies this year, Journey to the Center of the Earth (opening Friday) and The Mummy: Tomb of the Dragon Emperor. He belongs to a curious list of actors in Hollywood who keep showing up in big movies, despite the fact that they’ve never really made good on the promise of becoming good actors.

    It goes like this: A young actor, in his/her first or second movie, shows so much promise they’re touted as The Next [insert famous actor name]. “Despite being only 19 years old, Brendan Fraser has exploded on the scene in School Ties blah, blah…” Then, in spite of of a string of movies like Blast From the Past, every single summer these actors show up in another overly hyped movie.

    Below are five top call actors that inexplicably keep starring in big movies. In making this list I noticed a couple hallmarks to spot actors who fit the criteria. One, if they weren’t reading lines when we see them onscreen, you get the sense they’d sound dumb. Also, think about roles they’re famous for, then switch out–say–Ben Affleck as oil-driller-turned-astronaut in Armageddon with Brendan Fraser. Would the movie have really changed? At all?

    Ben Affleck - I think there’s a lot of suspicion around how much he actually contributed to the Oscar winning screenplay of Good Will Hunting. Nonetheless, he’s got the Oscar and we’ll be seeing him play the All-American guy who can cry beer again in the star riddled, He’s Just Not That Into You.

    Josh Hartnett - Here’s a common occurrence: A good looking guy is cast in a movie like The Virgin Suicides to play an insensitive, slightly dopey high school heart throb. Then, when said actor delivers so well in that role, people apparently think he’s acting.

    Julia Stiles - I just don’t even understand how this one happened. In high school, she’d be the new girl everyone wants to hang out with until you actually hang out with her. With Ethan Hawke’s Hamlet and later O, there was a sort of “I can do Shakespeare” card trick that apparently still pays off. She’ll soon play Esther Greenwood in the adaptation of Sylvia Plath’s The Bell Jar (the equivalent of Josh Hartnett playing Holden Caulfield in Catcher in the Rye).

    Ryan Phillipe - He got two shots to redeem himself with Gosford Park and Crash (along with runner up for this list, Matt Dillon), Ryan is best cast as “their father” to Reese Witherspoon’s kids.

    Jon Voight - In case you’re thinking Brendan Fraser is the father of the inexplicably famous actor list, I present Jon Voight. For all the film-o-philes yelling, “Not Joe Buck! He was nominated for Midnight Cowboy!” I refer you back to the explanation in the first paragraph of this post, and also remind you that Marisa Tomei has an Oscar. I also offer the above clip that’s been on this blog before for your viewing pleasure.


    Originally posted on:SpoutBlog » Paul Moore

  • Dr. Death: The Movie

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    Under discussion:

    Marathon Man  (1976)

    marathon manAs real-life Nazi war criminal Aribert Heim–aka Dr. Death, who allegedly kept relics from his human experiments in his office!–is being “chased” through Chile (as much as you can chase a 94 year old), I’m sure Tom Cruise or Jerry Bruckheimer are watching CNN right now while furiously thumb-typing their lawyers on Blackberries to option the story.

    But I couldn’t help reminisce about what could be argued as the genesis of torture porn, Marathon Man (1976). Dustin Hoffman plays marathon runner Babe who, like Cary Grant in North by Northwest, unknowingly has a connection that is too close for comfort with a Nazi war criminal known as–prepare to wince–The Dentist, played by Lawrence Olivier. Of course, Babe has some chronic dental problems that the Nazi dentist exploits in the anus-clenching torture scene. And Babe’s long endurance skills are important to him shedding his pacifist self in the movie’s climax. But this was action before action movies became formulaic, and it has a healthy dose of moral queasiness about the virtue of revenge. And, unfortunately, if there’s a Dr. Death released in 2010, I have a feeling we’ll be much better served by watching Marathon Man.

    Although, I hope they cast Dustin Hoffman as Dr. Death to give the finger to those Nazis.


    Originally posted on:SpoutBlog » Paul Moore

  • Comic-Con 2008 Schedule released

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    Under discussion:

    The Lion King  (1994)

    Osmosis Jones  (2001)

    the day the earth stood stillSo, it’s only the Thursday schedule they’re leaking over at the San Diego headquarters for Comic-Con, but it looks packed.

    Start the day with a coffee and Click & Clack, The Tappit Brothers (only PBS would cash in on primetime Family Guy territory with an animated NPR talk show), then head over for a sneak peak at Keanu Reeves and Jennifer Connelly in a remake of The Day the Earth Stood Still, more campy source material to convert into a money maker. (Check back, we’ll be liveblogging Comic-Con 2008 when it starts, July 24.)

    Read the full Thursday schedule for Comic-Con 2008 after the jump.

     

    (h/t Shawna Benson on FriendFeed)

    Thursday, July 24

    10:00-11:00 Click & Clack’s As the Wrench TurnsBehind the scenes at PBS’s hilarious new primetime toon, based on the famous radio show Car Talk, direct from Car Talk Plaza! Catch a sneak peek of a new episode, plus Q&A with the creators: Tom Sito (The Lion King, Osmosis Jones), Bill Kroyer (Tron, Garfield the Movie), Stephen Silver (Kim Possible), Floyd Norman (101 Dalmatians), Helen Jen (TMNT), Tom Minton (Pinky and the Brain), and executive producer Howard Grossman. Extra bonus feature: a special message for Comic-Con from the real Tom & Ray, the Tappet Bros! Room 2

    10:00-11:00 75 Years of Doc SavageAnthony Tollin (editor/publisher of Doc Savage and The Shadow double-novel reprints) leads a panel discussion on the pulp era’s greatest superhero and the Man of Bronze’s iconic influence on comic book superheroes, including Superman and Batman., Panelists will also discuss what’s coming up next in Nostalgia Ventures’ pulp reprint series. Panelists include movie producer/popular culture historian Michael Uslan. Room 5AB

    10:00-11:00 Kings: Exclusive Sneak Peek Screening and Q&A with Cast and Executive Producers—Kings is a contemporary re-imagining of the timeless tale of David and Goliath, an epic story of greed and power, war and romance, forbidden loves and secret alliances, and a young hero who rises to power in a modern-day kingdom. Be the first to see an exclusive sneak peek from the two-hour pilot. Moderated by Greg Grunberg (Heroes), the panel includes a Q&A with creator/executive producer Michael Green (Heroes), director/executive producer Francis Lawrence (I Am Legend), executive producer Erwin Stoff (I Am Legend), and the cast: Golden Globe winner Ian McShane (Deadwood), Chris Egan (Resident Evil: Extinction), Susanna Thompson (Star Trek: Voyager), Sebastian Stan (Gossip Girl), and Allison Miller (Seventeen Again). Room 6B

    10:00-11:00 Fans’ Guide to Comic-Con—Wesley Strawther, Matt Jeffery, Jesse Lopez, and Johann Joseph host your guide to the largest comics convention around. Designed to help rookie convention goers have the most fun possible, this panel offers even a gem or two for veteran attendees! Room 8

    10:00-11:00 The Gene Roddenberry Legacy: Roddenberry in the 21st Century—Building on his father’s legacy with Star Trek, Rod Roddenberry and Roddenberry Productions are bringing the Roddenberry philosophy into the 21st century, through their work on the forthcoming feature documentary Trek Nation, as well as the development of original content in webcomics such as Rod & Barry and Gene’s Journal. This panel features exclusive Comic-Con looks at new Roddenberry content and projects currently in development. Featuring Eugene “Rod” Roddenberry, Trevor Roth (COO of Roddenberry Productions), and Paul Keller. Room 10

    10:00-11:00 Masters of the Web—For the second year in a row the biggest genre and movie websites are coming together to discuss how new media have affected movie making, what it takes to run a popular site, and much more in a panel discussion and Q&A session. Participants include Robert Sanchez (IESB.net), Garth Franklin (Darkhorizons.com), Mike Sampson (Joblo.com), Erik Davis (Cinematical.com), John Campea (TheMovieBlog.com), Brad Miska (Bloody-Disgusting.com), Eric “Quint” Vespe (Aintitcool.com), Devin Faraci (CHUD.com), Paul Christensen (Movieweb.com), and Kellvin Chavez (Latinoreview.com). Moderated by directors Mark Neveldine and Brian Taylor (Crank 2, The Game). Room 32AB

    10:30-11:30 TripwireThe staff of Tripwire and some friends discuss Tripwire Annual 2008 and the future of genre fiction, with special panelists Pat McGreal, Jamie McKelvie, and others. Moderated by Joel Meadows (editor-in-chief) and Andy Grossberg (associate editor, U.S.). Room 3

    10:00-11:00 DC Talent Search Orientation—Learn what DC Comics looks for in artists and how to improve your chances of becoming a working professional! Panelists will discuss the different needs of the DC Universe, Vertigo, WildStorm, MAD magazine, Minx, and Zuda. This informative orientation session will explain how DC’s Talent Search works and provide numerous tips and tricks on how to improve your work and explore opportunities. In order to have your work reviewed, attendance at this orientation session is mandatory. (Please note: Not all attendees are guaranteed a one-on-one review.) Room 4

    10:30-11:30 Freaks, Geeks, and Tiny ToonsWarner Home Video brings the hit animated television series Tiny Toon Adventures and Freakazoid! to DVD on July 29. This panel features Bruce Timm (storyboard artist, character designer), John McCann (Douglas Douglas, Hero Boy story editor), Paul Rugg (Freakazoid writer), Sherri Stoner (writer, producer, story editor), Paul Dini (writer, story editor), Jean MacCurdy (executive producer), Rich Arons (producer, writer, director) and Andrea Romano (voice director). They’re tiny, they’re toony, they’re all a little loony! Executive produced by Steven Spielberg, Tiny Toon Adventures is a Daytime Emmy Award animated series that spawned a whole new generation of madcap Looney Toons characters, including Buster Bunny, Babs Bunny, Plucky Duck, and Hamton J. Pig, among others. Freakazoid!aired for two seasons. Also executive produced by Spielberg, this Daytime Emmy Award–winning series chronicles the adventures of Freakazoid, a manic, insane superhero who battles a vast array of supervillains. Room 6A

    10:30-11:30 Spotlight on Noel Neill—She’s celebrating her 60th anniversary as America’s favorite superhero sweetheart! Comic-Con special guest Noel Neill first took on the role of ace reporter Lois Lane in the 1948 Superman serial from Columbia, and she went on to provide the definitive depiction of the character in the popular 1950s TV show, Adventures of Superman, with George Reeves. Superman historian John Field interviews Ms. Neill about her life with the man in the cape and the rest of her amazing career! Room 7AB

    10:30-11:30 Comics Arts Conference Session #1: Guerilla Warfare and Sneak Attacks: The Politics of Representing War in Film and Comics of the 1950sRocco Versaci (Palomar College) discusses his book This Book Contains Graphic Language: Comics as Literature, in which he champions comics as a legitimate literary artform and argues that comics as a marginalized medium have been uniquely suited to subvert dominant ideologies in ways impossible for more highly regarded media. In the 1940s and 1950s, when both the comics and film industries were hard at work representing war, comics—because they were considered a marginal entertainment media—were “freer” to deliver subversive and even incendiary political messages. Room 30AB

    10:30-12:00 Comic Book Law School 101: Let’s Get It Started—A very good place to start…to start learning how to protect your intellectual property rights, that is! Learn the basics of copyright and trademark law in this popular interactive lecture series brought to you by noted attorney Michael Lovitz, author of The Trademark and Copyright Book comic book. This first workshop covers the basics of protection and ownership of ideas, works of authorship, characters, and names from conception through publication and beyond. Attendees will participate in an interactive discussion about basic rights provided under U.S. copyright and trademark laws, as well as new decisions and changes in the law and how they could affect those rights. Along the way, there will be plenty to learn about the protections, and pitfalls, of the U.S. trademark and copyright systems. Note: The Comic Book Law School seminars are designed to provide relevant information and practice tips to practicing attorneys, as well as practical tips to creators and other professionals who may wish to attend. [This program is approved for one (1) credit of California MCLE.] Room 30CDE

    10:45-11:45 Reinventing the Page: Stan Lee and Grant Morrison Talk Virgin Comics—Two of the most important creators in the history of comic books team up to discuss the bold new frontiers being explored in the art of storytelling. Legendary creator Stan Lee (Spider-Man, Hulk, Iron Man, X-Men) shares his insights on the world of comics and presents never-before-revealed hints of his new superhero universe with Virgin Comics. Joining Stan is prolific creator Grant Morrison (New X-Men, All Star Superman, Final Crisis), contemporary comics’ most active mind, who will discuss his new Virgin Comics animated online series MBX while offering his own insights on comics and engaging with Stan in a once-in-a-lifetime conversation about the long history and boundless future of their beloved medium. Ballroom 20

    11:00-12:00 Indies in Comics—Do you intend to create the next great comic book, action figure, or the like? If so, you know that doing so as an independent can be difficult. What should you do? How do you get started? The Antidote Trust is here to answer many of your questions. TAT, the ultimate independent creators’ collective, produces comics, action figures—nearly anything—and rivals the industry’s top companies in quality and professional outlook. TAT is a diverse group, including men and women from across the country and from all ethnicities. Their projects range from sci-fi to standard superhero to Asian/Indian mythology to noir to twists on today’s society. These trailblazers will discuss making independent projects that challenge the majors in production value, originality, and professionalism. Room 2

    11:00-12:00 Professional Writing: Threat or Menace?—Let’s talk writing, creativity, and selling (and selling out), and what the world of professional writing is like. Questions that you’ve always wanted to ask? Creative blocks bugging you? Wondered what the H*O*L*L*Y*W*O*O*D life is really like? Show up and get answers to those questions. This no-holds-barred talk is moderated by J. Michael Straczynski. Room 5AB

    11:00-12:00 The Comic Art of J. G. Jones—One of the most popular artists working in comics today, Comic-Con special guest J. G. Jones talks about his projects, including the summer blockbuster movie hit Wanted and DC’s Final Crisis, with Ian Sattler, senior story editor, DCU. Room 8

    11:00-12:00 LGBT Portrayals in Comics—With the increased number of LGBT (lesbian, gay, bisexual, transgender) characters in both mainstream and indie comics today, it’s time to examine how they’re faring. Has this increased presence meant better and more complex portrayals, or is there more to be explored? Has the call for “positive” portrayals been beneficial, or has it left LGBT characters one-dimensional? And what can we expect in the future? Join moderator Patricia Jeres (Prism board member and talent and industry relations chair) and panelists Perry Moore (author of Hero, winner of the Lambda Literary Award; executive producer of Disney’s The Chronicles of Narnia series), Gail Simone (Birds of Prey, Wonder Woman), and Bob Schreck (group editor, DC Comics) for this insightful discussion. Room 10

    11:00-12:00 The Disney Animation Story Process—Nathan Greno (head of story, Bolt), Don Hall (head of story, The Princess and the Frog), Mark Kennedy (head of story, Rapunzel), Joe Mateo (story artist, Bolt), Michael LaBash (story artist, Bolt), Paul Briggs (story artist, The Princess and the Frog), and Josie Trinidad (story artist, The Princess and the Frog) offer an in-depth, behind-the-scenes look into the story process at Walt Disney Animation Studios. Coming together exclusively at Comic-Con, these story team leaders will take you from first concept to final story approval as they discuss the art of storyboarding, re-create story pitches, and share boarding styles from their upcoming animated features. Don’t miss this revealing and humorous panel and your chance to get a sneak peek at Disney’s next animated feature, Bolt! Room 32AB

    11:15-12:15 30th Anniversary Battlestar Galactica Panel—Richard Hatch (Tom Zarek/Apollo), Bear McCreary (BG composer), producer Tom DeSanto (Transformers, X-Men), Dr. Kevin Grazier (science consultant), and surprise guests present an in-depth discussion of the Battlestar universe from the classic to the re-imagined and beyond, including BSG trailers and Q&A. Room 6B

    11:30-12:30 Spotlight on Neil Googe—From Welcome to Tranquility to WildCats: World’s End, it’s no secret that artist Neil Googe is a talent on the rise! Find out all you want to know about this up-and-coming star artist with moderator and WildStorm senior editor Ben Abernathy, including plans that will surely change the WildStorm Universe! Room 3

    11:30-12:30 From the K Chronicles to The Knight Life: Keith Knight—Help celebrate the release of Comic-Con favorite Keith Knight’s The Complete K Chronicles, a 500-page omnibus collection of the Harvey Award–winning comic strip. Knight will present his hilarious slideshow, chronicling his jump from self-published zines to award-winning comic strip, ending with his new syndicated daily strip, The Knight Life, recently launched by United Features Syndicate. Room 4

    11:30-12:30 SPORE: One-on-One with Will Wright—Will Wright is best known for creating the SimCity and The Sims video game franchises, the latter of which has sold more than 100 million games to date. In 2007, he was given the Vanguard Award from the Producer’s Guild of America, making him the first person in the videogame industry to receive such an honor. Wright’s next video game, SPORE, is scheduled for release on September 7. Join Will Wright for his first-ever appearance at Comic-Con! Room 6CDEF

    11:30-12:30 Hasbro: GI JoeAs Hasbro ramps up for the summer 2009 blockbuster movie release of GI Joe, Aaron Archer (Hasbro Design), Michael Ritchie (Hasbro Marketing), and Michelino Paolino (Hasbro Design) discuss this year’s product line, entertainment, and other initiatives. Panelists will include special guests that you won’t want to miss, plus Q&A! Room 7AB

    11:30-1:00 Comics Arts Conference Session #2: Comics Pedagogy—As comics find more mainstream acceptance, they are increasingly being incorporated into higher education. This panel looks at comics in the classroom both as texts and as tools. Jeffrey Kahan (University of Laverne) and David Baldizon (School of Arts and Enterprise) discuss their use of comic books to teach English composition and to foster greater cultural awareness more generally through the exploration of comics’ social, historical and literary significance. Patrick Jagoda (Duke University) considers how to incorporate comics as a medium into an otherwise “high literary” and theoretical curriculum. Chris “Tof” Eklund, Aaron Kashtan, and James Reaves (University of Florida) present the innovative approaches to comics studies currently being practiced by graduate students in the University of Florida’s Department of English, focusing on the uses of Lovecraft adaptations, Scott Pilgrim’s video game logic, and art spiegelman’s funny animals. A professional development certificate for teachers is available for this session. Room 30AB

    11:30-1:00 20th Century Fox: The Day The Earth Stood Still and Max Payne—

    Stars Keanu Reeves and Jennifer Connelly, plus director Scott Derrickson and producer Erwin Stoff, present an exclusive look at The Day The Earth Stood Still, Fox’s contemporary reinvention of its 1951 classic. Keanu is Klaatu, an alien whose arrival on our planet triggers a global upheaval. As governments and scientists race to unravel the mystery behind the visitor’s appearance, a woman (Jennifer) and her young stepson get caught up in his mission—and come to understand the ramifications of his being a self-described “friend to the Earth.” Klaatu Barada Nikto.

    The legendary interactive video game Max Payne comes to the big screen, telling the story of a maverick cop determined to track down those responsible for the brutal murder of his family and partner. Hell-bent on revenge, his obsessive investigation takes him on a nightmare journey into a dark underworld. As the mystery deepens, Max is forced to battle enemies beyond the natural world and face an unthinkable betrayal. Max Payne” himself—Mark Wahlberg—will be on hand with Mila Kunis, Ludacris, and director John Moore to discuss turning the game’s noirish, hard-hitting, and complex world and characters into a movie event.

    Hall H

    11:45-12:45 Knight Rider: First Look at the New Series and Q&A with Cast and Executive Producers—On the heels of NBC’s hit sequel movie based on the iconic 1980s television classic, Knight Rider has been reinvented as a supercharged action series showcasing the new KITT (Knight Industries Three Thousand). Be the first to see exclusive footage from the new series. Moderated by Television Week deputy editor/columnist Josef Adalian, who participates in a Q&A session with executive producer/showrunner Gary Scott Thompson (The Fast and The Furious, Las Vegas); executive producer David Bartis (Heist, The OC); and the cast: Justin Bruening (Cold Case), Deanna Russo (NCIS), Sydney Tamiia Poitier (Veronica Mars), Paul Campbell (Battlestar Galactica), Yancey Arias (Kingpin), Bruce Davison (X-Men) and Smith Cho (Blades of Glory). Room 6A

    12:00-1:00 Sideshow Collectibles—Sideshow Collectibles is a leading manufacturer in the world of figure collectibles, with an award-winning artistic team. Sideshow’s product development team offers insights into the newest products and licenses, as well as a Q&A session. Room 2

    12:00-1:00 The New Yu-Gi-Oh! 5D’s: English-Language World Premiere—Be the first on the planet to see the English language version of the new Yu-Gi-Oh! 5D’s television series. Plus, meet the team behind the show, including—straight from Japan—producer Teruaki Jitsumatsu (Transformers: Robots in Disguise). Yumi Hoashi of Konami, and representatives from UpperDeck, 4KidsEntertainment, and Playmates Toys will also reveal what’s in store for Yu-Gi-Oh! 5D’s fans and, while supplies last, offer a few surprises for lucky attendees! Room 5AB

    12:00-1:00 Spotlight on Paul Gulacy—One of the most exciting artists working in comics, Comic-Con special guest Paul Gulacy has a career spanning over 30 years. Famous for his cinematic style on books such as Master of Kung Fu, Gulacy talks about his work, past, present, and future. Room 8

    12:00-1:00 How Not to Break into Comics—There have been countless articles and panels on how to break into comics, but very few on how not to. Randal C. Jarrell (managing editor at Oni Press), Jennifer de Guzman (editor-in-chief of SLG Publishing), and other industry insiders discuss the common and often-hilarious mistakes people make when trying to pitch or get work in the comics industry. This unique inside perspective will help any prospective creator learn how to navigate the potential pitfalls that doom far too many in their attempts to break into comics. If you want to work in comics, you do not want to miss this panel! Room 10

    12:00-1:00 Doctor WhoWriter Russell T Davies (Doctor Who), executive producer Julie Gardner (Torchwood), and writer Steven Moffat (Doctor Who) discuss their creative process and experience working on the BBC’s Doctor Who—Britain’s most successful sci-fi franchise—with exclusive clips and a Q&A session. Ballroom 20

    12:00-1:00 Classics IllustratedClassics Illustrated is back, and it’s got company! Publishers ranging from Marvel to the Bible house Thomas Nelson are offering James Bond adaptations, manga versions of Shakespeare, and everything in between. How do writers and artists face the scary task of making the classics fresh while living up to the original works’ greatness? Rick Geary, Roy Thomas, Charles Kochman, and David Seidman reveal how they’ve been doing it. Room 32AB

    12:30-1:30 Spotlight on Eddie Campbell—Comic-Con special guest Eddie Campbell talks about his books, including From Hell, The Fate of the Artist and his latest, due for release at Comic-Con, The Amazing Remarkable Monsieur Leotard, His co-writer on the latter, Dan Best, will also be on hand to answer questions. Room 3

    12:30-1:15 Humor in Science Fiction—Learn the secrets of the humor game from some top insiders in the field, including David Gerrold (”The Trouble With Tribbles”), William F. Nolan (Sam Space, Logan’s Run), John Truby (Anatomy of Story), George Clayton Johnson (Twilight Zone, Star Trek, Ocean’s 11, Logan’s Run), and Marc Scott Zicree (executive producer, Sliders; author of The Twilight Zone Companion). Moderated by Chas Holloway with Shadowstar Games president Mark O’Bannon. Room 4

    12:30-1:30 DC: Superman: Man of Tomorrow—The groundwork is being laid now for the next phase of Superman’s heroic career. The architects of Superman’s future are here to give you a glimpse of what is to come. Featuring Superman senior editor Matt Idelson, Geoff Johns (Action Comics), James Robinson (Superman), Renato Guedes (Superman), and more! Room 6B

    12:30-1:30 William Katt: Greatest American Hero Comic—Join Alex, Justin, and Pete from Pulp Secret for one of the biggest announcements at this year’s Comic-Con, an event that’s been 25 years in the making. Catastrophic Comics’ William Katt (Greatest American Hero), Christopher Folino (Gamers), and Derek McCaw (Fanboy Planet) along with Arcana Studios’ Sean O’Reilly (The Clockwork Girl) are on hand for an interview and Q&A. Room 7AB

    1:00-2:00 Spotlight on Steve Purcell—Join Sam & Max creator—and Eisner Award winner and Comic-Con special guest—Steve Purcell on a visual tour from his first scratchy Sam & Max strips through his career as an illustrator, game designer, and concept artist to his current role as a Pixar storyteller. Q&A to follow. Room 2

    1:00-2:00 Modern Masters: Live!—Modern Masters editor Eric Nolen-Weathington brings together three of the greatest artists in comics—Frank Cho (Liberty Meadows, Mighty Avengers), Michael Golden (Micronauts, The ‘Nam), and Mark Schultz (Xenozoic Tales, Superman: Man of Steel)—for a conversation about art, comics, and beyond! Room 5AB

    1:00-2:00 Activision with Stan Lee—From webslinging to forming the ultimate alliance of superheroes, Marvel and Activision continue to bring many of the world’s most popular and beloved comic book heroes to life like never before. Explore, behind the scenes, how the teams draw inspiration from a generation of Stan Lee’s legendary Marvel comics to re-create the most authentic heroes and advanced superpowers in high-definition for today’s gamer. Stan Lee, members from Activision’s development studios Shaba Games and Vicarious Visions, and former game designer and current comic writer Brian Reed present an engaging discussion and preview of the imagination, creative process, and technology used to develop the most advanced superhero games ever. Room 6A

    1:00-2:00 Mark and Sergio—The world’s fastest cartoonist joins forces with the Comic-Con 2008 weekend record holder for panel moderation! Yes, it’s Mark Evanier and Sergio Aragonés together again. Expect lots of talk on Groo and anything else these two whirlwinds are conspiring to bring us in the near future. Room 8

    1:00-2:00 Bongo Comics—Celebrate 15 years of mischief and merriment with Bongo Comics. Be a party to the party as managing editor Terry Delegeane and creative director Bill Morrison host a panel featuring the writers and artists who create the comics and books based on Matt Groening’s phenomenal TV shows. Find out what’s in the future for the upstart comic book company that Bart built. This is a “must-attend” panel for all fans of The Simpsons and Futurama. Room 10

    1:00-2:00 TorchwoodWriter Russell T Davies (Doctor Who), executive producer Julie Gardner (Torchwood), writer Steven Moffat (Doctor Who), and actors John Barrowman, Gareth David-Lloyd, Naoko Mori and Burn Gorman discuss their creative process and experience on working on BBC America’s highest-rated show ever—Torchwood— followed by a Q&A session. Ballroom 20

    UPDATE: 1:00-2:00 Comics Arts Conference Session #3: Comics and the Law—TBD

    1:00-2:00 Hi-Fi Coloring Workshop—Brian Miller (Superman) and Kristy Miller (Hi-Fi Color for Comics) share their tips, tricks, and techniques for coloring comics. Want to learn how to color? Join Brian and Kristy for a coloring demonstration and Q&A session. Room 30CDE

    1:00-2:00 The Future of the Comics Pamphlet—Are serialized comics in a death-spiral? Is the graphic novel the sole shape of comics to come? Retailers including Carr D’Angelo (Earth 2 Comics), publishing representatives including Joe Keatinge (Image Comics), and cartoonists discuss the state of the periodical with moderator Douglas Wolk (Reading Comics). Room 32AB

    1:15-2:00 How to Tell a Story—Get a deep insight into the craft of storytelling from these masters in the field: David Gerrold (TV writer, author of 30+ novels), William F. Nolan (TV and film writer, author of over a dozen novels), George Clayton Johnson (Twilight Zone, Star Trek, Ocean’s 11, Logan’s Run), John Truby (owner, John Truby’s Writer’s Studio, author, Anatomy of Story), and Marc Scott Zicree (TV writer, executive producer, Sliders; author of The Twilight Zone Companion). Moderated by Chas Holloway with Shadowstar Games president Mark O’Bannon. Room 4

    1:15-2:45 Summit Pictures—Summit Entertainment presents a sneak peek of exclusive footage of some of its upcoming major film releases:

    Push—In this futuristic sci-fi thriller set in Hong Kong, a group of young American ex-pats with extraordinary psychic abilities must band together and use their different talents on a final mission to escape a clandestine government agency forever. Chris Evans, Dakota Fanning, Djimon Hounsou, Camilla Belle and director Paul McGuigan present a first look at exclusive footage and answer questions about the film.

    Knowing—An action thriller of global proportions. Director Alex Proyas appears in person to introduce never-before-seen footage for his new major motion picture starring Nicolas Cage.

    Twilight—Based on the #1 New York Times best-selling book series, Twilight is an action-packed, modern-day love story between a vampire and a mortal. Director Catherine Hardwicke, author Stephenie Meyer, and the cast—including Robert Pattinson (Edward), Kristen Stewart (Bella), Cam Gigandet (James), Rachelle LaFevre (Victoria), Edi Gathegi (Laurant), and Taylor Lautner (Jacob)—answer your questions about bringing the world of these beloved characters to life on the big screen and show exclusive footage from the film.

    Hall H

    1:30-2:30 Conan Comics and Beyond—Dark Horse Comics revitalized Conan in 2004—now it’s set to launch stunning interpretations of Robert E. Howard heroes Kull and Solomon Kane in 2008. Conan editor Philip Simon moderates a discussion of the upcoming titles with creators who’ve worked on Howard comics past and present—Scott Allie (Solomon Kane), Will Conrad (Kull), Dave Stewart (Solomon Kane), and José Villarrubia (Conan)—focusing on the company’s new series and adapting Howard’s works to comics. Room 3

    1:30-3:00 Artemis FowlEoin Colfer, author of the blockbuster Artemis Fowl series, launches his sixth book in the series, Artemis Fowl: The Time Paradox, with Fairies, Fiends and Flatulence, a hilarious one man live show that explains to fans the genesis of each of Eoin’s characters in the books—both good and evil—all of which come from his four Irish brothers. Room 7AB

    1:45-2:45 Marvel: X-MenThe X-Men have a new home and a new direction in Manifest Destiny. This star-studded, must-attend panel features the writers of the X-Verse, including Ed Brubaker (Uncanny X-Men), Matt Fraction (Uncanny X-Men), Chris Yost (X-Force), Craig Kyle (X-Force), Daniel Way (Deadpool), Marjorie Liu (NYX), and Duane Swierczynski (Cable), plus Axel Alonso (X-Men group editor) and Nick Lowe (X-Men editor). Room 6B

    2:00-3:00 Science Fiction That Will Change Your Life—A discussion of science fiction stories intended to make you rethink your whole life or alter your perceptions. With Annalee Newitz (editor-in-chief, io9.com; contributor, Wired), Austin Grossman (author, Soon I Will Be Invincible), Charlie Jane Anders (news editor, io9.com; contributor, Lady Churchill’s Rosebud Wristlet), Graeme McMillan (weekend editor, io9.com, contributor, Newsarama), and Patrick Lee (editor, Sci-Fi Wire). Room 2

    2:00-3:00 Spotlight on Signe Wilkinson—Comic-Con special guest Signe Wilkinson, Philadelphia Daily News editorial cartoonist and creator of the new comic strip Family Tree, will talk and show slides about juggling politics, family humor, and hate mail. Famed editorial cartoonist Ted Rall introduces the discussion. Room 4

    2:00-3:00 The MiddlemanCreator and executive producer Javier Grillo-Marxuach (Lost) and The Middleman actors Matt Keeslar (Dune) and Natalie Morales (CSI: Miami) discuss the bizarre world of The Middleman. Based on the graphic novels by Javier Grillo-Marxuach, The Middleman follows the surreal life of twenty-something Wendy Watson as she gets recruited by a top secret agency to fight comic book-esque criminals under the guidance of her straight-laced boss, The Middleman. Room 5AB

    2:00-3:00 Red Sonja: One-on-One—Robert Rodriguez (Sin City), Rose McGowan (Grindhouse), Doug Aarniokoski (2nd unit director, Resident Evil 3) and David White (Undisputed 2) are teaming up to bring back the red-headed warrior woman known as Red Sonja. Join Robert, Rose, Doug, and David for this one-on-one interview and Q&A session! Room 6CDEF

    2:00-3:30 Spotlight on Todd Klein—Eisner award-winning letterer and logo designer Todd Klein (Sandman, Fables) is joined by moderator Mark Evanier (Fanboy, Kirby: King of Comics) for a discussion of his 30-plus years in comics, from early days on staff at DC and lettering by hand to his present-day freelance career on many titles for DC, Marvel, and others, mainly on the computer. Focus will be on the intricacies of lettering, logo design, and more, as Todd and Mark show and discuss images of classic comics logos. Todd will also cover his recent self-published signed prints by Alan Moore and Neil Gaiman and give away several copies of each. Room 8

    2:00-3:00 Spotlight on Jim Woodring: Please Stand By—Comic-Con special guest Jim Woodring (The Frank Book) presents a slide show with commentary providing a rare overview of his life, career, motivations, methods, and dark personal secrets. Q&A session to follow. Room 10

    2:00-3:30 Comics Arts Conference Session #4: Superman’s 70th Anniversary—Price Hamilton (American Falls High School) compares three different versions of the Superman origin story and three versions of the Jewish folk tale “The Golem of Prague” to demonstrate how certain images begin to appropriate larger meanings through their consistent repetition. Liam Burke (National University of Galway) asks what makes some heroes “super,” examining the superhero archetype to uncover the superhero secret identity and to discover who are the “Men of Tomorrow.” Ben Saunders (University of Oregon) suggests that the essence of Superman’s appeal—the core of his mythic significance—may have nothing to do with his superpowers and everything to do with the most serious and profound issues of philosophical ethics. Room 30AB

    2:00-3:30 Animation on a $hoestring—Learn the down and dirty tricks on how to create your own animation studio on a low budget, from Larry Loc, the author of Animation on a ShoeString. Find out how to assemble the equipment you will need, how to build or buy equipment, and what software to use to edit and composite your project. Room 30CDE

    2:00-3:00 Clickwheel: On-Demand Digital Comics for iPod and iPhone—Is the new comic shop right in the palm of your hand? Join Clickwheel editor-in-chief Tim Demeter for a demonstration of the latest in mobile comics’ technology. Tim will discuss the emergence of mobile content and digital delivery in the comic book industry and how it’s changing the landscape of the business. Learn how to download and sync comics on your iPod or how to receive them on demand on your iPhone or iPod Touch! Creators interested in taking advantage of these new methods of distribution won’t want to miss the site demonstration, as Clickwheel.net is free for anyone to use. Room 32AB

    2:15-3:15 Halo Wars and the Halo Universe—Prima Games, Tor Books, McFarlane Toys, and Microsoft Games Studio bring you an in-depth panel discussion on all things Halo. Panelists include Eric Nylund, author of Halo: The Fall of Reach and Halo: First Strike Onyx; Tobias Buckell, author of the upcoming novel Halo: The Cole Protocol; game universe writers Graeme Devine (Halo Wars) and Frank O’Connor (Halo Trilogy); and Jon Goff and Corrinne Robinson, McFarlane Toys’ brand management team for Halo action figures. Room 6A

    2:15-3:15 Anchor Bay: Jack Brooks Monster Slayer Artists Panel—Preview the upcoming DVD release of Jack Brooks Monster Slayer with star/producer Trevor Matthews, director/co-writer Jon Knautz, producer Patrick White, composer Ryan Shore, creature designer David Scott, and horror icon Robert Englund! Then hear writer/director Daniel Waters (Heathers), Oscar-nominated screenwriter Josh Olson (Masters of Science Fiction), and writer/director Robert Hall (Laid to Rest) discuss their latest Anchor Bay projects! Moderated by Shock Til You Drop’s Ryan Rotten. Ballroom 20

    2:30-3:30 Dumbrella—Artists from Dumbrella, one of the most popular online comics collectives, discuss webcomics, independent publishing, and subverting popular culture. Feel free to quiz Andrew Bell (The Creatures in My Head), Sam Brown (explodingdog), Jon Rosenberg (Goats), and Richard Stevens III (Diesel Sweeties), along with special guests M.C. Frontalot and Meredith Gran (Octopus Pie), about anything your Internet heart desires. Room 3

    3:00-4:00 Spotlight on Bill Willingham—Both a master storyteller and an incredible artist, Bill Willingham has created a huge following for his books. His credits range from DCU’s Salvation Run and Shadowpact to the already classic Vertigo Fables and Jack of Fables and the new House of Mystery. Hosted by superstar Fables artist Mark Buckingham, this panel is sure to thrill! Room 2

    3:00-4:00 Comic-Con Talkback 1—Here’s your chance: talk to Comic-Con representatives about your first day and Preview Night. Have a complaint, a question, a suggestion or even some praise? Bring it! Room 4

    3:00-4:00 DVD/Blu-ray Producers 2008—Bill Hunt, Todd Doogan, and Adam Jahnke (The Digital Bits.com, Geek Monthly) discuss the latest DVD and Blu-ray Disc developments and look ahead at upcoming releases. Panelists include Javier Soto (Pan’s Labyrinth, Hellboy II: The Golden Army), Charles de Lauzirika (Blade Runner, Twin Peaks), Andy Mangels (The Real Ghostbusters, Slimer), Cliff Stephenson (Rambo, Crank 1 & 2), and Robert Meyer Burnett (Shoot ’Em Up, Free Enterprise 2). There will be lots of Q&A, so be sure to bring your questions! Room 5AB

    3:00-4:00 Wizard’s First RuleSam Raimi (Spider-Man) and Ken Biller (Star Trek: Voyager) give you a first look at the upcoming television series Wizard’s First Rule. The one-hour weekly series, premiering in late fall, is based on Terry Goodkind’s bestselling epic fantasy series The Sword of Truth, which follows the extraordinary transformation of woodsman Richard Cypher into a magical leader who joins with a mysterious, beautiful woman to stop a bloodthirsty, sinister tyrant. Join Sam and Ken for a moderated interview and audience Q&A session! Room 6B

    3:00-4:00 Spotlight on Ed Brubaker—The Comic-Con special guest Ed Brubaker is the Eisner Award–winning writer (Best Writer 2007, Best New Series 2007—Criminal) whose work on Captain America, Daredevil, X-Men, and Criminal has catapulted him into the upper echelon of today’s best comic writers. Ed talks about what’s next in this Spotlight presentation. Room 7AB

    3:00-4:00 TwoMorrows Publishing Today—Join the crew from TwoMorrows Publishing for a behind-the-scenes look at what goes into creating all their fan-favorite books and magazines on the art and history of comics! Publisher John Morrow, Modern Masters’ Eric Nolen-Weathington, Write Now!’s Danny Fingeroth, Brick Journal’s Joe Meno, and Keith Dallas, author of TwoMorrows’ new Flash Companion book unveil new products and offer exclusive previews of upcoming items. Room 10

    3:00-4:00 How to Break into Comics: Freddie E. Williams II—A few years ago, Freddie E. Williams II (artist on Robin, The Flash, Seven Soldiers: Mister Miracle, and others) broke into comics through DC Comics’ Talent Search. Since that time, Freddie has worked on some of DC’s top-selling books. In this panel, Freddie lends his unique insights about breaking into comics by describing what editors are looking for, what you should include in your portfolio, and how to hang on to a job once you’ve gotten it. Room 32AB

    3:00-4:00 Disney: Race to Witch MountainWhat secrets does Witch Mountain hold? Stars Dwayne Johnson and Carla Gugino and director Andy Fickman talk about the mysterious, paranormal activity around Witch Mountain. Dwayne, Carla, and Andy will present the first look at the movie and answer audience questions as they talk about the thrilling action-adventure that is set to hit theatres in March 2009! Hall H

    3:15-4:15 Capcom: The Making of Street Fighter IV—Producer Yoshinoro Ono (Onimusha: Dawn of Dreams) and associate producer David Crislip deliver an exclusive behind-the-scenes peek at the making of the much-anticipated Street Fighter IV video game, featuring the design of classic and new characters, creating compelling gameplay. Also, a sneak peek at the animated SFIV minimovies being created to complement the game. There will be a Q&A session as well as Street Fighter-related surprises! Street Fighter cosplayers are highly encouraged to attend this event, as it marks the 20th anniversary of the Street Fighter franchise. Room 6CDEF

    3:30-4:30 Manga: Lost in Translation—America loves foreign comics, especially manga. And as more and more movies based on these properties are produced, the way these comics are translated becomes an integral part of their success. Join experienced translators, editors, and manga and anime experts in a discussion of the art and craft of helping to make these stories the mega-hits they are today. Panelists include William Flanagan (Fairy Tail), Jonathan Tarbox (Switch), Jason Thompson (Manga: The Complete Guide), Mari Morimoto (Naruto), Stephen Paul (Beck: Mongolian Chop Squad), Julie Davis (Anime Classics Zettai!), and Mark Simmons (Gundam 00)! Room 3

    3:30-4:30 Entertainment Weekly’s The Visionaries: Comic Creators—Jim Lee (All-Star Batman & Robin), John Cassaday (The Astonishing X-Men), Matt Fraction (Casanova), Mike Mignola (Hellboy), Robert Kirkman (The Walking Dead), Colleen Doran (A Distant Soil), and Grant Morrison (Final Crisis) are the writers and artists blazing a path into the future of comics. Coming from both the mainstream and the independent worlds, these men and women can provide unique insights into the comics landscape. Moderated by Entertainment Weekly staff editor Nisha Gopalan. Room 6A

    3:30-5:00 Golden and Silver Age of Comics—It’s the amazing annual gathering of the resident greats from the Golden and Silver Ages of comics! Moderated by Mark Evanier, this year’s list of luminaries includes Al Feldstein (EC editor/writer/artist), Victor Gorelick (Archie Comics editor and writer), Al Jaffee (MAD magazine cartoonist), comics writer/artist Larry Lieber, Harvey Comics writer/editor Sid Jacobson, and artists Russ Heath (G.I. Combat, Sgt. Rock) and Jerry Robinson (Batman). Filled with personal reminiscences and anecdotes, this panel promises to be a treasure trove of comics history! Room 8

    3:30-4:30 Quantum QuestThis science fiction/science fact, 3D, large-format CGI-animated film will take you on a fantastic atomic journey through space. Quantum Quest combines a captivating science fiction story with a mind-blowing real safari through the solar system (created using radar data and extraordinary imagery from seven NASA missions). The film is the only one to be initiated by JPL/NASA and is sponsored by JPL/NASA and Digimax Animation Studios (Taiwan). Co-directors Harry Kloor (Star Trek Voyager, Earth Final Conflict, Godzilla) and Dan St. Pierre (Everyone’s Hero, Shark Tale, Tarzan) show exclusive footage from the film, which will be released in late summer, 2009 in both large-format and Real D theaters worldwide. Watch for surprise appearances by some members of the voice cast, which includes legendary astronaut Neil Armstrong, Chris Pine, Samuel L. Jackson, Jason Alexander, Sandra Oh, William Shatner, Brent Spiner, Mark Hamill, James Earl Jones, and Abigail Breslin. Ballroom 20

    3:30-4:30 Bat-Manga! Chip Kidd and the Secret History of Batman in Japan—Chip Kidd (Mythology) lifts the veil on officially licensed, original Batman manga stories from 1966 Japan, not previously collected or translated in over 40 years. Narrated slide show, with Q&A to follow. Room 30AB

    3:30-5:00 Resin Casting and Silicone Mold-Making—Jeff Broz has presented six previous seminars about plastics and casting. Sam Girgis has loved spaceship design since the Apollo missions. Whether you want to produce a garage kit model or reproduce a broken part for your vintage toy, this year’s seminar will cover material choices and advance into more complex silicone mold design and casting techniques that should offer secrets to the novice and the working Joes in the trenches for short run 3D duplication, and for garage kits or industrial design. Plus, more about vendors and material choices to cast your sculptures and models. Room 30CDE

    4:00-5:00 Dark Horse Horror—Dark Horse Comics is home to some of the best horror comics ever produced, from Mike Mignola’s Hellboy and Steve Niles’ Criminal Macabre to upcoming collections of the classic horror magazines Creepy and Eerie. Dark Horse editors Scott Allie and Shawna Gore and a handful of our top creators take a look ahead at their spookiest projects for 2008, including a sneak peek at the 25th anniversary edition of Bernie Wrightson’s Frankenstein and a special appearance by the artist. Room 2

    4:00-5:00 TV Costume Designers—Characters created by writers and comic book illustrators are made real for the screen via the artistry of costume designers. Meet the women and men who are the costume designers on this year’s most popular television productions. Panel moderator Hope Hanafin, costume designer and VP of the Costume Designers Guild, Local 892, hosts costume designers Shawna Trpcic (Firefly), Roland Sanchez (Lost), Debra McGuire (Heroes), Amanda Friedland (Terminator: The Sarah Connor Chronicles), and Cynthia Bergstrom (Buffy, The Vampire Slayer). Room 4

    4:00-5:00 Superhero Superfiction—Superheroes don’t appear just in comics anymore. Authors discuss how to write superhero prose. Panelists include superhero prose authors Kevin J. Anderson (Last Days of Krypton), Michael Carroll (Quantum Prophecy: The Awakening), Professor Christopher Chambers (The Darker Mask), Vicki Pettersson (The Signs of the Zodiac series), Gary Phillips (The Darker Mask), Melinda M. Snodgrass (Wild Cards), Caroline Spector (Wild Cards) and Doselle Young (The Darker Mask). Moderated by Maryelizabeth Hart of Mysterious Galaxy. Room 5AB

    4:00-5:00 Minx: Your Life in Pictures—In its first year, Minx found a whole new audience by creating original graphic novels for teenage girls. This year, Minx is breaking all the rules with another onslaught of amazing books. Panelists include group editor Shelly Bond and creators Cecil Castellucci (Janes in Love), David Hahn (All Nighter), Ryan Kelly (New York Four), Deborah Vankin (Insta-Life), and Brian Wood (DMZ, New York Four). Room 10

    4:00-5:00 Star Trek Without a Blueprint: How Books and Comics Keep Expanding the Boundaries of the Star Trek Universe—Andy Mangels (moderator and Star Trek author), Margaret Clark (executive editor, Pocket Books), Andy Schmidt (senior editor, IDW) and Star Trek authors Kevin Dilmore, Dave Mack, Scott Tipton, and Dayton Ward discuss the future of Star Trek publishing. Room 32AB

    4:15-5:15 Afro Samurai: Resurrection Exclusive Worldwide Premiere!—Afro Samurai picks up his sword once again for the second installment of this critically acclaimed, funktastic anime! This action-packed panel features the creators behind the hit, including star and executive producer Samuel L. Jackson (The Spirit), original creator Takahashi Okazaki, musical artist The RZA (Kill Bill), and executive producer Leo Chu (Spike TV). Be the first to see the worldwide premiere of the exclusive Comic-Con trailer, dazzling artwork from the manga, and never-before-seen demos of the pulse-pounding video game. Room 6B

    4:15-5:15 Lionsgate/Marvel: Hulk vs. Wolverine—Alberta, Canada: Over the past week, the Incredible Hulk has been tearing a line across the Canadian wilderness, leaving a swathe of destruction in his wake. He has to be stopped, and there’s only one man up to the job. He’s the best at what he does, but what he does isn’t very nice. He’s Wolverine, an elite agent of Canada’s top secret Department H, and he’s been put on Hulk’s trail with a single objective: stop the green goliath…at all costs. Hulk and Wolverine are about to enter the fiercest battle of their lives. And they have no idea that there are a few unpleasant surprises waiting for them on the other side. Meet Craig Kyle (supervising producer/co-writer), Frank Paur (producer/supervising director), Christopher Yost (co-writer), and others involved in this Marvel Animation milestone and watch the complete Hulk vs. Wolverine months before its January 2009 Blu-ray and DVD release! Hall H

    4:30-5:30 Episodic Games: Rewriting the Adventure Genre—With the first installment of Penny Arcade Adventures launched, the season finale of Sam & Max Season Two in the bag, and the recent debut of Strong Bad’s Cool Game for Attractive People, episodic adventure gaming has emerged as a viable new medium for interactive entertainment. Learn about episodic storytelling, adapting the humor and gameplay of the traditional adventure genre for a new generation of gamers, and the challenges of both as Joel DeYoung (Hothead Games), Arthur We (Hothead Games), Dan Connors (Telltale Games), and Dave Grossman (Telltale Games) sound off in this panel and Q&A session moderated by Frank Cifaldi (Gametap). Room 3

    4:30-5:30 HBO’s True BloodBased on the popular Sookie Stackhouse novels by Charlaine Harris, True Blood is created by Alan Ball, creator of HBO’s Emmy-winning series Six Feet Under. The series takes place in the not-too-distant future, when, thanks to the invention of synthetic blood, vampires no longer need humans for their fix and can walk freely, if not yet comfortably, among their living counterparts. With their integration into a small Louisiana town causing a stir, a love story ensues between Sookie Stackhouse (Anna Paquin, the X-Men films; Academy Award winner for The Piano), an innocent waitress with the unusual ability to read minds, and vampire Bill Compton (Stephen Moyer, The Starter Wife). The series also features Ryan Kwanten (Summerland), Rutina Wesley (How She Move), Sam Trammell (Judging Amy), and Nelsan Ellis (The Inside). True Blood debuts September 7 exclusively on HBO. Room 6CDEF

    4:30-5:30 UClick: Mobile Comics—GoComics, the leader in online and mobile comics and manga, looks at a market truly coming in to its own. Panelists will discuss the evolution of comic strips and comic books in the digital age and examine new publishing platforms that make mobile viewing part of a complete comics experience. They’ll introduce new content from their partners: Stan Lee, Tokyopop, Virgin Comics, IDW, Devil’s Due, Papercutz, TMNT and more. Learn about what the future of mobile comics promises for fans and creators alike. Room 30AB

    4:45-5:45 Mondo Marvel—2008 has already been a huge success for Marvel in all corners of the Universe. Now, join top editors and creators, including Greg Pak (Skaar, Son of Hulk), Matt Fraction (Invincible Iron Man), Ed Brubaker (Captain America), Jeff Parker (Agents of Atlas), Warren Simons (editor), Mark Paniccia (editor), and Jim McCann (publishing), to find out what’s to come for Iron Man, Hulk, Daredevil, the FF, and all things Marvel. Room 6A

    4:45-5:45 “SCREAM” Like a GirlSpike loves women. And the coolest women on the planet are the ones who destroy aliens, defeat serial killers and battle evil villains with their superpowers! In honor of Spike’s Scream Awards 2008—the first and most important televised event that celebrates the genius creative talent behind the powerhouse Hollywood genres of comic books, science fiction, fantasy and horror—Spike brings you a candid discussion of these genres from the women they love, who are poised to rule the fanboy’s universe! Moderator Kevin Smith (Clerks), the brilliant writer, director, and comic book genius hosts an all-female panel of actresses, artists, writers, directors, and producers in a discussion about working in these genres from their unique point of view. Twenty lucky panel attendees will win tickets to the 2008 Scream Awards. Ballroom 20

    5:00-6:00 The Making of the Vertigo EncyclopediaDig into the wealth of information DC Comics, Vertigo, and DK Publishing have and find out how a comic book imprint’s encyclopedia is created, from getting the material to organizing it and putting it out on the shelves. Get the down and dirty info from Karen Berger (senior VP/executive editor—Vertigo), Alastair Dougall (senior editor—DK Publishing), and Alex Irvine (author), and watch the world premiere of the documentary The Making of the Vertigo Encyclopedia. Room 2

    5:00-6:00 Bandai Entertainment’s Anime Invasion—In 2008, Bandai Entertainment has put together an amazing line up of anime titles: Code Geass, Lucky Star, Gurren Lagann, The Girl Who Leapt Through Time, Sword of the Stranger, Ghost Slayers Ayashi, Gundam 00, and many more. Join Bandai Entertainment president Ken Iyadomi and director of marketing Robert Napton to hear all the latest news on the company’s releases, learn some tidbits about what’s coming, up and maybe get some free stuff! Room 4

    5:00-6:00 The Pitching Hour—Michael Polis (WildBrain Studios, YoGabbaGabba), Jermaine Turner (director, Disney/ABC Cable Networks Group), Jill Sanford (manager, original series, Disney Television Animation), Sam Humphries (MySpace Comics), Paula Gould (PEG PR), Jeremy Love (writer/producer, Gettosake Studios), and moderator Dan Evans (freelance development exec) will take an idea from conception through production for various media. This process will include creating a pitch document, obtaining agents, and getting a pitch meeting. The panelists will explain, through hypothetical example and humorous stories, the process that new creators should adapt to make their way into the Hollywood creative battleground. Knowing that each project is unique, there will be a Q&A to allow the audience to really hone in on the solutions to obstacles they may encounter. Also on hand will be IP lawyer Brendan McFeely to give creators insight on protecting their ideas as they navigate Hollywood! Room 5AB

    5:00-6:00 Spotlight on Floyd Norman—Comic-Con special guest Floyd Norman talks about his long and varied career in feature film and television animation. His work includes Disney’s Sleeping Beauty, The Jungle Book, and The Hunchback of Notre Dame, Pixar’s Toy Story 2 and Monsters Inc., and many more fan favorites. Moderated by cartoonist and animation artist Scott Shaw! Room 7AB

    5:00-6:00 Looking at Our World: Eye on the Past—Authors discuss how they use and abuse history to inform their fictional stories. Panelists include Connie Willis (Passage), Jacqueline Carey (Kushiel’s Legacy), Max Allan Collins (Deadly Beloved), Peter David (Tigerheart), Naomi Novik (Victory of Eagles), and Jess Winfield (My Name Is Will: A Novel of Sex, Drugs, and Shakespeare). Moderated by Maryelizabeth Hart of Mysterious Galaxy. Room 8

    5:00-6:00 Spotlight on Mike W. Barr—What would comics in the ’80s and ’90s have been without Camelot 3000, Batman and the Outsiders, The Maze Agency, and Mantra. The creator of those titles, Comic-Con special guest Mike W. Barr, will answer that question and pretty much any others, as well as what he’s up to nowadays. (Just don’t ask him what the “W.” stands for.) With a special guest moderator…maybe. Room 10

    5:00-6:00 Comics Experience: How to Write a Pitch!—Hosted by Andy Schmidt (IDW senior editor, GI Joe, Star Trek), panelists Mark Waid (BOOM! Studios editor-in-chief, Flash, Kingdom Come), James Lucas Jones (Oni Press editor-in-chief), Rob Levin (Top Cow Entertainment editor-in-chief), Chris Gage (The Authority, Invincible Iron Man), C. B. Cebulski (Drain, Wonderlost, X-Men: Divided We Stand) and Nick Lowe (Marvel X-Men editor) offer tips on writing pitches, pitching verbally, and getting your pitch read! Want to write a comic? Don’t miss this panel! Questions from the audience welcome. Room 30CDE

    5:00-6:00 The Third Annual Comics Podcasting Panel—The best of the best in comics podcasting returns to San Diego for the third annual discussion of comics podcasting and how it’s affected the comics media. Rick Remender (writer of Fear Agent, Punisher War Journal, The End League) moderates a no-holds-barred discussion with comics podcasters Bryan Deemer and Peter Rios (Comic Geek Speak), Charlito and Mr. Phil (Indie Spinner Rack), Joe Gonzalez and Jimmy Aquino (Comic News Insider), Josh Flanagan and Conor Kilpatrick (iFanboy), and John Mayo and Bob Bretall (Comic Book Page). Room 32AB

    5:30-6:30 Action Figure Times Toymaker Q&A—Ever wanted to know why your favorite character figure was limited, or just what toy companies are thinking? How about the recent movement of toy licenses from one manufacturer to another? Or the effect of the rising costs of fuel on the manufacturing of figures on the market? Here’s your chance to ask the manufacturers (both big and small) about their favorite figures and statues. What questions have been burning in your mind? Come to Action Figure Times’ annual collectors’ panel to find out! Room 3

    5:30-6:30 The Science Behind Science Fiction—Celebrate the world of science fiction when Jaime Paglia (writer and producer of Eureka) and Phil Plait (badastronomy.com) lead a panel discussion with Discover Magazine editors exploring when science becomes good science fiction. Join Jaime, Phil and other special guests for an exciting discussion followed by Q&A. Room 6B

    5:30-6:30 Comics Arts Conference Workshop: Language Arts and Cross Curriculum Comics Seminar—Lisa Vizcarra (Carquinez Middle School) demonstrates the application of comics in the K-8 environment in Language Arts classes as well as across the curriculum. Using a step-by-step approach, she explains how comics—both published and student-created—can be used as pedagogical tools to explain plot, setting, and dialogue; to demonstrate the laws of physics; to learn the operation of new technology; and to develop skills in public speaking. Room 30AB

    5:30-6:30 Dark Castle Entertainment—Launched by producer Joel Silver and director Robert Zemeckis, Dark Castle Entertainment was founded to create a unique brand of horror movies inspired by the works of filmmaker William Castle. Recently, Dark Castle entered into an arrangement with CIT Group Inc. to broaden Dark Castle into a full genre label that will include feature films (London-based crime thriller RocknRolla, directed by Guy Ritchie and starring Gerard Butler, scheduled to be released in October; Ninja Assassin directed by James McTeigue and starring Korean pop sensation Rain; and Whiteout, starring Kate Beckinsale), home video (The Hills Run Red starring Sophie Monk, William Sadler, and Tad Hilgenbrinck) and comic books (Ferryman by Marc Andreyko and Jonathan Wayshak). Hall H

    5:45-6:45 Showtime: DexterShowtime presents exclusives from the set of the highly anticipated third season of Dexter. Moderator Kristin Dos Santos (E!) presides over this revealing interview and Q&A session with the top stars and executive producers of Dexter, featuring Michael C. Hall, Julie Benz, Clyde Phillips, and John Goldwyn, plus a special guest! Room 6CDEF

    6:00-7:00 Life, Death, Life of Star TrekYou’ve heard a lot of hype about sci-fi’s first franchise lately, now it’s time to see what it’s all about and celebrate an illustrious 40 years of boldly going with this regular panel of unpaid, uncensored Treksperts, who pay homage to Trek’s past and future with some special surprises and exclusive audio-visual treats you’ll only see here. Daren Dochterman (ST: TMP Director’s Cut Special Edition), Robert Meyer Burnett (Free Enterprise), Jeff Bond (The Music of Star Trek), and moderator Mark A. Altman (Free Enterprise) talk Trek like no one else can…or will. Room 2

    6:00-7:00 The Secret History of Manga in the U.S.—It’s been 30 years since the first manga was translated into English. From MixxZine to Raijin, from Astro Boy to OEL, join Jason Thompson (Manga: The Complete Guide) on a visual time machine full of dreamers, censors, antiwar activists, and other weirdness. Including ninja. Lots of ninja. Room 4

    6:00-7:00 Spotlight on Frank Beddor—Comic-Con special guest Frank Beddor, author of the best-selling “Looking Glass Wars” series, and creator of the Hatter M graphic novel, talks about the creation of his books, gives the story behind the story, and presents concept art from a wide array of artists who have visualized his text: Ben Templesmith (30 Day of Night), Doug Chiang (Star Wars), and Stephan Martiniere (I, Robot). He’ll reveal the new online game The Card Soldier Wars, show a special effects trailer for The Looking Glass Wars movie, and discuss how each of these mediums connect and extend The Looking Glass Wars universe. Room 5AB

    6:00-7:00 DC Nation—DC Senior VP/executive editor Dan DiDio hosts this gabfest with Keith Giffen (Reign in Hell, Ambush Bug: Year None), Geoff Johns (Action Comics, Green Lantern), Brad Meltzer (DCU: Last Will and Testament), and some of the top talent in the industry, talking and teasing upcoming stories! Come learn the secrets behind the most talked about events of the summer! Room 6A

    6:00-7:00 Bill Plympton’s Idiots and AngelsIndependent animator Bill Plympton (The Tune, Mutant Aliens) will screen the first 20 minutes of his just-completed animated feature Idiots and Angels, plus his new short, Hot Dog, the latest sequel to the Oscar-nominated Guard Dog. Join Bill for a look at his latest projects, plus a Q&A session to follow. Room 7AB

    6:00-7:00 Devil’s Due Presents: Hack/Slash and Beyond!—Hollywood screenwriter Justin Marks (Street Fighter: The Legend of Chun-Li) joins Hack/Slash creator Tim Seeley (Halloween: Nightdance) to talk about the new H/S film and his new DDP/Capcom comic book series Bionic Commando. Also featuring director Todd Lincoln, Hack/Slash Annual stars from The Suicide Girls, and a blockbuster surprise guest you won’t want to miss! Room 8

    6:00-7:00 Random House Publishing—Staff from the Random House Publishing Group—including Betsy Mitchell (editor-in-chief, Del Rey), Dallas Middaugh (associate publisher, Del Rey Manga), Mutsumi Miyazaki (director of licensing and acquisitions, Del Rey Manga), Chris Schluep (senior editor, RHPG), and Tricia Narwani (editor, RHPG)—discuss upcoming titles from Del Rey, Del Rey Manga, Ballantine, and Villard Graphic Novels. Room 10

    6:00-7:00 From Fan to Creator: Goal Setting for Creative Types—Which side of the convention table do you want to be on: artist or fan? And what’s keeping you from getting there? If you have an idea in your head that you’ve had trouble bringing into reality, you might benefit from this fun and practical goal-setting workshop, designed specifically for the Comic-Con crowd. Teacher and life purpose coach Douglas Neff will give you simple, proven techniques for achieving your most important goals. And this year, a surprise guest panel will fill your head with inspiration before you leave. Whether you want to write your own screenplay, draw your first comic, or shoot your independent film, you’re sure to get something useful from this informative and energizing workshop. Room 30CDE

    6:00-7:00 The Comics Blogosphere—The blog explosion has opened up a new frontier for comics criticism. This lively (and inevitably bloggable) discussion features David Brothers (4thletter!), Jeff Lester (The Savage Critic(s)), Laura Hudson (Myriad Issues), Tim Robins (Mindless Ones) and moderator Douglas Wolk (Reading Comics). Room 32AB

    6:30-7:30 So You Want to Do a Graphic Novel—Writer and publisher Larry Young assembles a team of writers and artists to unlock the secrets and unveil the mysteries of completing your own graphic novel. Panelists Adam Beechen (Final Crisis), Steven Grant (Two Guns), Kirsten Baldock (Smoke and Guns), Matt Silady (The Homeless Channel), and Manny Bello (Dugout) kibbitz, cajole, and inspire you. Room 3

    6:30-7:30 Adventures in Game Development—Have you ever dreamed of making your own video game? Are you a writer with a great story? Is there a place in video games for a traditional artist? Or do you just want to get into the industry? Veteran designer Alex Jimenez (Battletanxs, Darkstalkers), artist David DeVries (The Monster Engine), and author Blake Hutchins (The Sword from the Sea) answer all your questions and take you inside the video game industry. Find out what it takes to break into this competitive but rewarding field. Attendees will also get a special sneak peek at the upcoming title Blueshift. Room 30AB

    6:45-7:45 Robotech Industry Panel—Tommy Yune, director of Robotech: The Shadow Chronicles, covers the history of the animated series that introduced a generation to anime and discusses upcoming new releases in the wake of the announcement of the live-action feature film. Room 6B

    Nighttime Programs

    7:00-9:00 Comedy Central TV Funhouse with Robert Smigel—Robert Smigel (Saturday Night Live) and Dino Stamatopoulos (Morel Orel) reunite to discuss the most groundbreaking show to ever hit (and subsequently disappear) from basic cable. Join the guys to relive the glory of the best show you barely remember. Room 6CDEF

    7:00-9:00 Will Eisner: Portrait of a Sequential ArtistGet a look behind the mask of The Spirit creator in this feature-length documentary movie. With a triumphant world premiere at the Tribeca Film Festival, the production features the legendary writer/artist Will Eisner with Frank Miller, Stan Lee, Jules Feiffer, Jack Kirby, Kurt Vonnegut, and many others. Following this unique free movie screening, director/producer Andrew D. Cooke and writer/producer Jon B. Cooke will be available for a dynamic Q&A session. Room 7AB

    7:15-8:15 Adventures in Anime—Quinton Flynn (Axel from Kingdom Hearts, Reno from Final Fantasy, Raiden from MGS) and Emmy winner Jeff Nimoy (director of Digimon, Naruto, Wolfwood from Trigun) talk about their careers and their adventures on tour, answer your questions, and sing their famous Yaoi Song from AdventuresInAnime.com! Room 6A

    7:30-8:30 Geek Roundtable Live— Be a part of a live podcast with the guys from GeekRoundTable.com, the coolest geek podcast on the Internet. The guys will discuss the latest and hottest in comics, movies, television, DVDs, and games. Put your two cents in and get free prizes to boot, and maybe the guys will let you sit in the empty chair! Featuring Ned Cato Jr., Jesse Lopez, Chris Sturhann, Mary Sturhann, Matt Jeffery, Wesley Strawther, and Johann Joseph starring as himself. Room 10

    8:00-8:30 Lionsgate and Marvel: Punisher: War Zone!Producer Gale Anne Hurd (The Incredible Hulk) and stars Ray Stevenson (Rome) and Julie Benz (Rambo, Dexter) take you into the world of the Punisher for an exclusive first look. You won’t be prepared! Room 6B

    8:30-9:00 Lionsgate and Twisted Pictures: Saw 5—Join director David Hackl, along with the filmmakers and cast for an exclusive first look at the latest terrifying installment of the most successful horror series in history! Room 6B

    8:30-10:00 Star Wars Fan Film Awards—It’s the galaxy-spanning return of a Comic-Con favorite! The Star Wars Fan Film Awards come back to Ballroom 20 as the Thursday night big event. Ballroom 20

    9:00-10:00 Repo! The Genetic Opera First Look—See what director Darren Lynn Bousman has been up to since directing the last three Saw movies: Repo! The Genetic Opera. Check out the phenomenon that is this Goth Rock musical with sneak peeks and the new trailer plus stories from Darren and the actors themselves, including Alexa Vega (Spy Kids), Bill Moseley (The Devil’s Rejects), and Ogre (the band Skinny Puppy), among others. Room 6B

    9:00-12:00 10th Annual Superhero Kung-Fu Extravaganza —Martial Arts movie master Ric Meyers (Inside Kung-Fu) celebrates a decade’s worth of bringing you the funniest, fastest, and most amazing film clips by creating an anniversary show of the greatest kung-fu fights of all time, complete with surprise guest stars and freebies! If you attend only one “Extravaganza” in the next ten years, make this the one! Room 6CDEF

    10:00-12:00 Warner Premiere and Warner Home Video: World Premiere of Lost Boys The TribePrepare to sink your teeth into the long-awaited and highly anticipated next chapter of the cult phenomenon started by the 1987 cult classic, and be the first to see Lost Boys The Tribe before its July 29 DVD release at this special world premiere. More than 20 years in the making, Lost Boys The Tribe is an homage to the original 1987 cult hit and stars Corey Feldman as vampire hunter Edgar Frog, along with Tad Hilgenbrinck, Angus Sutherland, and Autumn Reeser, with appearances by Jamison Newlander and Corey Haim. Meet the cast and filmmakers as director P J Pesce and original Lost Boys star Corey Feldman are joined by Tad Hilgenbrinck, Angus Sutherland, and Autumn Reeser to answer questions and talk about the making of this new horror classic. Ballroom 20.


    Originally posted on:SpoutBlog » Paul Moore


  • FilmCouch #77 - WALL-E the Snake, YouTube gets sophisticated

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    Under discussion:

    Wall-E  (2008)


    WALL-E may look like the bastard child of E.T. and a backhoe, but inside he’s all Snake Pliskin from Escape from New York (1981). YouTube’s Sara Pollack on the most exciting thing to happen to short films since… well, maybe ever.

    3:11 Sarah Pollack from YouTube

    14:33 Wall-E vs. Escape From New York

    18:23 Movies to watch

    filmcouch-77


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #73 - Be careful what you laugh at

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    Under discussion:

    The Promotion  (2008)

    roman-polanski_the-promotion

    Roman Polanski: Wanted and Desired, a riveting documentary airing June 9 at 9:00pm on HBO, digs into the facts of Polanski’s notorious case around his sexual misconduct with a 13 year old, and how the justice system failed them both. The Promotion–opening tonight–looks like a comedy but is more an unnerving lightning rod for middle class anxiety, a darkly comic portrayal of what the American Dream has become. People expecting John C. Reilly and Seann William Scott to be foolproof laugh material will be surprised.

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

    FilmCouch #73 - Be careful what you laugh at
    Roman Polanski: Wanted and Desired, The Promotion


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #72 - Karina on Cannes, Kevin on steroids

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    Under discussion:

    Tyson  (2009)

    Chris-Bell_Mike-Tyson

    Interview with Chris Bell who made Bigger, Stronger, Faster –opening tonight. A doc going way beyond body building into the essence of an unspoken American pastime: Cheating. Karina reports back on Cannes and everything the media missed that it shouldn’t have: Tyson, Frontier of Dawn and Everything is Fine.


    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

    FilmCouch #72 - Karina on Cannes, Kevin on steroids

    Bigger, Stronger, Faster; Tyson; Frontier of Dawn; Everything is Fine


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #71 - Indiana Jones and the Death Penalty

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    Indiana Jones and the Kingdom of the Crystal Skull will be huge regardless of what any critic says about it, and for good reason. It’s freaking Indiana Jones! Why is Indy so compelling? And why have attempts to repeat him (Romancing the Stone?) failed every time?

    And a movie we think everyone should be compelled to see. We interview one of the greatest documentary filmmakers alive, Steve James (Hoop Dreams, Stevie), and Reverend Carrol Pickett, a prison chaplain and activist who presided over 95 death row executions in Texas. Their documentary, At the Death House Door, sets a new gold standard in “issue” docs. (At the Death House Door airs on IFC Thursday night at 9:00.)

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

    Filmcouch #71 - Indiana Jones and the Death Penalty


    Originally posted on:SpoutBlog » Paul Moore

  • Best Zombie Short Ever

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    I don’t get to see a lot of shorts programs at festivals. So, when I went to the Independent Film Festival of Boston, I indulged in their delicious menu of shorts. One of the audience favorites was a surprising little piece from Australia. A zombie flick that–unlike most zombie movies–truly transcended its genre. In honor of our Presidential Zombie Photoshop Contest going on until May 25th, I ask you undead to dim the lights, put on your headphones and place your fingernails between your teeth.

    I present to you, who have not had the pleasure yet, I Love Sarah Jane. (Watch the full screen version on YouTube.)


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #69 - Summer Movies

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    Under discussion:

    Iron Man  (2008)

    Speed Racer  (2008)

    Computer generated super machines run by conflicted heroes tethered to ladies who just can’t quit them–summer has arrived. And we’re loving it. Iron Man won the democratic primaries this week by staying away from controversy. The Marvel Universe will change how business gets done in Hollywood and Speed Racer is… different. Like Warhol making out with Walt Disney.

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday)

    filmcouch-69

    Iron Man, Speed Racer


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #68 - Paranoia

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    Under discussion:

    Murder, My Sweet  (1944)

    Strange Culture  (2007)

    New developments in the case of an artist arrested for bioterrorism (from the doc Strange Culture), lead us into a web of noir (Murder, My Sweet) and an unexpected look at No Country for Old Men. All of which reveal the sinister culture of PARANOIA!

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday)

    FilmCouch #68 - Paranoia

    Strange Culture, Murder, My Sweet, No Country for Old Men


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #67 - Wisdom of Kumar

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    Under discussion:

    EMPz 4 Life  (2006)

    Paul interviews Kal Penn (Harold & Kumar Escape from Guantanamo Bay, opening tonight), which inadvertently pushes Paul & Kevin on to a road trip–metaphoricaly speaking–from a Whites Only saloon in the old west to the ghettos of Canada where a mathematician is changing the world and a legendary filmmaker brings them to enlightenment.

    (Also under discussion EMPz 4 Life)

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday)

    FilmCouch #67 - Wisdom of Kumar

    *Note: The phone number announced in the show has technical problems. If you want to leave a message, call:

    1-800-749-0632
    Channel: 8838
    Password: 1111

    Harold & Kumar Escape from Guantanamo Bay, EMPz 4 Life


    Originally posted on:SpoutBlog » Paul Moore

  • FilmCouch #66 - Care Bears and Iraq

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    When a laugh is more powerful than a tear. The Care Bears Big Wish Movie, Where in the World is Osama bin Laden? and, possibly, Iron Man share a common theme. A quiet–almost subliminal appeal–to an audience seeking a straight shot of entertainment asking them to drop apathy and get involved in a troubled world. A new subversive cinema (that I wrote about earlier this week), which isn’t a filmmaker sneaking a message past Hollywood executives, but past a message-weary audience.

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday)

    filmcouch-66
    Where in the World is Osama bin Laden?, Iron Man, Care Bears Big Wish Movie


    Originally posted on:SpoutBlog » Paul Moore

 

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