Frem Here To Awesome Festival
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"I'm not interested in your God-damned vagina. I just want to get married."
Personal statement:

10 Cinematic Epiphanies

1. Reading Kael's Review of Last Tango in Paris

2. Seeing McCabe and Mrs. Miller and realizing what films could be and do.

3. Coming home from Young Adam and understanding that earnest, competent, intelligent movies can still be flops.

4. Writing my review of Son Frere and grasping that brilliant movies can be disconsolate and devastating. Or maybe it was Leaving Las Vegas.

5. Reading John Simon's review of Last Tango in Paris and realizing intelligent doesn't necessarily mean accurate or fair.  

6. Listening to people in my film class rave over Amadeus and rolling my eyes.

7. Watching a family walk out of Hearts and Minds when I was 16.

8. Reading a review of  9 1/2 Weeks by Roger Ebert and thinking that sometimes you can try too hard to like a movie.

9. Hearing couples argue as they were leaving The Accused (1988: Jodie Foster and Kelly MCGillis) .

10. Ed Luter, a teacher at Richland College in Dallas, Texas, taught me all about Semiotic Encoding. I remember catching on to a bit of subtext in the original version of Cape Fear and nearly falling on my ass.

 

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Re:The Heart is Deceitful Above ...
By jlgdrd in Spout Mavens
"Here is my review of, The Heart is Deceitful Above All Things " [More]
Junky Princess : The Heart is D ...
By jlgdrd in Wicked Fun
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"It is rare that I feel so utterly and completely mortified, frustrated and disgusted by a film, despite its brilliance. After watching Asia Argento’s The Heart is Deceitful Above All Things and discovering the source material came from a literary figure who was fabricated, my initial response was, “What next?” The film itself is problematic and flawed enough without this additional layer of confusion trying to fob itself off as intrigue.After doing a bit of research I discovered that JT LeRoy’s novel : The Heart is Deceitful Above All Things , was actually written by Laura Albert, who cultivated the alias down to dressing her boyfriend’s half-sister, Savannah Knoop, as the teenage boy. Knoop then proceeded to make guest appearances at book releases and other promotional events. Albert claimed that the persona of JT was a “veil” that permitted her to write things she couldn’t as herself. Of course, novelists employ different narrators ... " [More]
Educating the Breeders: Regula ...
By jlgdrd in Wicked Fun
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"When my editor (the invincible Steve Geer) informed me that our Pride Issue was going to press I scrapped my original plan to review the recent live-action version of Peter Pan certain that I could find a more appropriate choice. Then it got a bit more complicated. It didn’t seem quite right to choose one that I knew was good ahead of time, but, on the other hand, anything else was going to be a crap shoot. Even with good word-of-mouth, you can’t know for certain till the end credits roll. So I picked one that had looked fairly promising on more than one occasion, and hoped for the best. It seems I lucked out. Regular Guys (aka Echte Kerle) is Rolf Silber’s German Art-house comedy with a message. The message doesn’t keep it from being warm or genuinely funny. And it’s heartfelt, without being snuggly cute or sappy. It’s a comedy of manners, spoofing numerous human frailties: gay-panic, swagger, dealing in appearances, the trivial conventions of c ... " [More]
Imitation of Angst : Gypsy 83
By jlgdrd in Wicked Fun
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"Often there comes a time when a bad (or inept, or failed) movie will unwittingly tip its hand. It could be a piece of dialogue that encapsulates a central flaw, or it might be a device that functions as damage control. In Gypsy 83, it’s a chapter when Gypsy and Clive, en route to a singing competition in New York, spend an evening with a more or less retired singer, Bambi LeBleau (Karen Black). She is congenial, down-to-earth, unperturbed and dishonest only in the sense that she is trying to put a brave face on adversity. Black has been acting for at least thirty years now (Five Easy Pieces, Nashville, Easy Rider) and her screen presence and skill are so effortless that they too often go unnoticed. Her performance appears to infect Sara Rue (Gypsy) and Kett Turton (Clive) who seem completely different in this sequence, and outshines them in the rest of the film. She’s invested in the role, but experienced enough to trust her intuitions. When they decide to leave Bambi b ... " [More]
Plausible Astonishment : Harry ...
By jlgdrd in Wicked Fun
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"Just what is it about J.K. Rowling’s Harry Potter series that makes it so irresistible? That drives thousands to wait in costume for midnight releases of the next book, the newest film incarnation? To hold marathon gatherings where the entire text of the increasingly longer novels are read from start to finish in one sitting? Perhaps because so many of us can relate to Harry’s plight: an orphan raised by ignorant and abusive muggles who is whisked away to a community where he is welcomed and revered for the very attributes that branded him a freak. Don’t we all secretly long to be cherished for what makes us different? Perhaps it is Rowling’s gift for making sorcery and everything that implies, the fantastic and enchanting and astonishing world of extraordinary humans (and other marvelous, terrible beings) plausible. She intertwines just enough of the commonplace with the wizarding world to make it feel feasible, genuine. Wizards and witches have their schoo ... " [More]
Tears of a clown : The Embalmer
By jlgdrd in Wicked Fun
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"The Embalmer is Matteo Garrone’s fable on love, desire, loneliness and despair. An achingly sad film about a love-triangle that culminates in tragedy. Peppino is a taxi-dermist who falls for Valerio ( Valerio Foglia Manzillo) from the moment their paths cross at the zoo. Peppino offers him a job as his assistant, with a considerable pay increase, and soon Valerio becomes his protege‘. Car trouble introduces the third principal, Deborah (Elisabetta Rocchetti) a receptionist for an auto mechanic. As she begins to take Valerio away from Peppino, the friction escalates. An awful feeling starts in the pit of your stomach that something terrible is going to happen, something ghastly and unavoidable. And, of course it does. Peppino (Ernesto Mahieux) is skilled, cunning, intelligent and charismatic. He is also diminutive. He is not an actual dwarf, but in comparison to the tall, attractive Valerio, he seems small and clownish. Just like the dwarfs in Carson McCuller’s The ... " [More]
Balanced Indelicacy: Girls will ...
By jlgdrd in Wicked Fun
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"While drag humor is definitely not new to movies, queer drag may only be relatively new to mainstream film. Whether or not you care to differentiate between straight and gay men playing women, and straight and gay men playing gay men playing women, it’s all about interpretation. It’s all about spin. Breeder or queer, they’re making a statement about the excesses of feminine behavior, and what sort of comportment society expects of its’ women. Of course now, while Patrick Swayze may be copying gay men in a movie like, To Wong Foo, Thanks for Everything! Julie Newmar or doing his best to tap into his own homoerotic energy, that can be very different from Charles Busch doing a (relatively subtle) caricature of the whiskey-voiced matriarch in Die Mommie Die! Queer drag always carries the implication that gay men can trump self-identified, biologically designated females when wielding bitchy attitude. It is, without a doubt, a step forward that major studios are ... " [More]
Devil in the Details: Yves St. ...
By jlgdrd in Wicked Fun
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"David Teboul’s two-part documentary on the legendary fashion designer, Yves St. Laurent, is a not entirely unsuccessful foray into the realm of cinematic biography. But to be entirely fair and accurate, the two films: Yves St. Laurent : His Life and Times and Yves St. Laurent: 5 Avenue Marceau are miles apart in competency and allure. I assumed they were intended to be viewed in tandem but will be shown individually, each sold on a different ticket.. Life and Times is an absorbing, frank account of Laurent’s adventurous, tempestuous life and career, and his seminal impact on fashion, culture and society. 5 Avenue Marceau, is a turgid chamber piece that could arguably stand as the prime example of imitative fallacy. It runs 85 minutes but seems to stretch endlessly. It is more than coincidence that the former is comprised chiefly of discovered footage and the latter, exclusively Teboul’s.5 Avenue Marceau opens with Catherine Deneuve trying on dresses and deciding w ... " [More]
My secret shame: You'll get ove ...
By jlgdrd in Wicked Fun
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"You’ll Get Over It is melodrama redeemed by subtlety and adept acting. The script, written by Vincent Molina, is intelligent and truthful, and if it never exactly transports us to the higher realms, it has a grace and precision that carries the story without resorting to the usual, overwrought tactics you might expect from a film dealing with teenagers and homophobia. The pace is fairly quick, there are silences, but for the most part the information comes fast and steady, and the dry delivery is just right, I’m thinking, for what must certainly qualify as “loaded material.“ It’s always a pleasure (and far too rare) when a movie assumes we’re smart enough to get certain details without having them spelled out for us; there aren’t a lot of tears, but the pain comes through. We see it in Vincent’s red, swollen eyes, the way he huddles alone in bed in contrast to his mom and dad, his two best friends (Stephane and Noemie) making love. Th ... " [More]
Dream of LIfe: Yossi & Jagger
By jlgdrd in Wicked Fun
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"Roughly three quarters into Eytan Fox’s Yossi & Jagger, Jagger finally puts his foot down. When the impending ambush is over, he tells him, they will travel East, they will rent a hotel room, they will ask for a single bed. “I’m tired of pretending,” he tells Yossi, and from that moment on you don’t have to be a psychic (or an avid movie queen) to know Jagger won’t be returning from the ambush. Yossi responds with the traditional “You knew what you were getting into...” speech that he will undoubtedly recant as Jagger is brought to the brink of death. This is not to say Avner Bernheimer’s script is weak, in a sense he turns conventional melodrama on its head. And considering he telegraphs the climax it is surprisingly effective and yes, wrenching. Based on a true story, Yossi and Jagger is a cinematic coupe de grace achieved by tactical strategy. Using documentary film technique (hand-held cameras, natural lighting, flat col ... " [More]
Everyqueers : Luster
By jlgdrd in Wicked Fun
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"Jackson (laughing): Tattoos are cool. But it takes a little more than that to turn me on. Derek: Really? “Turn me on?” See I’m talking about love.Jackson: Hey. I’m just a guy.Derek: Hey, I’m just a guy too.They kiss. The above exchange summarizes the key strength of Luster, Everett Lewis’ dry, not altogether unsuccessful comedy on queer attraction. The title is a double-entendre’ for one caught up in the pitch of desire and the gleam of their beloved. It is a wry parable on the dangers of “love at first sight.” All the key characters are love victims, including our hero, Jackson, whose jolts of romantic epiphany are not reciprocated. Not for nothing is the music store milieu (ground zero for Luster) called “No Life.” Practically everyone is tortured by infatuation or poised for their one great, dangerous, ecstatic love to appear on the horizon. Luster doesn’t always work, but the moments when it does are splend ... " [More]
Stigmartyr : El Mar
By jlgdrd in Wicked Fun
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"El Mar is a mouse that becomes a tiger when your back is turned. There’s an undercurrent of urgency that erupts in quiet, gradually more devastating explosions until you’re confounded--devoured--used up? Set in a sanatorium for tuberculosis in the Mallorca of post civil-war Spain, El Mar tells the story of three friends: Ramallo, Tur and Francisca, all seeking expiation for a ghastly crime that happened when they were children. When Ramallo is sent to the hospital for treatment he finds his old friends staying there, Tur (Bruno Bergonzini) is a patient and Francisca (Antonia Torrens) in service as a nun. There’s a deceptive air of tranquility and fastidiousness that pervades the film. It’s not that these themes aren't part of the mix, but they belie the layers of anguish and turmoil underneath. The characters are struggling to reconcile their need for spiritual transcendence with the perils of human connection, with all its potential for degradation and ... " [More]

Lists

My favorite films (258)
Badlands Days of Heaven Nashville Stardust Memories Wings of Desire O Fantasma A Thousand Clouds ...
Films I've seen (319)
Films I've seen
Films I want to see (2)
Films I want to see
Films I want to buy (2)
Films I want to buy