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  • It Happened one Night

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    It still keeps happening as this film continues to enthrall and enjoy audiences all over even 70 years after it was made. It has been copied in its entirety in many languages and the theme has been depicted in various forms but the original is unique.

    A madcap heiress escapes from the clutches of her domineering father to join her lover a 1000 odd miles away. A down-under newspaper reporter who has just been fired recognizes her and offers to help her reach her destination in exchange for her story exclusively. The fun begins when they board the bus and the hilarious misadventures are side-splittingly funny. The Walls of Jericho is folklore and the scene where the rich heroine is made to wait in queue to attend her toilet was way ahead of its time. The transition of the spoilt rich girl into a likeable pleasnt lady and her falling for the reporter are a treat to watch.

    Claudette Colbert was the perfect choice for the heiress and Clark Gable quite different from other roles he palyed. Both of the stars come out excellently. Special mention must be made about Roscoe Karns as a fellow traveller and Walter Connoley as the enraged father who dtests his future son-in-law and chooses Gable.

    A winner all the way and one would expect nothing less than this from the incomperable Frank Capra. Undoubtedly his greatest screwball comedy.

    Krishna Kumar Menon, Chennai(Madras), India.


  • Rebecca

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    Rebecca  (1940)

    The master once again delivers a suspenser that marks his class and  caliber. Not the first time that Hitchcock had adapted Daphne Du Maurier, he had done it  earlier in England with Jamaica Inn which is mostly forgotten but had in its offering a newcomer who would be lapped up in Hollywood-Maureen O'Hara and as a villain Charles Laughton. The film is supposed to have been a failure but its brooding photography and direction was in a class of its own.

    In Rebecca he once again converts the book into a great film with astounding performances by Joan Fontaine & Laurence Olivier. The novel is adapted in its entirety with the ending changed to protect the image of the hero from that of a murderer which spoils the climax a little. In the book the climax where Mrs DeWinter realizes that her husband is a killer transforms her character and the reader is left to imagine the life that she has to live with him in later years. In the movie the entire episode is projected as an accident and the hero is made to look as absolved of any attempt to kill.

    Joan Fontaine is explicitly photographed as the terrified young wife, Mrs.Danvers (Judith Anderson) is frightening. All the characters from the book come alive and the musical score is excellent. A must see.

    Krishna Kumar Menon, Chennai(Madras) India


  • Lawrence of Arabia

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    A giant of a movie and a portion of history in film making. The legendary director David Lean delivers another classic with his team mate photographer. The musical score is great.

    The film captures the expanse of the Mespotamian desert, the crafty designs of British Empire Building and the easy machinations and greed of the Arab rulers during the Turkish campaigns of World War 1. Peter OToole is Lawrence to the core and Alec Guiness makes a near perfect Prince Faisal. Omar Sharif is cast well. The attack scenes are phenomenally photographed and one savors the beauty of the desert in its loneliness. A film to see and pass on to the next generation.

    Krishna Kumar Menon Chennai(Madras), India


  • My Fair Lady

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    My Fair Lady  (1964)

    Pygmalion it is not but undoubtedly the similarities are wonderfully delivered to the audience. A wonderful adaptation of Pygmalion in musical form though the original with Leslie Howard & Wendy Hiller was known to be Bernard Shaws favorite.

    Audrey Hepburn as always comes out vivacious and appealing as Eliza and Rex Harrison is impeccable as Professor Higgins. The  movie is long but you never feel the length as it moves. The songs are legendary and who can forget The Rain in Spain or All I want is a Room Somewhere. The ending probably as the audience wanted it is now folklore-"Eliza where the Devil are my Slippers?" but would evoke angry reactions from the feminist organisations of today.

    A movie for the entire family to watch over and over again.

    Krishna Kumar Menon Chennai(Madras), India


  • An Affair to Remember

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    Though the film stars my favorite Grant and also co-stars the lovely Deborah Kerr this version loses sheen before the original "Love Affair" starring Charles Boyer & Irene Dunne. The original was also directed by Leo McCarey but in this version the real romance of the story slips for what reason I cannot tell as Cary is as debonair as ever but the voicing of dialogues were better when Boyer & Irene did it. Also Deborah Kerr does not come out both as lively and appealing as Irene Dunne. The film is visually beautiful in color but my vote is for Love Affair of the 1930s

    Krishna Kumar Menon Chennai(Madras), India


  • The Lady Vanishes

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    One of the most repeated themes in films was originally perfected by Hitchcock in this masterpiece. The stories of people going missing without a trace and a lonely soul fighting against all odds to prove that the missing person exists has been retold after Lady Vanishes umpteen times and most recently in the Jodie Foster film "Flight Plan" but none of them can come anywhere near Hitchcock.

    The fast pace of the film its excellent actors and the settings in Black and White make it memorable. The "Secret Agent" Miss Froy itself is the most unlikely spy one may think of but the story telling and the Director makes it plausible. The period setting of the film makes it obvious that the villains are Nazis but steers away from calling them so but does not restrain itself in depicting them as despicable villains telling the world in 1939 what it was in store for.

    What more than to call it an unforgettable Classic.

    Krishna Kumar Menon, Chennai(Madras), India.


  • Rear Window

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    Rear Window  (1954)

    The great master of suspense delivers another beauty. This is a movie that no one should miss. It does not age any bit and retains its form even 40 years after it was released.

    The ultimate "Peeping Tom" story carries its suspense till the end and leaves the viewer glued to his seat. The pairing of an aeging Jimmy Stewart with the glamorous blonde Grace Kelly works great and the chemistry shows when sparks fly during the conversations that they have. One wonders how any sane human can stay aloof from the advances of such a female as Grace Kelly and the double entendre in the dialogues are simply classic.

    Thelma Ritter is another character that comes out with flying colors. Hitchcock delivers and how. One of the greatest from Hollywood and also from the master.

    Krishna Kumar Menon, Chennai(Madras), India


  • Mr and Mrs Smith from Alfred Hitchcock

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    Mr. & Mrs. Smith  (1941)

    This film is a surpise from the master of suspense as it is his only foray into actual comedy though he has blended comedy into most of his suspensers earlier.

    The plot is more of a bedroom farce without actually entering it as was the code in the golden era. Carole Lombard and Robert Montgomery are paired beautifully and the subtle innuendos in the dialogues are incredibly funny and also outlive its age as they are relevant today.

    The master proves that he can handle the genre as well as others. Unfortunately the movie is not available and mostly prone to be mis-identified with the Brad Pitt film.

    Krishna Kumar Menon Chennai(Madras), India


  • Guns of Navarone

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    A great war movie excellently adapted from Alistair McLeans novel of the same name. The plot is as usual - British Commandos are sent as saboteurs to eliminate some guns that are targeting British ships in the Mediterranean. It is vital that the Commandos succeed in misleading the Jerries that they plan to evacuate the British troops on Crete after they destroy these guns and the raid itself is a ploy to ensure that the Germans are diverted in attention to enable the Royal Navy to undertake its task.

    The casting of Gregory Peck as a British officer is a little hard to swallow but one must admit that he lives up to the task. David Niven as the Professor turned sabotage expert is as usual great and Anthony Quayle is quintessentially the stiff upper lip English officer to the core. Alltogether the movie is a War classic

    Krishna Kumar Menon Chennai(Madras), India.


  • Gone With The Wind

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    The name says it all. What more can one write about this masterpiece expect praise it on all counts. The greatest casting, Best of acting, Brilliant adaptation of the novel, great scripting, wonderful photography, marvellous color for the period, legendary musical score and great direction. No movie has all these qualities combined. You have to search unsuccessfully for any flaw in this great movie.

    Need one have to say anything about Gables Rhett, Viviens Scarlett or Leslies Ashley and not to forget Olivia or  Hattie McDaniel all of whom bring Margaret Mitchells characters to life. MAx Steiners score has set the trend for similar music for decades after GWTW.

    Keep watching this movie every time you feel that you have forgotten it as it grows on you.

    Krishna Kumar Menon Chennai(Madras), India


  • Twentieth Century

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    The title refers to the train that used to operate between Chicago and Los Angeles before air travel was the preferred means of transport by the gliterazzi.

    In this movie  the hilarious performances by John Barrymore (The Great Profile Legend), Carole Lombard (The greatest of screwball comedy actresses), Roscoe Karns and Walter Conolley make it a treat to view. The story revolves on a producer who creates a Cinderella and loses her to competition as he is too demanding and overbearing. Now down on his luck he conspires with his two cronies to woo her back and this is achieved on board the Twentieth Century when the entire group travel together. Get ready to laugh your heart out non-stop and take care not to miss out on the screwball dialogues. Every scene is hilariously funny and the direction first-rate. Anything more to be said on this movie is just SEE IT TO EXPERIENCE IT.

    By Krishna Kumar Menon Chennai(Madras), India


  • The Spy who Came in From the Cold

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    An underrated brilliant film about the Cold War era. The  scene is Berlin opening with a defection from East to West which ends in disaster. The British operative in charge seemingly turns an alcoholic and is ready to defect thru a bookstore lady.  The staged defection turns out to be a sinister plot to enable a East German to retain his cover. The alleged Britisher who defected gets scent of this double-cross an tries to rescue his accomplice ending in both their deaths as thouands of others trying to scale the Berlin Wall.

    Richard Burton turns in an outstanding performance as the Brit spy and Claire Bloom his accomplice. The atmospheric settings are brooding and speak of an era long gone. John Le Carres novel is adapted with care.

    By Krishna Kumar Menon Chennai(Madras), India


  • Casablanca

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    Casablanca  (1943)

    My entry for the greatest film ever made and an all time favorite.

    Who can forget the opening line where the refugee route from Europe to Casablance and on to Portugal is announced.

    Who can forget the introduction to Ricks. Who can forget the dapper Louis Renault (a poor corrupt policeman). Who would not fall for the lovely Ilsa Lund. Even the most cynical of men would nurture a sentimental place in their hearts for Casablanca.

    The cynical non-intefering Rick is made to change into a hero by his lost love. Who can forget Sydney Greenstreet swatting a fly after the exit of Ilsa & Victor Lazlo. One can go on and on about Casablanca and would have more to say. It improves with every viewing .

    By Krishna Kumar Menon, Chennai(Madras), India.

     

     


  • Dr Zhivago

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    Doctor Zhivago  (1965)

    The adaptation of Boris Pasternaks novel is lovingly brought to the screen by the great  David Lean. Wonderfully photographed and excellent casting makes this a must see classic.

    The film itself is told in flashback by Dr Zhivagos half-brother Alec Guiness  who meets his neice after the revolution. The movie spans over 6 decades and the role of Dr Zhivago is understandingly potrayed by Omar Sharif. Julie Christie is excellent as always but Geraldine Chaplin is my personal pick. Jack Cardiff captures the grandeur of the Russian mountains as no other and the colors are wonderful. The overlong length of the film is one of its drawbacks but it is evident that such a novel demanded this.

    By Krishna Kumar Menon, Chennai (Madras), India.


  • Long Voyage Home

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    What can one say about this movie more than call it one of the greatest movies ever made. There can be no greater director of the 20th century than John Ford  and in the 30s and 40s he gave the cine going public classics like The Informer, The Lost Patrol, Stagecoach and in 1939 The Long Voyage Home before he went on to make The Grapes of Wrath etc. Most of these films are low-budget efforts which harvested huge profits to the studios that produced.

    In this movie he adapted 3 Eugene O'Neills palys and combined them to the events on  British ship that is returning to England at the outbreak of the Second World War. The performances of all the stars are truly superb. The icing on the cake is  the directors accumen in bringing out one of the most stellar portrayals of John Wayne who until then was always touted as a cowboy.

    A must see movie before you die but unfortunately not many prints are in circulation


  • The Italian Job

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    The Italian Job  (1969)

    One of the forgotten British goldies. A heist caper movie that moves almost at the speed of the cars that are used in the flick.

    Michael Caine is outstanding as the Cockney theif who aims to steal gold bullion from Italy. The modus operandi of the caper is to create one of the greatest traffic-jams in Italy whilst the theives escape in their bus with the bullion.

    The mastermind Noel Coward in his last role is impeccable as the man behind bars who pulls it off to the admiration of the other inmates thru remote control.

    The ending is now folklore with Michael Caine telling his team that he has an idea to offload the almost off the cliff bus of its booty.

    "Self Preservation...."

     

    By Krishna Kumar Menon, Chennai(Madras), India


  • Snows of Kilmanjaro

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    Loosely based on Ernest Hemmingways novel the film is visually a treat to watch. Gregory Peck gives a low key performance and makes his character evoke sympathy from the viewer. Hemmingway allegedly was not at all happy with the change in the ending.

    Ava Gardner is beautiful and also portrays her character with conviction.

    The color and photography are a treat to the eyes.

    By Krishna Kumar Menon, Chennai(Madras), India


  • Dial M for Murder

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    Another feather in Hitchcocks cap. The situation setup is as usual from the master superb. The cast ideal. Who can forget the poise, beauty and charm of  Grace Kelly, the scheming machinations of the suave Ray Milland which goes awry and the debonair Robert  Cummings.

    Hitchcocks camera work using the ordinary telephone as the suspense builder is unique. The film though lenghty at times is different from the masters usual offerings. Unfortunately it is not in circulation. A must see for fans of the master.

    By Krishna Kumar Menon Chennai(Madras), India


  • Samson and Delilah

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    As expected Cecil B DeMille offers us a great entertainer of the Biblical story of the legendary Samson.

    The production as with any DeMille film is opulent to say the least. Victor Mature is slightly wooden in his acting. He was in his peak as Dr.Holliday in My Darling Clementine. He has delivered his role of Samson adequately but the hamminess in his performance is noticeable.

    Heddy Lammarr was, is and will be the ultimate Delilah. She is superb in her role - alluring and seductive(if the term is allowed for the period) and lives it to perfection.

    DeMilles direction is also above average but does not match his earlier films. Totally to sum it up a movie not to be missed and viewed allowing some glitches here and there.

    By Krishna Kumar Menon , Chennai(Madras), India


  • Quicksand

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    Quicksand  (1950)

    The title says it all. For the hero (anti-hero is it?) the pace of the movie is like quicksand - it moves at a pace, not very fast but definitely at a rate where he is sinking and unable to grasp at anything that will rescue him.

    Mickey Rooneys foray into Film-Noire is a definite yes as he lives thru his role of a young naive garage employee who is forced to embezzle a few dollars to entertain a femme-fatale unknowingly and then on the film races like his car to a definitely unpredictable suspenseful end.

    Certainly a low budget movie but it delivers.

    By Krishna Kumar Menon , Chennai (Madras), India


  • Passage to Marseille

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    Definitely not a movie that will be relished by the Bogie fan of which I am unashamedly one. A definite waste of the re-casting of Bogart, Claude Rains and others from Casablanca and last but not least a Michael Curtiz  who fails to deliver due to an insipid screenplay.

    The film still has its interesting moments depicting Hollywoods brand patriotism of the 1940s wartime and also the the way Devils Island was shown to harbor innocents also.

    Certainly not a classic but one that you can sit thru on a Sunday afternoon or a late weeknight to view  an era of Hollywood with your favorites.

    By Krishna Kumar Menon, Chennai (Madras) India


  • Niagara

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    Niagara  (1952)

    Though Marilyn is cast as a Femme-Fatale it really is a vehicle for Joseph Cotten as the husband who looks as if he is all suffering and forgiving but in reality a schemer with vengeance in his heart. Joseph Cottens image as Holly Martins in The Third Man was likely to be typecast but Niagara changes all that.

    Let us not discount Marilyn here as she has given a great performance belying the oft used cliche that she was a dumb blonde. She is quite appealing in her thankless role.

    A movie to be seen in its own capacity to really fulfill the viewers appetite.

    By Krishna Kumar Menon Chennai (Madras) India


  • Kim

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    Kim  (1950)

    A die-hard Errol Flynn fan I would be a little biased if I called this movie a classic as it lacks the Flynn touch of the 30s or the 40s but certainly puts his inimitable mark on the film.

    A not so well adapted tale of Rudyard Kipling the film is still an interesting one to watch and we are given a once more fleeting glimpse of the Flynn who was in his role of a British soldier in disguise in the days of the Raj.

    The photography is quite good but most memorable is the viewing of Errol in probably his last role as a swashbuckler which he delivers with panache. Why did he have to leave so soon?

    Reviewed by Krishna Kumar Menon Chennai India


  • North By Northwest

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    A classic tongue-in-cheek Hitchcock with the evergreen Cary Grant as hero. Though in his latter years Cary never lets you feel his age and the film moves with lightning speed. Who can forget the murder scene at the UN and the memorable mistaken identity chase through the Mid-West. The Crop dusting scene & the Mt. Rushmore finale are now folklore.

    Most of the movie going public dont realise that these scenes have been consistently copied in various forms by contemprory directors throughout the world.

    James Mason makes the classic urban political villain and the Star Trek Mr Spark a definite crony.

    In short nothing but a memorable classic which improves with every viewing. Unfortunately not many people in India (my part of the world) have seen this great film.  A sure  need for a release.

    Krishna Kumar Menon

    Chennai (Madras), India


 

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