9/8/2007 7:56 PM
posted awhile ago
Re: Total Film's Greatest Directors Ever List
I agree with pippin06 on the vast majority of his points. I kinda see Shyamalan as the new Joel Schumacher. Shall we compare? Schumacher's Flatliners -- A fun movie with an eye for grandiosity about death and the afterlife, whatever it is. It turns into a sort of horror flick with heart as the film wears on. The characters find themselves haunted by the horrors they've commited themselves, but find redemption in the act of apology. Compare to Shyamalan's The Sixth Sense -- A really fun movie with a focus on the individual about death and the afterlife, whatever it is. In the end it's remembered as a horror film, but it has a sort of heart as well. A small child brings realization to a middle-aged man who never realized he'd actually passed away, and brings a sort of redemption to his mother who always doubted her own mother. Schumacher's The Lost Boys -- This makes for one hell of a popcorn flick and it's got a popular cast: The Two Coreys (as they are called) and the slightly less popular but still recognizable Diane Weist. It's a stupid movie with very little purpose. Compare to Shyamalan's The Village -- I found the movie to be entertaining, if a little predictable (or a lot predictable) with a few cast members who'd been getting a fair amount of press at the time like Adrien Brody. The movie didn't really have anything new to say. You know, it's all about how man cannot suppress his very nature of hostility and how any society has always crumbled from the Greeks to the Romans to maybe America? It's also a stupid movie with very little purpose, but that's all The Lost Boys or The Village were ever really meant to be. One more: Schumacher's Batman Forever. Stop cringing. It does you no good. Batman Forever was a cheap attempt to capitalize on a successful franchise. The movie made good money, I'm sure, but it's generally regarded as the second worst Batman movie to date (the worst being Batman and Robin). Then look at Shyamalan's Lady in the Water. Again with Paul Giamatti, good actor that he is, in a role that makes him look childish. In a way it's a continuation of a franchise because that's how it was advertised. The wording in the trailer is probably close to, "An M. Night Shyamalan Film." People went to see it because he directed. In a way, it's a franchise. But it's not a very good movie in any way, shape, or form. I see a lot of commonalities between the two, and I think we just need to watch Shyamalan's films for the entertainment value and overlook his frequent plot holes, his trademark plot twists, and his hack style. I can watch his movies just for fun in the same way that I can't say no to a viewing of The Lost Boys.
|