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Winter Light
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Directed by Ingmar Bergman
The Winter Light is the second in a trilogy of dramas by acclaimed Swedish director Ingmar Bergman that explores religious faith and doubts in a visceral, visual, and provocative manner. The first, Through a Glass Darkly, was an international success and heralded this new phase in the director's career. This compelling drama is set within a three-hour period on a Sunday afternoon in November, and begins when the local pastor, Tomas Ericsson (Gunnar Bjornstrand), is finishing his sermon. As of late, Pastor Ericsson has watched his congregation dwindle to a minimal level. Among the remaining parishioners is Marta (Ingrid Thulin) a plain-looking schoolteacher who has long been in love with the pastor. Meanwhile, fisherman Jonas (Max von Sydow) is anxiety-ridden over the nuclear power of the Communist Chinese, but Pastor Ericsson cannot help him, saddled with some overwhelming spiritual dilemmas of his own. As Ericsson struggles with his demons and faces Marta's unwanted (and to him, repugnant) romantic attentions, some hints of the qualities of God begin to surface. ~ Eleanor Mannikka, All Movie Guide
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dibotdibot Winter Light in the Valley of E ...
by dibot in dibot Blog
liked it.
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"Always, always behind I am. The weekend before the Oscars, I made a desperate attempt to catch up on the nominated films. I quite enjoyed The Assassination of Jesse James by the Coward Robert Ford, even though the film was almost as long as its name. Casey Affleck ("Gone Baby Gone")once again shows he's the real actor i " [More]
chesterfilmschesterfilms God's Silence
by chesterfilms in chesterfilms Blog
loved it.
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"Winter light is a film so beautiful in every way. Amazing performances in this one. Photographed by Bergman regular, Sven Nykvist, the composition of the shots tell much of the story. Many scenes are given power because of the lighting alone. I always find it frightening when a man of God loses his faith. To turn your back on everything he has built his life on? Like Wild Strawberries, I find that this film ends with hope. The best scene where a man questions The Pastor about the las " [More]
RisseladaRisselada Re:No sir, I don't like it
by Risselada in B Movies
"[quote user="csprague"]I think i feel that way about The Decalogue, but don't tell Paul. I also feel that way about a lot of more "transcendental" films I have been subjected to, such as Early Summer and [More]
cspraguecsprague Re:No sir, I don't like it
by csprague in B Movies
"[quote user="SkyPilot"] You know the horse from Ren and Stimpy? MISTER HORSE: Hmmm... (rubs chin with hoof, wags tail) No sir, I don't like it. That's what I'm like when I wonder if I liked Eraserhead. I recently saw it for the third time. It was " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
The second film in his trilogy on faith, Ingmar Bergman's Winter Light (1962) is an austere chamber piece that encapsulates a pastor's theological crisis within one Sunday afternoon. Suffering from an emotional shut-down and a spiritual void, the priest's ability to hear only "God's silence" permeates the film, beginning with the opening recitation of the Lord's Prayer superimposed over shots of the parish's desolate, snow-covered houses. Featuring no music, few sets, a small cast, and stark black-and-white photography by Sven Nykvist, Bergman's spare style is an intense complement to the central dilemma; whether they are shown in close-ups or in long shots dwarfed by their surroundings, the characters exist in a literal isolation that has no solution or outlet. A harsh, powerful study of religious and personal alienation, Winter Light is a testament to Bergman's formidable artistic control -- and not a film for those seeking escapist entertainment. ~ Lucia Bozzola, All Movie Guide
 

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chesterfilms
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