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We Don't Live Here Anymore
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Directed by John J. Curran
Two marriages and four lives are brought to a crossroads by infidelity in this drama, based on a pair of short stories by author Andre Dubus. Jack (Mark Ruffalo) is a college professor whose marriage to Terry (Laura Dern) has been going through a rough patch. Beyond the tensions over Terry's failings as a mother and housekeeper, Jack is deeply infatuated with Edith (Naomi Watts), the beautiful wife of his best friend, Hank (Peter Krause), a fellow professor and struggling poet. As it happens, Edith is also attracted to Jack, and they soon begin an affair that Edith is certain will soon be found out. Hank, meanwhile, is a man with a flexible attitude about his own fidelity, and he falls into a relationship with Terry. Before long, all four parties learn about the infidelity of their spouses and friends, with differing reactions; Terry becomes desperate to save her marriage, Jack decides he's in love with Edith, but neither couple is willing to divorce. We Don't Live Here Anymore received its world premiere at the 2004 Sundance Film Festival, where it was honored with the Waldo Salt Screenwriting Award. ~ Mark Deming, All Movie Guide
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"By Tricia Olszewski Anyone wondering about the verisimilitude of We Don’t Live Here Anymore won’t have to wait long for the reassuring line: The very first scene delivers “You’re drunk and we’re going to fight and you have that look on your face.” Spoken by a husband who’s explai " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
John J. Curran's We Don't Live Here Anymore is a chamber piece of a movie that offers an unflinching portrait of two marriages that are each experiencing severe rocky patches. For anybody who enjoys watching actors act, this film offers plenty to savor. Mark Ruffalo and Laura Dern capture the casual cruelty longtime couples can inflict on each other while simultaneously serving up enough self-loathing for behaving that way -- a vicious circle that grows more vicious as the film progresses. Naomi Watts balances fragility and anger with remarkable skill, while Peter Krause manipulates everybody with a potent cocktail of selfishness and intelligence. The filmmakers do a first-rate job of art direction, using the interiors of the two couples' houses to symbolize the state of their respective marriages. The film's cold, controlled tone doesn't allow any air into the film, and the screenplay makes an error by giving the emotional climax to Krause and Watts after giving the majority of the screen time to Ruffalo and Dern. However, those in the mood for a feel-bad look at four deeply flawed humans should find the performers compelling enough to trump the film's flaws. ~ Perry Seibert, All Movie Guide
 

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kartyush
kartyush
loved it.
raydanger
raydanger
loved it.
CassieAnnette
CassieAnnette
loved it.
hpadgett
hpadgett
lost interest.