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Vertigo
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Directed by Alfred Hitchcock
Dismissed when first released, later heralded as one of director Alfred Hitchcock's finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D'entre les morts weaves an intricate web of obsession and deceit. It opens as Scottie Ferguson (James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster (Tom Helmore). Elster's wife, Madeleine (Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. He hesitantly agrees, and thus begins the film's wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann's hypnotic score). After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Here tragedy strikes, and each twist in the movie's second half changes our preconceptions about the characters and events. In 1996 a new print of Vertigo was released, restoring the original grandeur of the colors and the San Francisco backdrop, as well as digitally enhancing the soundtrack. ~ Dylan Wilcox, All Movie Guide
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pippin06pippin06 Revisiting Vertigo for the AFI ...
by pippin06 in Reel Thoughts
liked it.
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"What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here:[More]
leeroy711leeroy711 Half of the year is gone.... A ...
by leeroy711 in leeroy711 Blog
loved it.
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"I’m writing this to take a moment and reflect on my past 6 months in film viewing. At the beginning of the year, I set a goal of watching 200 films I haven’t previously seen in 2009. Today, I am relieved to report that with the 6th month of the year ending, I have just finished watching my 100th film. I decided to create [More]
SpoutBlogSpoutBlog Jeff Goldblum: The Media Diet, ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Jeff Goldblum is at Telluride to promote his new film, Adam Resurrected, directed by [More]
chrismorrellchrismorrell One of my all time favourites
by chrismorrell in chrismorrell Blog
loved it.
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"I watch it again every year or so..Vertigo made a big impression on me as a kid. I found the dream sequence very scary,having been allowed to stay up late to watch. It's obviously dated in some ways,but the new print/transfer to DVD is very beautiful,and has conserved a brilliantly rendered story. " [More]
ShaunHustonShaunHuston AFI's 10 Top 10: Mystery
by ShaunHuston in ShaunHuston filmblog
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"The mystery list is another one that seems poorly conceived. Unlike animation, “mystery” may be a genre, but the way it is defined and applied in the AFI list leads to a muddled selection of films.The AFI defines mystery as “a genre that revolves around the solution of a crime”. I'm not convinced that that adequately describes the films on " [More]
leeroy711leeroy711 Re:Weekly Theme for May 4: Expr ...
by leeroy711 in Weekly Theme
"[quote user="mercurial"] M is probably the film that stands out as one of the great Expressionist films made. It's such a creative, thrilling film; something which surprised me when I first saw it years ago as I hadn't seen too many films pre-1950 and those that I had I couldn't really get a feeling for. Hitchcock utilized Expressionist techniques in pretty much all of his films: [More]
pippin06pippin06 Re: Top 5 Everybody Seems To Lo ...
by pippin06 in Top 5
"[quote user="Jymkata"] I know it's very polite on internet message boards to act like there are no standards or experts, and that subjectivity is the only way to judge a film, but sometimes subjectivity can be wrong and although you may not personally like a piece of art you need to be able to appreciate its qualities. I know this whole topic is subjective, but some of these should not be up for debate as to whether they are good or bad. The two I take exception with are [More]
mercurialmercurial Re:Weekly Theme for May 4: Expr ...
by mercurial in Weekly Theme
"M is probably the film that stands out as one of the great Expressionist films made. It's such a creative, thrilling film; something which surprised me when I first saw it years ago as I hadn't seen too many films pre-1950 and those that I had I couldn't really get a feeling for. Some of the noir films that I have loved and which embrace a certain amount of Expressionistic ideas are [More]
theunemployedshortstoptheunemployedshortstop Re:A new pack of RESERVOIR DOGS ...
by theunemployedshortstop in Filmgaming
"The Epic Tale of "The Wolves of Gomorrah Gorge." The Conceit: Due to a trans-dimensional rift caused by the AWESOMENESS of the Inglorious Bastards screenplay Quentin Tarantino is able to jump into a dimension where the world is perpetually in the early fifties. The impish auteur (also great collaborator) is eager to se " [More]
OvationOvation Peter Bogdanovich Interviews Al ...
by Ovation in Alfred Hitchcock
"Peter Bogdanovich Interviews Alfred Hitchcock The legendary interview from 1963 PB: You never watch your films with an audience. Don't you miss hearing them scream? AH: No. I can hear them when I'm making the picture. Do you feel that the American film remains the most vital cinema? Worldwide, yes. Because when we make films for the United Stat " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
It did middling business and the critics were unimpressed in 1958, but Alfred Hitchcock's Vertigo has come to be considered his greatest film for its complex examination of romantic pathology. Seamlessly combining evocative imagery and thematic concerns, Hitchcock structured Vertigo through numerous visual and narrative circles and twists, beginning with Saul Bass's opening title sequence. Steadily drawing the viewer into the figurative whirlpool of Scottie's mind as he investigates Madeleine, Hitchcock then broke the rules of suspense (as he would again in Psycho) with a mid-movie revelation that transforms the film from an eerie mystery into a deeply disturbing story of necrophiliac obsession. Using such visual effects as a track-out/zoom-in to signal Scottie's vertigo, Judy's hazily green-lit reemergence as Madeleine, and a surreal nightmare sequence, Hitchcock reveals Scotty's tortured psyche, belying James Stewart's nice-guy surface. Further ducking convention, Hitchcock allowed a character to get away with murder, while leaving Scottie metaphorically hanging in uncertainty. Admired by the film school generation of Martin Scorsese and Brian De Palma but unavailable for years due to rights problems, Vertigo had its critical reputation further burnished by its 1983 reissue. Its 1996 restoration returned the washed-out colors to their original clarity and digitally enhanced Bernard Herrmann's haunting score. ~ Lucia Bozzola, All Movie Guide
 

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