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Venus Beauty Institute
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Directed by Tonie Marshall
A visually stylish comedy with dramatic overtones from director Tonie Marshall, Vénus Beauté (Institut) looks at the lives of three women who work at a small but successful beauty salon. Angele Nathalie Baye is an attractive woman just edging into middle age who is looking for companionship without commitment, even when it comes knocking. Her co-worker Samantha (Mathilde Seigner) has more boyfriends than she knows what to do with, and Marie (Audrey Tautou), the youngest of the group, is still learning the ropes of both love and beauty treatment. Fans of classic French cinema will want to keep an eye peeled for guest appearances from Emmanuelle Riva, Micheline Presle and Edith Scob. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Tonie Marshall's engrossing film is a rare glimpse into the ups and downs of the life of a single middle-aged woman. Nathalie Baye stars as a forty-something beautician in a small salon, whose romantic life consists of a series of one-night stands. Even when a younger man Samuel Le Bihan becomes obsessed with her, she insists on her independence. As always, it seems that only the French care enough to make a truthful film about this kind of subject. In the Hollywood of yore this would have been made as a weepy melodrama, and in the Tinseltown of today it would be turned into a tale of female empowerment, but obviously in France it's possible to make a wise, slightly melancholy comedy about the quotidian adversity of one woman's life. Despite the script's wit, a painful morning-after scene is typical of the director's keen sense of the kind of cutting humiliations that can befall a woman of a certain age. And in the gossip and unfolding mini-dramas of the workplace, the film makes clear how all of the women must struggle to achieve the kind of relationships they want, regardless of age and attractiveness. Baye is wonderful in this part (though, even at 52, perhaps too attractive to play the everywoman) and Bulle Ogier, that other icon of French cinema, excels as the salon owner. ~ Michael Costello, All Movie Guide
 

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