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Urbania
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Directed by Jon Shear
One of the most talked-about movies of the 2000 Sundance Film Festival, this film, directed by Jon Shear, recalls the edgy, aggressively-political qualities of early '90s queer cinema such as Poison (1991) and Swoon (1991) -- and throws in a few nods to Martin Scorsese's late-night New York City odyssey film After Hours (1985) for good luck. Dashing young yuppie Charlie (Dan Futterman) is losing control of his life after the loss of his longtime companion Chris (Matt Keeslar). Alone in his apartment, he can hear his upstairs neighbors (Bill Sage and Megan Dodds) engage in noisy lovemaking that leaves him lonely, frustrated, and aroused. He wanders the neon-drenched streets of Manhattan at night as if he were a wraith. Later, at a bar with the amorous couple, the trio get into a loud, ugly argument about public displays of affection. Around this same time, Charlie notices a mysterious, tattooed stranger, and the two exchange looks. Intrigued, Charlie sets out looking for the man, and in the process, he launches himself on a nightmarish journey through the underside of New York. He happens upon an increasingly odd array of people, each telling progressively more bizarre tales that are purportedly true. German actress Barbara Sukowa appears in a cameo in which she tells Charlie of a sexual tryst she had in a bar's restroom. Alan Cumming appears as a friend who has a crush on Charlie, while Lothaire Bluteau plays a stammering bum. Soon reality and fiction, straight and gay all fuse and blur in Charlie's increasingly troubled psyche. ~ Jonathan Crow, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Non-linear surrealism and narrative filmmaking can sometimes be a deadly combination, but not in this arresting, visually assured debut from Jon Shear. A hypnotic trip through one man's discovery of the bizarre rhythms of New York City, where boundaries of reality and myth blend into each other, Urbania is very close in style and composition to Atom Egoyan's stunning 1995 film Exotica but with a mystique all its own. The film gives true meaning to the phrase "independent cinema," as it feels like almost nothing before it. Dan Futterman excels in a difficult lead role, as he must take his character through a potentially self-destructive odyssey while retaining the audience's sympathy; he's backed by a gifted cast that makes the most of their minimal screen time. Urbania loses some momentum as it grows nearer its foreshadowed conclusion, but the execution remains original and inventive. Winner of Best Film honors from several U.S. gay and lesbian film festivals, and an official selection for the 2000 Sundance Film Festival, Urbania bears the distinction of being only the second film after Star Wars: Episode I to make use of that film's revolutionary all-digital post-production techniques. ~ Jason Clark, All Movie Guide
 

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macguffin54
macguffin54
loved it.
bonnieblue
bonnieblue
loved it.
tadiv
tadiv
liked it.
Marge
Marge
lost interest.
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patbanks
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gaydetroitguy
gaydetroitguy
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