In preparing his romantic comedy Two For the Road, director
Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter
Frederic Raphael chronicle the 12-year relationship between architect Wallace (
Albert Finney) and his wife (
Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student
Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic
Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists
William Daniels and
Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by
Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over
Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between
Audrey Hepburn and
Albert Finney, not to mention the unforgettable musical score by
Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, All Movie Guide