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Tsotsi
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Directed by Gavin Hood
An amoral teenager develops an unexpected paternal side in this powerful drama from South Africa. Tsotsi (Presley Chweneyagae) is the street name used by a young Johannesburg delinquent who has taken to a life of crime in order to support himself. Tsotsi comes from a blighted upbringing -- his mother died slowly from AIDS-related illnesses, and his father was torturously abusive -- and he has developed a talent for violence borne of necessity as well as taking strange pleasure in hurting other people. One evening, Tsotsi shoots a woman while stealing her car, and only later discovers that her infant son is in the back seat. Uncertain of what to do with the baby, Tsotsi takes the boy home and tries to care for it -- going so far as to force Miriam (Terry Pheto), a single mother living nearby, to nurse the baby. With time, Tsotsi learns the basics of child care, and the presence of the baby awakens a sense of humanity in him that life on the street had stripped away. Tsotsi was adapted from a novel by the award-winning South African writer Athol Fugard. ~ Mark Deming, All Movie Guide
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"Capping off the quartet of Africa message movies (starting with Blood Diamond, then the Last King of Scotland, then Hotel Rwanda), and overlapping a couplet of Oscar nominated (and/or winning) foreign films, the weekly red envelope brought me the Oscar-winning foreign language film from 2006, Tsotsi. It was the Oscar gold that put this movie on my radar, so without further adieu, allow me to discuss a la the Reel Thoughts tradition. Tsotsi is apparently a term for "thug" or "gan " [More]
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by JimBell in JimBell Blog
loved it.
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"Tsotsi (2005)Tsotsi (2006) is a good film, good enough, apparently, to win an Oscar for best foreign film. The acting is so " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
It's often said that people aren't capable of change until they genuinely want to better themselves; and while it's fairly easy to convey personal transformation in a simple screenplay, to make that reformation truly convincing over the course of 94 minutes is a somewhat more daunting prospect. When we first meet the South African teen known as Tsotsi (not an actual name but a generalizing slang term meaning "thug" or "gangster"), he is about to make the leap from simple hooligan to something far more sinister; yet as the story unfolds, the viewer gradually discovers that his tale is a bit more complicated than it first appears. With Tsotsi, writer/director Gavin Hood has achieved the rare feat of presenting a character whose quick temper and cold exterior make him easy to fear in the opening scenes, and gradually providing the audience with the backstory needed to understand that those components of his personality are but a small part of a much larger picture painted by the tragedy and sadness of his harsh childhood. We are all a product of our youth, and Tsotsi's youth was one of death, poverty, and abuse. While most films concentrate on the manner in which the world tends to harden people with age, Hood's film sets out to show that it can also have the opposite effect under the right circumstances. Though the story is at times predictable and occasionally crosses the line into sappy sentimentality, effective performances and believable motivations allow the viewer to become involved in the proceedings in a manner that lends the film a convincing element of believability. On the visual front, cinematographer Lance Gewer's crisp cinematography serves well to highlight the stark contrast between the decayed shantytown in which Tsotsi survives and the modern comforts of the nearby city where there still remains a glimmer of hope. ~ Jason Buchanan, All Movie Guide
 

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blakngold
blakngold
loved it.
JimBell
JimBell
loved it.
screwd_skull
screwd_skull
loved it.
midgee91
midgee91
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lopezdash
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mercurial
mercurial
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