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Tom & Viv
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Directed by Brian Gilbert
Willem Dafoe stars as groundbreaking early 20th century American poet T.S. Eliot in this biopic focusing on Eliot's disastrous marriage. Young Tom Eliot meets the flamboyant Vivienne Haigh-Wood (Miranda Richardson) while they are both students at Oxford University in England in 1914. Eliot is studying under the famous writer and philosopher Bertrand Russell (Nickolas Grace). Tom and Viv elope after a very brief courtship, without the consent of her parents and against the advice of Viv's brother Maurice (Tim Dutton). On the honeymoon, Tom learns that Viv suffers from a severe hormonal imbalance which causes frequent menstruation. She is under the care of a doctor who calls her problems emotional and prescribes medications which worsen her condition. Viv is moody, often despondent, and frequently drunk. While Tom works as a bank clerk and tries to establish himself as a writer, Viv serves as his secretary and sometimes his muse, but more and more often she embarrasses them in public with her behavior. Yet her influence prevents Tom, who wants to become thoroughly British and a member of the Church of England, from becoming too staid. Eventually, Tom reluctantly commits his wife to a mental asylum and their troubled marriage continues to plague his life and color his work. ~ Michael Betzold, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Something's missing from Tom and Viv, and that something is Tom, better known as T.S. Eliot. Films (or plays, for that matter) about writers are always difficult to pull off; the writer is presumably famous and interesting because of his work, not his life, and translating literary essence to another medium is practically impossible. Therefore, to provide drama and interest, a filmmaker usually concentrates on what was interesting and unusual in the writer's life and tries to relate that to his work. Viv, Tom's wife, was certainly interesting, and the film devotes a considerable amount of time to her travails. But aside from the fact that she embarrassed and inconvenienced her husband, the viewer learns little about how she affected him. Tom just sort of evaporates midway through the film; he's still there, but he's just a shadow, certainly one of Eliot's "hollow men," but not one which holds interest or demands attention. This is more the fault of the writer and director than the actor; Willem Dafoe does a credible impersonation of Eliot and seems to be doing all that is asked of him. Miranda Richardson, with the much showier part, grabs it and runs for all she is worth, using her enormous skill and facility to create an agonizingly annoying yet sympathetic character. Rosemary Harris brings stately grandeur and class to the role of Viv's mother; hers is a fine and captivating performance. Ultimately frustrating and unsatisfying, Tom and Viv is partially redeemed by the artistry of these two women. ~ Craig Butler, All Movie Guide
 

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