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Tokyo Story
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Directed by Yasujiro Ozu
As with much of director Yasujiro Ozu's work, a plot summary of this film does not do justice to the emotional power that Ozu lends to this sad, understated tale. An elderly couple, Shukichi Hirayama (Chishu Ryu) and Tomi Hirayama (Chieko Higashiyama), leaves their small coastal village in southern Japan to visit their married children in Tokyo. Their eldest son, Koichi (So Yamamura), a doctor running a clinic in a working-class part of town, is too busy to show them around town, and their eldest daughter is occupied with her beauty salon. Only their widowed daughter-in-law Noriko, played memorably by Setsuko Hara, is willing to take time off work to show the couple the sights of Tokyo. The older children arrange for their parents to visit Atami Hot Springs, but the unimpressed couple soon returns to Tokyo. Tomi stays with her daughter-in-law while Shukichi goes out drinking with some of his buddies, and the bunch complain about their vague sense of disappointment towards their children. Later, he stumbles into his daughter Shige's house late at night. On the way back to their village, tragedy strikes. The callous inattention that son and daughter paid to their parents becomes unamendable. Shige and Koichi quickly return to their busy lives in Tokyo after the funeral, as Noriko and youngest daughter Kyoko remain. ~ Jonathan Crow, All Movie Guide
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by chesterfilms in chesterfilms Blog
loved it.
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"I just finished up an Ozu Marathon: A Story Of Floating Weeds (1934), Late Spring (1949), Early Summer (1951), Tokyo Story (1953), Floating Weeds (1959 which was a remake of A Story Of Floating Weeds), and Good Morning (1959). Watching a film by Yasujiro Ozu is like being invited into a Japanese home, and siting and watching life unfold. The common thread to all of Ozu's films is the importance of family. Every film is about family, and even though he is always the optimist, Ozu is able to r " [More]
koneckonec Tokyo Story
by konec in konec Blog
loved it.
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"So, the first movie I've seen since I signed up here. Which means that prior to tonight I've seen approximately 766 movies, not counting anything I forgot. Not sure if that's good or bad or indifferent. So, Tokyo Story. Ozu. Sad sad sad. I sat down expecting to be bored, and for the first few scenes I thought I was in for it. But the movie hooked me, consarn it. Once again, sad. I imagine if I saw it in a decade or two (or five), I'd've been in tears by the end. As I'm a youngin with few life ex " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Tokyo Story is widely considered both the best film of Yasujiro Ozu's long career and among the finest films ever made. It paints a quiet, nostalgic view of traditions and values lost in a changing society, seen through the lens of a single family's experiences. Old virtues, such as honoring one's parents, are pushed aside in the unrelenting tumult of the modern city. Tokyo Story showcases Ozu's idiosyncratic style in its maturity. Throughout the film, he shoots through a 50 mm lens at a constant low angle, subordinates spatial continuity to the composition of a given shot, and punctuates the film with shots of empty space. Instead of using flashy cinematic devices, he focuses on the nuances of everyday life, which has the odd effect of lifting the film from mere melodrama to a meditation on the fleeting nature of human existence. Tokyo Story shows a master director at the peak of his talents, producing one of the classics of world cinema. ~ Jonathan Crow, All Movie Guide
 

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