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The Year of Living Dangerously
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Directed by Peter Weir
Mel Gibson once again proves there's more to his mystique than "Mad Max" in this political thriller directed by Peter Weir. Set in Indonesia during the 1965 coup against President Sukarno, the film stars Gibson as Guy Hamilton, an Australian wire-service reporter covering the scene. Whenever Hamilton becomes too glib or indifferent for his own good, he is brought back to earth by his "conscience," photographer Billy Swan (played in male drag by diminutive actress Linda Hunt, who won an Academy Award for her performance). As all of Jakarta sinks into disarray, Hamilton pursues a romance with British attache Jill Bryant (Sigourney Weaver). Filmed on location in the Philippines and Australia, the film was financed by MGM, in the first such American-Australian financial collaboration. ~ Hal Erickson, All Movie Guide
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"So, I guess this is more of a list than review, but here goes: While "Australia" itself is not a bad movie (indeed, Baz Luhrmann has done much, much worse), it references a ton of movies that the casual viewer may not pick up on, but that hardcore fans of Australian cinema will notice, and movies that should not go unseen. So, here's a rundown of movies related to "Australia" and general Australian films that shoul " [More]
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by CinemaRian in CinemaRian Blog
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"The Year of Living Dangerously is about a subject that I know nothing about- mid 60's Indonesian politics. I know enough about movies to ascertain that the quality of the film is far above average, but I was a little apprehensive about writing this review, since my ignorance about the subject matter meant that sometimes had a hard time figuring out what exactly wh " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
It would be wrong to say that The Year of Living Dangerously made stars of Mel Gibson and Sigourney Weaver; it solidified their stardom and also showed them to be fine actors. As Guy Hamilton, a young Australian radio journalist on the make, Gibson shows soul behind a pretty-boy face and magnetic eyes. His Hamilton is all modern ambition and quick answers until he runs into what director Peter Weir portrays best: the collision between new and old societies. Gibson's greatest success comes when Hamilton endures the pain of deciding whether to air a story that would expose British attaché Jill Bryant (Weaver) as his source. His pain is compelling; in later roles (particularly the Lethal Weapon series), Gibson undergoes torture to achieve the same effect, a pattern that repeats itself in almost all of his successive roles. Weir portrays the Indonesia of 1965 as a place where Western blandishments ring especially hollow against the poverty, misery, and oddly spiritual life. He uses an unearthly score and bright, contrasty colors (especially the blue shirt Gibson usually wears) in the glittery, sterile palaces of the Sukarno regime to contrast with the dirt and darkness of Indonesia's poverty. And in Linda Hunt's Academy Award-winning performance as photographer Billy Kwan, Weir has a great voice for the despair that the poverty engenders. But the movie's grasp of Southeast Asian politics isn't as strong as the romance between Gibson's and Weaver's characters. As in Weir's later Witness, the romance stays in mind long after the civics lesson has faded. ~ Nick Sambides, Jr., All Movie Guide
 

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