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The Train
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Directed by John Frankenheimer
John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May. ~ Perry Seibert, All Movie Guide
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"I love Blockbuster Online. It gives you the ability to dig through the archives of your choice directors and actors for the flicks that aren't on the tips of everyone's tongues. The Train is one such title. I'm a sucker for war movies as it is, particularly WWI or WWII. With The Train[More]
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In this story based on an actual World War II incident, the mandate to save treasured paintings provides a thought-provoking backdrop for exceptional action sequences. Shooting on location in deep focus black-and-white, and surrounding Burt Lancaster and Paul Scofield with a French supporting cast (including Jeanne Moreau), director John Frankenheimer grounds the French Resistance's efforts to stop a stolen art-laden German train from leaving France in a gritty realism that underlines the human cost of a mission that offers only symbolic rewards. Extending that realism to the train exploits, Frankenheimer used actual trains and stations to action scenes that were as suspenseful as possible, particularly when the art train will be too close to a German munitions train targeted by Allied air forces. The depth of characterization renders the action (and its outcome) all the more potent; Lancaster did his own stunts, adding an extra dash of intensity to his onscreen deeds. Praised for its masterfully and intelligently composed thrills, The Train was nominated for the Best Original Screenplay Oscar. Its influence can be seen from the hair-raising car chases in Bullitt (1968) and The French Connection (1971) to the one-vehicle actioner Speed (1994). ~ Lucia Bozzola, All Movie Guide
 

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