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The Taking of Pelham One Two Three
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Directed by Joseph Sargent
On a quiet mid-day in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station-of-origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train and at 28th Street a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio -- one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides. ~ Bruce Eder, All Movie Guide
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mconrad3mconrad3 The Taking of Pelham One Two Three
by mconrad3 in mconrad3 Blog
liked it.
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"I'm not really sure why they're remaking this film. I like most of Tony Scott's stuff, but I don't know what else can be brought to the table after watching this version of The Taking of Pelham One Two Three. Filled with dark humor and New York cynicism, it definitely speaks of the urban climate in the seventies, but also of the attitude most New Yorkers have on a daily basis to this day. I'm also a bit of a trainspotter, so anything dealing with trains/subways I always have a vested interest " [More]
chrismorrellchrismorrell Why remake perfection
by chrismorrell in chrismorrell Blog
loved it.
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"Why remake this? It's a total classic...It's been on T.V. many times,showed conclusively that Walter Matthau had a broader range than just comedy,although he does bring levity to the piece. Tarantino ripped-off the colours as names thing, Robert Shaw is trulling chilling as the ruthless Mr Blue,next to Jaws it's one of his most memorable roles.This is dark,and humorous in varying doses and i really dont see how it could be improved upon. The last thing we need,for instance is an " " [More]
JakeStevensJakeStevens What A Cool Film!
by JakeStevens in JakeStevens Blog
liked it.
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"Joseph Sargent succinctly displays New York's unforgiving harshness in this action-packed hostage film. At face value, it seems preposterous that you could take a subway train hostage and get away with it, but through the machinations of the script, it keeps you on the edge of your seat while Matthau's performance is in turns comedic and serious. It's interesting to see a film that Tarantino has so copiously taken from, not only in lifting the names of his villains in Reservoir Dogs " [More]
KarinaKarina Trade Roughage 03/24/08
by Karina in Karina on SpoutBlog
hasn't rated it.
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"Tyler Perry’s Meet The Browns made $20 million this weekend, which wasn’t enough to beat Horton Hears a Who at the box office.  Drillbit Taylor opened with just $10 million; Variety vagu " [More]
SpoutBlogSpoutBlog Trade Roughage 03/24/08
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Tyler Perry’s Meet The Browns made $20 million this weekend, which wasn’t enough to beat Horton Hears a Who at the box office.  Drillbit Taylor opened with just $10 million; Variety vagu " [More]
RisseladaRisselada Re:Weekly Theme for February 9: ...
by Risselada in Weekly Theme
"[quote user="leeroy711"] How about subways and trains? I loved Dark Days. A doc about the people that live in underground in the subway systems of NY. I also really liked a Hungarian movie called Kontroll that takes place entirely in the subways of Budapest. Hitchcock's [More]
RisseladaRisselada Re:Weekly Theme for October 13: ...
by Risselada in Weekly Theme
"The Taking of Pelham One Two Three - one of the best action/thriller/comedy movies ever made. A lot of it takes place in almost real time. 12 Angry Men - another one that's almost in real time, so certainly within a day. Magnolia - the EPIC of one day films. " [More]
RisseladaRisselada Re:Weekly Theme for September 8 ...
by Risselada in Weekly Theme
"For some good heists gone awry you can't forget White Heat. And even better The Killing! Also an inspiration for Reservoir Dogs. And Sexy Beast is just good fun as well. I'm not sure if y " [More]
JymkataJymkata Re:Best Heist films and also th ...
by Jymkata in Top 5
"There are a lot of movies that I love that have heists in them but they are usually a means to an end and the bulk of the film usually deals with the fallout of said heist. Straight up heist films I love are : Jean Pierre Melville's stylish and masterful Le Cercle Rouge and Un Flic. [More]
RisseladaRisselada Re: What are your favorite endi ...
by Risselada in What An Ending
"Just saw The Taking of Pelham One Two Three. The movie is perfect including the ending. You are almost hoping in a sick way that Balsam's character get's away with it. It doesn't really show for sure what happens, but you have a pretty good idea. And the way and place it cuts off is just perfect! " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
is neutral about it.
Joseph Sargent's film version of the book by John Godey is an electrifying thriller sparked by great performances, unrelenting action, and the fantastic use of location shooting. Walter Matthau stars as a wrinkly transit cop negotiating a potentially deadly situation: four criminals have hijacked a New York City subway train full of hostages -- whom they plan to kill one by one if they don't receive one million dollars in one hour. Peter Stone's gritty script (nominated for the Writer's Guild Award) ratchets up the tension splendidly, revealing perfectly timed details that keep the viewer firmly on their toes. The dialogue has all the saltiness and cynical humor that mark true New York City speech and the cast doesn't miss a beat with it. Matthau is quite simply a show stealer, whether he's leading a tour group of Asian cops that he thinks don't speak English or coolly taking control of the crisis that brings the Big Apple to a standstill. Other notables include Robert Shaw, who leaves a distinct mark as the cold-blooded lead villain, Martin Balsam as Shaw's sickly cohort, and Woody Allen-regular Tony Roberts as the Mayor's wry assistant. Technically, The Taking of Pelham One Two Three is first-rate, with particular credit going to the film's editing and lighting. David Shire's memorable music score recalls a style used in that other '70s crime classic, Dirty Harry. The villains use of phony color names (Mr. Green, Mr. Blue, etc.) was later used by Quentin Tarantino in his film Reservoir Dogs. Remade for TV in 1998. ~ Patrick Legare, All Movie Guide
 

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