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The Swindle
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Directed by Claude Chabrol
The 50th film from legendary French New Wave writer and director Claude Chabrol is a typically Hitchcockian comic thriller about a pair of con artists. Up to now, the duo of Betty (Isabelle Huppert) and Victor (Michel Serrault) have contented themselves to small scams at hotel conventions, such as spiking the drink of a gambler, then rolling him for his winnings after he follows the flirtatious Betty back to his room and passes out. It then develops that, for the past year, without telling Victor, Betty has been plotting an enormous score involving Maurice (François Cluzet), the treasurer of an international corporation, who's planning to abscond with a briefcase containing five million Swiss francs in syndicate money. Betty's plan is for Victor to swap an identical briefcase with Maurice's and walk away with the jackpot, but Victor becomes suspicious of Betty's solo venture. Is his once-loyal partner betraying him? What about Maurice, who's no fool, and his gangster bosses, who will surely want their money returned? A dizzying array of potential double-crosses muddles the question of who's grifting who in the Betty-Victor-Maurice triangle. Rien Ne Va Plus (1997) screened at several film festivals under the English-language title The Swindle. ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
With such a strong lead duo as Isabelle Huppert and Michel Serrault and a director as respected as Claude Chabrol, you'd think it'd be hard to go wrong. And Rien Ne Va Plus (released in the U.S. as The Swindle) is a competent enough thriller, but somehow it never catches as much fire as the strong cast and complex intrigue portends. Maybe it's because the complicated setup of the heist intended to be Huppert and Serrault's tour de force takes so damned long to actually set up. Maybe it's because the final battle over the booty is a bit of an anti-climax, and not nearly as tense as the buildup might lead you to expect. Maybe it's because the film at some points seems indecisive as to whether to be a semi-comic study of the odd, vaguely defined, amiable-yet-smoldering relationship between Huppert and Serrault or whether to play up the suspense over the scheme Huppert's cooked up to relieve an executive of five million Swiss francs. More than anything, though, it's because the pace is oddly relaxed and subdued, which works against the nail-biting atmosphere for which the swindle scenes seem to be straining. The result is a rather middling, if craftsmanlike, work. The interaction between Huppert and Serrault does have its share of interesting enigma, though, always keeping viewers on their toes as to whether the characters' actions are honorable, deceitful, or some combination of the two. ~ Richie Unterberger, All Movie Guide
 

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