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The Spitfire Grill
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Directed by Lee David Zlotoff
This debut drama from writer-director Lee David Zlotoff (creator of the TV series MacGyver) won the audience award at the 1996 Sundance Film Festival. Alison Elliott stars as Percy Talbott, an ex-convict who's come to the small Maine town of Gilead in the hope of finding work and a place to start her life over again. With the help of the local sheriff, she lands a waitress job at the Spitfire Grill, eventually winning over the crusty owner Hannah (Ellen Burstyn) and simple-minded fellow waitress Shelby (Marcia Gay Harden) with her hard work and trustworthiness. Percy even finds a new love with a woodsman, Joe (Kieran Mulroney) and befriends a hermit (John M. Jackson) who lives in the nearby woods and is regularly fed by Hannah. When Hannah falls ill, Percy devises a scheme to help her sell the café in a national contest, but Shelby's husband Nahum (Will Patton) doesn't trust Percy's motives -- and his suspicion leads to tragedy. The Spitfire Grill, which played as a cross between To Kill a Mockingbird (1962) and Fried Green Tomatoes (1991), got initial financing from an organization of Roman Catholic priests and sold at Sundance for a then-record $10 million. ~ Karl Williams, All Movie Guide
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"Each day this week, Christopher Campbell will take a look back at a “classic” film that played the Sundance Film Festival. Today’s installment: Scott Hicks’ Shine (1996). 1996 was a monumental year for independent film. It began with a Sundance Film Festival that, according to Peter Biskind’s book [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Lee David Zlotoff's sentimental tale about a troubled young woman who stirs up the residents of a small town in northern Maine is excessively earnest and melodramatically overplotted but leavened with fine acting by its principals. Alison Elliot stars as the new waitress at the Spitfire Grill, where she confuses the suspicious townspeople of Gilead by returning their gossip and animosity with kindness and goodwill. Zlotoff, who seems to have intended the film as a Capra-esque fable of human goodness, leaves the relationship of the apparently schizoid townfolk and this woman in a hopeless muddle. It's also rife with subplots involving everything from the woman's mysterious past to a contest to choose the new owner of the café, but none of them could matter less. However, the plot thread of the woman's bonding with restaurant owner Ellen Burstyn and withdrawn housewife Marcia Gay Harden, a scenario reminiscent of the superior Fried Green Tomatoes (1991), is the film's strongest element, mostly thanks to the superb acting of these three. It seems impossible to believe that protestors could have been disturbed by the film's nimbus of mild spirituality. ~ Michael Costello, All Movie Guide
 

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