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The Shopworn Angel
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Directed by H.C. Potter
The second motion picture version of a Saturday Evening Post story by Dana Burnet, this romantic melodrama was also the second pairing of actors James Stewart and Margaret Sullavan. Stewart plays Private Bill Pettigrew, a naïve young Texan in New York for basic training prior to being shipped overseas to fight in WWI. When he is nearly run over by an automobile, he meets its owner, Daisy Heath (Sullavan). A sophisticated entertainer, Daisy is taken with Bill's sweet, uncomplicated nature, and she agrees to a ruse when Bill asks her to pose has his girl in order to impress his Army bunkmates. Daisy's real boyfriend, Sam Bailey (Walter Pidgeon), is at first amused by Daisy's new friendship, but he soon becomes jealous of Bill's growing affection for Daisy. When Bill receives his orders, he begs Daisy to marry him, and although she doesn't really love him, Daisy can't reject a soldier who may be about to meet his maker, so a quickie ceremony is arranged. When word later comes that Bill has been killed on the front lines, a heartbroken Daisy realizes that she and Sam are taking each other for granted. ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
The Shopworn Angel is a treacly and often unbelievable romance, redeemed by its luminous trio of stars. Waldo Salt's screenplay is manipulative to a fault, filled with plot points that are simply too artificial: can anyone honestly believe that Margaret Sullavan's character would really agree to marry James Stewart's soldier? The story's machinations force the actors to behave in ways that stretch credulity, with Sullavan and Walter Pidgeon asked to be Noble with a capital N and Stewart required to be Naïve (similarly capitalized). Fortunately, these three manage to pull it off -- and then some. Sullavan makes even the most extreme change of heart seem believable, and she finds surprising levels in even the most mundane sequences. Stewart is one of the few actors who could make such a hayseed into a living and breathing human being, and if Pidgeon is somewhat less successful than his co-stars, he still humanizes a stick figure very well. While Angel's limitations keep it from soaring, the actors manage to make it glide along quite nicely. (Fans of Mary Martin may also want to give Angel a whirl; the Broadway legend provides Sullavan's singing voice.) ~ Craig Butler, All Movie Guide
 

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