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The Scout
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Directed by Michael Ritchie
After several weeks filming The Scout in the late 1970s, star Peter Falk and director Howard Zieff abandoned the project. Two decades later, writer Andrew Bergman gave his original script to Albert Brooks and Monica Johnson, who polished it as a vehicle for Brooks and director Michael Ritchie. Brooks stars as Al Percolo, a talent scout for the New York Yankees whose latest recruit (Michael Rapaport) has just vomited on the field and fled. Sent to Mexico as punishment by his boss (Lane Smith), Percolo finds phenomenal young pitcher Steve Nebraska (Brendan Fraser). Before he can get back to the Big Apple, however, Percolo gets pink-slipped by the Yankees, so he offers Nebraska as a free agent. After a stellar tryout, Nebraska is signed for millions. Soon after, he starts to exhibit odd behaviors that may be linked to psychological problems. A psychiatrist (Dianne Wiest) hired by the ball club wants Nebraska in daily therapy, so Percolo ends up babysitting a mentally unstable pitcher. Brooks' normally winning mix of laughs with psychological insights didn't add up to box office or critical success, despite cameos from real-life sports figures such as George Steinbrenner and Steve Garvey. ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
One of the first scenes in The Scout finds cynical scout Al Percolo (Albert Brooks) trying to convince a family that their son should come play for the New York Yankees instead of going to college. His explanation of how Lou Gehrig became ill is priceless. Albert Brooks nails the mixture of hard and soft sell one can imagine would be used to force young athletes and their parents to sign on the dotted line. Brendan Fraser is fine as the enthusiastic, emotionally disturbed pitcher; he has the build of a major league hurler. Although the film starts strong, The Scout finds nowhere interesting to go. The set-up could have made for a remarkably dark comedy, but the film backpedals on its subject, playing Nebraska's mental problems for warm-hearted bittersweet laughs instead of attempting to deal with them realistically. When Al changes from a cynic to a man who sacrifices himself for Nebraska, Brooks himself doesn't look like he believes his character. This film fails to soften Brooks' persona for public consumption; it simply neuters his acerbic sensibilities. ~ Perry Seibert, All Movie Guide
 

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