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The Safety of Objects
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Directed by Rose Troche
Following up on her 1998 opus Bedrooms and Hallways, Rose Troche directs this ensemble film about suburbia and its discontents. Once an up-and-coming singer/songwriter, Paul Gold (Joshua Jackson) now lies in a coma, attentively nursed by his mother Esther (Glenn Close), who dotes on her son to the exclusion of her husband and her daughter Julie (Jessica Campbell). Meanwhile, Jim Train (Dermot Mulroney) is a workaholic lawyer who is closer to his tortes than to his spouse Susan (Moira Kelly). Their son Jake has taken a morbid fascination with his sister's foot-high girl doll. At the same time, Paul's former lover Annette Jennings (Patricia Clarkson) is trying to pull her life and her family back together after a particularly brutal divorce. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Director Rose Troche weaves together snippets of painful suburban short stories by A.M. Homes into the lukewarm ensemble piece The Safety of Objects. In a uniquely appealing opening sequence, the interconnected families are introduced by way of white plastic figurines in a dollhouse neighborhood, leading into the separate tragic episodes. Though undeniably interesting to piece together, many of these domestic situations translate as dull and uninvolving when put to film. This is fortunately helped by incredible performances from the well-cast group of actors. The underrated Patricia Clarkson shines here as a tough-as-nails mom, creating the most believable drama. Mary Kay Place is sad and funny as a fitness-obsessed neglected wife and Dermot Mulroney brings a freshness to his stale role with some funny internal monologues and character quirks. One of the more humorous subplots concerns his son, Jake (Alex House), who imagines a romantic relationship with a Barbie-style fashion doll. As the brooding daughter Julie, Jessica Campbell is a refreshingly real-looking teenager whose proportions are closer to actual living girls' bodies, rather than the emaciated ones usually photographed for audience consumption. As Julie's mom, Glenn Close also gives her all to the dowdy part of Esther, but even she can't bring enough urgency to the drama. Perhaps it's because the movie takes place after the car accident, rather than during a more exciting build-up (which was, incidentally, effectively done in the similarly themed The Ice Storm). Nevertheless, the interwoven stories are skillfully edited and manage to come together into a sincere tale of suburban woes without resorting to easy satire (American Beauty) or mean-spirited cynicism (Happiness). Troche also does her best to avoid excessive sentiment, leaving the story with a heartfelt but rather tepid conclusion. ~ Andrea LeVasseur, All Movie Guide
 

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loved it.
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