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The Princess and the Warrior
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Directed by Tom Tykwer
Director Tom Tykwer followed up his international hit Lola Rennt (Run Lola Run) with this drama, which also examines young people living on the edges of the law. Sisi (Franka Potente) is an attractive but withdrawn woman who works in a psychiatric clinic, while Bodo (Benno Fürmann) is looking to make some quick money after his recent release from the army. Bodo robs a gas station and is fleeing on foot when he accidentally causes Sisi to be hit by a truck. Realizing she's seriously injured, Bodo comes to Sisi's rescue and performs an emergency tracheotomy on her before he escapes again. Sisi, who is often pursued by men but shies away from their advances, finds that she longs to meet the mysterious Bodo again, and eventually tracks him down to a hideout he shares with his brother, Walter (Joachim Krol). Bodo and Walter angrily send Sisi away, but she unexpectedly encounters them when they pull a robbery at a bank where she's running an errand. Bodo and Walter are caught in a shoot-out with police, and Sisi helps to spirit Bodo away to the clinic where she works, trying to spare him the grim news that Walter was killed in the melee. In addition to serving as writer and director, Tom Tykwer also composed the musical score for The Princess and the Warrior in collaboration with Johnny Klimek and Reinhold Heil. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
In this follow-up to his first international hit, Run Lola Run, writer/director Tom Tykwer spins an offbeat love story between a disturbed army vet named Bodo Benno Fürmann and an equally unbalanced asylum nurse, Sissi (Lola's Franka Potente). Compared to its highly stylized predecessor, this film is timid, which is probably why it proved such a disappointment on the international festival circuit. But it still has much to recommend it as a worthy addition to a growing canon of works by Germany's hottest young auteur. Shot in Tykwer's native Wuppertal -- a misty city in the Ruhr valley known for its peculiar "hanging trains" -- the setting lends itself well to the telling of a romance that is both moody and absurd. Maintaining a balance between those two elements is Tykwer's goal throughout. When he succeeds, the results are surprisingly poignant -- like the unforgettable scene in which Sissi becomes enamored of Bodo while he administers a tracheotomy. But there are elements handled with less dexterity that come off as misplaced humor, such as the backstory dealing with the death of Bodo's girlfriend, who was killed in a gas station explosion. Despite the art-house flourishes, Tykwer keeps the film together as a cohesive tale of love and loss, of trauma and healing. More importantly, as the title suggests, he even manages to make something new of the classic fairy tale romance. ~ Connor McMadden, All Movie Guide
 

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