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The Playboys
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Directed by Gillies MacKinnon
Gillies MacKinnon directed this charming Irish romance, taking place in a small Irish village in 1957, just before the first television set makes an appearance in this conservative hamlet. There is a scandal in the village concerning the beautiful and independent Tara Maguire (Robin Wright) -- Tara is pregnant and refuses to identify the father. She goes into labor during Sunday Mass, which raises the ire of the parish priest (Alan Devlin), who thinks God will bring bad times down on the village for Tara's effrontery. The priest feels Tara should marry the local town constable, Sgt. Hagerty (Albert Finney), a dyspeptic reformed alcoholic who is in love with Tara. But she doesn't love Hagerty. This becomes particularly clear when a traveling band of actors known as the Playboys come into town. One of the players in the troupe, Tom Casey (Aidan Quinn), is caught by Tara stealing one of her chickens. But it is love at first sight, although it takes a while for their attraction to take root beyond some electric glances. Hagerty sees where the relationship is going and he is determined to undermine the burgeoning affair. Tara is wary and doesn't want to be dependent upon any man, even to the point of smuggling supplies to the Irish Republican Army. When Hagerty hears someone in the village is colluding with the IRA, he suspects Tom and throws him in jail. But Hagerty is a walking time bomb and finally his rage erupts with violent force. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
There's something about these small-village Irish historical pieces starring Aidan Quinn that equals cinematic dullsville. Neither This Is My Father nor this film, The Playboys, makes much of an impression in its consideration of the "scandals" that test the predominating church morality of the Irish countryside. Actually, Quinn does a fine job as a charming vagabond actor forever on the verge of a crooked grin. The Playboys also boasts the great Albert Finney and the widely respected Robin Wright Penn, but none of these contributors can transform the pale material into something worth strongly recommending. Even with a few moments of near tragedy, director Gillies MacKinnon can't extract a necessary urgency or universality from these events. The film is at its most interesting when it examines the inner workings of the gypsy-like troupe of actors, headed by the dignified but beleaguered Milo O'Shea. Learning both classic and popular works on the fly, and sometimes adhering to the requests of the audience, the performers show a remarkable talent for improvisation and a real piecemeal ingenuity regarding sets and costumes. But the story's main focus is the uproar over the mysterious pregnancy of Penn's Tara Maguire, and that kind of dated provincialism just doesn't register enough with a modern audience, especially in the absence of other distinguishing elements. ~ Derek Armstrong, All Movie Guide
 

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