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The Pallbearer
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Directed by Matt Reeves
This dark comedy is a clever homage to classic generation gap comedies such as The Graduate (1967), The Last Picture Show (1971) and The Big Chill (1983), filtered through an ironic Generation X lens. Tom Thompson (David Schwimmer) is unemployed and aimless, hovering between childhood and adult responsibilities. A year out of college, Tom can't land a decent job -- he still lives with his mother in Brooklyn. He receives a call from Ruth Abernathy (Barbara Hershey), who informs Tom that her son Bill, Tom's best friend in high school, has killed himself. She wants Tom to deliver the eulogy and serve as a pallbearer, and flustered, Tom agrees, though he has no recollection of Bill. After delivering a lackluster eulogy, Tom meets the grieving Ruth and begins an impulsive affair with her. He also encounters Julie DeMarco (Gwyneth Paltrow), a beautiful classmate for whom he's long carried a torch. Although Julie at first mistakes Tom for someone else, they begin dating, while he keeps his relationship with Ruth a secret. First-time writer-director Matt Reeves work-shopped the script for The Pallbearer with writing partner Jason Katims at the Sundance Institute. Reeves went on to create the TV series Felicity. ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Clearly intended to be a Generation X version of The Graduate (1967), this dark comedy is a notable debut for writer/director Matt Reeves. An intelligent attempt at a meaningful examination of the slacker set, Reeves' picture belongs pretty much in the same league with other good examples of that 1990s subgenre: Singles (1992), Reality Bites (1994), and Before Sunrise (1995). While thankfully avoiding the annoying blitzkrieg of pop culture references that often punctuate slacker cinema, The Pallbearer (1996) is no less obsessed with the iconography of mass media, employing its fixations with more subtlety. David Schwimmer is engagingly funny in his debut as a neurotic leading boy/man even as he overly channels his Ross character from the TV hit Friends, while Gwyneth Paltrow is a nice romantic foil, although her character remains slightly underdeveloped despite some hinted-at complexities. The film's biggest hurdle is overcoming a central character that is passive and acquiescent, a similar obstacle in other stories about members of what is seen as a reticent, gloomy generation. As much as any other filmmaker, Reeves succeeds in achieving a balance between representing his peers accurately and sticking to the rules of sound storytelling. ~ Karl Williams, All Movie Guide
 

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