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The Nun's Story
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Directed by Fred Zinnemann
Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the autobiographical book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The Nun's Story is a moving, heartfelt drama, highlighted by an absolutely stunning central performance by the irreplaceable Audrey Hepburn. While some might quibble that a less "stellar" persona in the role might be truer to the original tale, the fact is that Nun has been conceived for the cinema in such a manner that a certain amount of star power is needed to hold the film together. Hepburn, of course, has no problem fitting that bill, but she does so much more than that, delivering some of the finest work of her esteemed career. She projects the inner turmoil of the character both subtly and overtly, but never in a manner that feels like "acting." More importantly, she realistically conveys both the character's strong pull to her faith and her resistance to the same, so that the viewer keeps guessing till the end which one will win out. It's a superb performance, aided by sensitive direction from Fred Zinnemann and a screenplay full of strong moments from Robert Anderson. Yet both Zinnemann and Anderson must also take some blame for the film's weaknesses, chief among them the fact the character's initial decision to go into the convent is never gone into. Modern audiences may also feel that the film shies away from examining the morality of some of the demands within the order, although audiences at the time of its release felt it was bold just to bring up the issue at all. Zinnemann occasionally lets the pace flag, but he presents some stunning visuals and is blessed with a lovely cast. (Watch for a powerful Colleen Dewhurst in the mental institution.) If Nun has its flaws, it's still affecting and stirring. ~ Craig Butler, All Movie Guide
 

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