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The Narrow Margin
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Directed by Richard Fleischer
The Narrow Margin is generally considered a "model" B picture; some film buffs go farther than that, labelling this 1952 RKO suspenser as the best low-budget studio production ever made. Nail-hard detective Walter Brown (Charles McGraw) is assigned to protect gangster's widow Mrs. Neall (Marie Windsor) as she rides the train from Chicago to LA, en route to testifying at a grand jury. There's no love lost between the ill-tempered Neall and Brown, especially since Brown's partner (Don Beddoe) was killed by mobsters while shielding Neall from harm. On the train, Brown makes the acquaintance of a likeable woman (Jacqueline White) and her playful young son. He also comes in contact with a rather secretive fat man (Paul Maxey), who may well be a mob assassin. Not long before the train pulls into California, Brown is approached by small-time crook (Peter Brocco), who offers the detective a great deal of money if he'll permit Neall to be silenced. Brown appears to be tempted, but this is only a smokescreen to throw the crooks off the trail. The Narrow Margin was remade (and unnecessarily padded and attenuated) in 1990. ~ Hal Erickson, All Movie Guide
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WindbreakerWindbreaker THE NARROW MARGIN
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"As is typically the case with his noir reviews, JimBell's take on The Narrow Margin is consistent with mine, but more eloquent. This DVD is part of the excellent Warner Bros. Film Noir box sets (vol 2) tha " [More]
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"The Narrow Margin (1952) is undeniably one of the under-appreciated gems of film noir, but why isn’t it great? Duh, you might say, it was made in about 3 weeks for $90,000, what do you expect!? But this is one of those films were journeyman director, journeyman cameraman, journeymen actors, all came together to produce a " [More]
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Originally titled The Target, RKO's noir programmer The Narrow Margin (1952) was a hard-boiled masterpiece of gangland-flavored tough-guy dialogue and of economy in setting and pace. The plot contrivances, shootings, taut pace, and a major narrative twist in the third act helped it become an instant audience favorite and earn enough critical clout for an Oscar nomination as Best Original Screenplay. Practically a primer on how to produce a B-movie, it began its life as the lower half of a double bill with Tembo (1952), a laughable African safari adventure from star-director-producer Howard Hill, promoted as the "World's Greatest Archer." The son of famed cartoonist Max Fleischer (the creator of Popeye and Betty Boop), director Richard Fleischer reached the high water mark of his low budget career with The Narrow Margin. Having already won a Short Subject Oscar in 1948, the former newsreel editor's career took off on the popularity and reputation of the film, and he was soon directing glossy A-list projects like 20,000 Leagues Under the Sea (1954), although he never completely gave up his affinity for crime melodrama. Critical respect for The Narrow Margin grew over the years until, at around the same time as a big-budget 1990 remake, a new print of the original was screened on the revival circuit. Without a bit of irony, The Narrow Margin was once again shown as half of a double bill, this time with the lurid classic Detour (1946), to which The Narrow Margin was often favorably compared (both films featured scripts co-written by Martin Goldsmith). With apologies to Howard Hill, most aficionados of lower-tier Hollywood noir consider The Narrow Margin one of the greatest B-movies ever made. ~ Karl Williams, All Movie Guide
 

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