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The Mission
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Directed by Roland Joffé
Featuring a majestic score by Ennio Morricone and lush Oscar-winning cinematography by Chris Menges, Roland Joffé's The Mission examines the events surrounding the Treaty of Madrid in 1750, when Spain ceded part of South America to Portugal, and turns this episode into an allegory for the mid-'80s struggles of Latin America. Two European forces are on hand to win the South American natives over to imperialist ways. The plunderers want to extract riches and slaves from the New World. The missionaries, on the other hand, want to convert the Indians to Christianity and win over their souls. Mendoza (Robert De Niro) is an exploiter dabbling in the slave trade. But after he kills his brother Felipe (Aidan Quinn) in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After repeatedly climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel (Jeremy Irons). The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians. They order the mission to be burned to the ground. But this event causes a rift between Gabriel, who wants to pray and pursue peaceful resistance, and Mendoza, who wants to take up arms and fight the Europeans. ~ Paul Brenner, All Movie Guide
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CinemaRianCinemaRian The Mission (1986, USA, Roland ...
by CinemaRian in CinemaRian Blog
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"The Mission mines of the same territory as Herzog's Aguirre: The Wrath of God. Both are about spiritual experiences by Europeans in South America, both center around protagonists who are fanatical in their quests, both feature stunning visuals. But Herzog's film connected with me on an emotional level that The Mission failed to do, and after while I became impatient with its endless shots of admittedly great beauty. Set in 1750, the ostensible story revolves " [More]
paulpaul Re: Favorite Film Scores?
by paul in Best Movie Soundtracks
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"Which sort of brings up the John Williams phenomena. John Williams who does anything Steven Spielberg or George Lucas (and also a personal favorite score, Superman) is pretty much what most people in this country recognize as popular classical music. I've heard orchestral musicians tend to hate him. But it's fascinating how he took orchestral music and created hits within a pop music culture. Would we even care about his music if it didn't conjure up feelings from when we saw Luke blow up " [More]
seelyseely Re:Historical Drama
by seely in Community Recommendations
"Hm, I'm not much of a historical drama fan, but there are definitely a few that I have actually really liked. Gettysburg was one of my favorites, and one of the first historical dramas I can remember seeing. I liked that despite this being a war epic, it wasn't completely centered around the battlefield. There were a lot of moving scenes involving family and relationships that gave the film a bit more d " [More]
mercurialmercurial Re:Historical Drama
by mercurial in Community Recommendations
"My personal favorites: Barry Lyndon Unequivocally the best 18th century period film ever made. Incredible. Black Narcissus Great drama set in the Himalayas. And nuns! [More]
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Review by All Movie Guide
All Movie Guide
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Although this 1986 Roland Joffé film won high praise, the acclaim was by no means universal. Not a few reviewers criticized it for depicting Christianized natives in 18th Century South America as little more than talking mannequins à la the old Tarzan movies. Many of these same reviewers also maintained that the script and scope of the film restricted the ability of Jeremy Irons (Father Gabriel) and Robert DeNiro (a reformed slave trader named Mendoza) to develop their celluloid alter egos beyond mere symbols of character types. However, almost every critic lauded the glorious cinematography of Chris Menges, who captured the naked beauty of a pristine wilderness -- and the raw brutality of a violent conflict between the noble and the ignoble. To its credit the film raises important questions for people of every age: Do educated, civilized and god-fearing people have a right, or even a duty, to enlighten the uninitiated? Or is it better to heed the words of poet Thomas Gray: "Where ignorance is bliss, 'tis folly to be wise"? In the battle scene near the end, perceived heroes and villains alike fall before the fury of bullets and arrows, but it is the innocent native children caught in the crossfire who command the audience's attention. Joffé does quite well in this scene -- and leaves filmgoers with something of substance to think about. ~ Mike Cummings, All Movie Guide
 

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