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The Maltese Falcon
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Directed by Roy Del Ruth
This first of three film adaptations of Dashiel Hammett's The Maltese Falcon plays at times like the road-company version of the more famous 1941 John Huston/Humphrey Bogart adaptation. Ricardo Cortez stars as a slick, rogueish edition of Sam Spade, using his office as a trysting place for his various amours. Bebe Daniels plays the Brigid O'Shaughnessy character, here rechristened Ruth Wonderly. Ruth hires Spade and his partner Miles Archer (Walter Long) to locate her missing sister. Archer is killed while on duty, confirming Spade's suspicion that Ruth's lost-sister story was a subterfuge. In fact, Ruth is one of several disreputable types in search of a valuable falcon statuette encrusted with jewels. Others mixed up in the quest for the "black bird" are portly Casper Gutman (Dudley Digges), Gutman's neurotic gunsel Wilmer (Dwight Frye, better known as Renfield from Dracula) and effeminate Joel Cairo (Otto Matiesen). It is giving nothing away at this stage of the game to note that, after all the various intrigues concerning the falcon have come and gone, Spade turns Ruth over to the cops as the murderer of Archer. As would be the case with the 1941 version, the 1931 Maltese Falcon does not use Hammett's original ending, in which Spade callously resumes his affair with Archer's widow (Thelma Todd). Instead, we are offered a jailhouse coda, where a suddenly compassionate Spade asks the matron to treat the incarcerated Ruth gently during her 20-year stay. When Maltese Falcon was due for a reissue in 1936, it was denied a Production Code approval on the basis of one single line: Archer's widow, spotting Ruth Wonderly in Spade's bedroom, exclaims "Who's that dame in my kimono?" In between the 1931 and 1941 versions of Maltese Falcon, there would be a heavily disguised reworking of the Hammett novel, Satan Met a Lady (1936), starring Warren William and Bette Davis. To avoid confusion with the 1941 remake, the 1931 Maltese Falcon has been retitled Dangerous Female for television. ~ Hal Erickson, All Movie Guide
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CinemaRianCinemaRian The Maltese Falcon (1931, USA, ...
by CinemaRian in CinemaRian Blog
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"I hope I'm not insulting Cineadite, the god of film, by this review, but let the word go out: this is going to be one of the most controversial things I'll ever write: the first version of The Maltese Falcon might actually be superior to the 1941 John Huston classic. Even if its not, it's damn good movie, an unjustly neglected true blue Great Movie.

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mercurialmercurial Re:5 Pre-Hays Code Films
by mercurial in Top 5
"1.) Baby Face - Wow, is she a slut! For its time it's incredible that she sleeps with practically every man in the building she works in (it's a skyscraper).2.) Freaks - The cool as shit "freaks" in the movie know how to get revenge.3.) [More]
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All Movie Guide
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The 1941 version of The Maltese Falcon (1941) consistently ranks among the greatest American films ever made, but two other adaptations of Dashiell Hammett's novel preceded it. Unlike the 1936 version -- Satan Met a Lady, starring Bette Davis -- 1931's The Maltese Falcon (1931) stays close to the source material, aside from a tacked-on ending that relieves some of the book's cynical severity. The film had a standard feel for a studio production of the early sound period; it arrived in theaters right before the surge of detective movies, as horror and gangster films were falling out of favor. Journeyman director Roy Del Ruth helms adequately enough, and the prolific but lightly regarded bit actor Ricardo Cortez does well with his interpretation of Sam Spade as a saucy womanizer. To avoid confusion with the later John Huston production, this film has often been renamed The Dangerous Female. ~ Brendon Hanley, All Movie Guide
 

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