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The Longshots
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All reviews for The Longshots

    joem18bjoem18b The Dark Knight
    by joem18b in joem18b Blog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "When The Dark Knight ended, I thought, well, there won't ever be another one quite like that. I felt sort of sad about it, but was also glad that the movie was so good and that I had seen it. Ledger put his mark on the movie and now he's gone. A sequel might be as good or better than The Dark Knight, but it won't be the same. Ledger's death instantly made The Dark Knight one-of-a-kind, frozen in time. The old saying ran through my head, "After they made this one, they broke the mold." Acting in this movie, Ledger made the mold that the industry was undoubtedly planning to use, and will probably still try to use, in the future, but it won't be the same. Ledger made the mold and when he died, he broke it.I happened to watch The Longshots next and I can report that the longshots mold is not broken. Lowly team of losers, its coach a struggling yet tough and tender man adrift, a woman who will stand by her man - in this case, two women, actually, the genre's duties split between a siste ... " [More]
    SpoutBlogSpoutBlog 10 Musicians-Turned-Filmmakers
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "It hasn’t been terribly uncommon since the late ’60s for musicians to get behind the camera, whether for a straight concert film, a tour documentary or some kind of silly narrative focused on themselves and their bands. Jerry Garcia co-directed The Grateful Dead, Frank Zappa co-directed 200 Motels, The Beatles collectively co-directed The Magical Mystery Tour and separately John, Paul and Ringo has each taken the helm on a film project, some more artsy (John and Yoko’s cinematic collaborations, like Up Your Legs Forever) or less self-focused (Ringo’s Marc Bolan doc, Born to Boogie) than others. Now it’s a little more common for musicians to become directors of fictional films that aren’t so reflexive. Many don’t even have anything to do with music at all. And many are so awful that it’s safe to say the filmmaker should stick to mus " [More]
 
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