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The Long Night
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Directed by Anatole Litvak
Based upon the French film Le Jour Se Lève, The Long Night opens in the in the midst of a dire situation: ex-serviceman Joe Adams (Henry Fonda) finds himself holed up in his apartment, surrounded by policemen who soon open fire in a relentless and determined manner. Adams has been accused of murder, and as his apartment is riddled with bullets, he flashes back to how this all came about. It began when Adams met Jo Ann (Barbara Bel Geddes), who, it turns out, grew up in the same orphanage at the same time as he. They soon fall in love, but things are complicated when a magician named Maximilian (Vincent Price) enters the picture. He tells Adams that he is Jo Ann's father, but that he doesn't want her to know this. Maximilian begins spending a lot of time with Jo Ann, which makes Adams feel vaguely unsettled. He discovers that Maximilian lied -- that he is not her father but is someone who has been trying to seduce her for a long time. Maximilian goes to Adams' apartment to taunt him, with the result that Adams shoots him, thus bringing about the current state of affairs. As Adams has been recalling all of this, a crowd has gathered, including Jo Ann. She leads the crowd in protesting the police's actions, and a riot brews. With tension continuing to rise, Jo Ann desperately tries to find a way to rescue the man she loves. ~ Craig Butler, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
A gripping, if at times convoluted, thriller in the film noir vein, The Long Night let Henry Fonda show his considerable dramatic skill, which had recently been neglected in favor of lighter, more comedic fare. Fonda doesn't disappoint, creating a returning War vet whose loneliness is accentuated by the alienation he feels when he cannot really fit in as he wants to upon his return from the war. There's a powderkeg of angst inside him, and it blows when the circumstances in this movie lead him into the murder that sends him near the edge. Fonda is commanding throughout, and shades his performance with beautiful moments of insight. He comes to close to being overshadowed, however, by Vincent Price, whose showy role was written for the exuberant kind of cunning evil at which he excelled. Ann Dvorak is also quite good as a wised up cookie, and Barbara Bel Geddes shines as the innocent at the center of the controversy. Night's multiple-flashback storyline does prove a bit confusing at times, and the melodrama occasionally gets slightly heavyhanded, but all in all director Anatole Litvak does an excellent job at creating tension, casting doubt, and keeping the film barreling along. He is aided enormously by the sensational lensing of Sol Polito, whose camera is essential in capturing the soul of the story. ~ Craig Butler, All Movie Guide
 

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