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The Little Foxes
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Directed by William Wyler
Playwright Lillian Hellman first wrote of the horrible Hubbard family in her 1939 play The Little Foxes. In this lavish 1941 film version, Bette Davis takes over for Broadway's Tallulah Bankhead in the role of conniving turn-of-the-century Southern aristocrat Regina Hubbard Giddens. Regina's equally odious brothers (Charles Dingle and Carl Benton Reid) want her to lend them 75,000 dollars to help build a cotton mill. To do this, she must make peace with her long-estranged husband, Horace (Herbert Marshall) -- and failing that, she tries to arrange a wealthy marriage between her daughter, Alexandra (Teresa Wright), and her slimy nephew Leo (Dan Duryea). Horace refuses to give Regina the money, whereupon Leo is pressured by his father (Reid) to steal bonds from the family business. Regina uses this information as a means of blackmailing her brothers for a share in the new mill. In retaliation, Horace claims that he gave Leo the bonds as a loan, thereby cutting Regina out of the deal. When Horace suffers a heart attack, Regina makes no effort to give him his medicine, and he dies without revealing his willingness to loan the money to Leo. Regina is thus still able to strongarm her brothers into giving her a piece of the mill -- but the price for her evil machinations is the loss of her daughter's love and respect. The Little Foxes caused a censorship stir in 1941; by refusing to give Horace his medicine, Regina technically gets away with murder. However, the censors decided that Regina was punished enough when her daughter left her to marry an honest newspaperman (Richard Carlson). Given the usual Tiffany treatment by producer Sam Goldwyn, The Little Foxes was a success; several years later, Lillian Hellman wrote a "prequel" to The Little Foxes, titled Another Part of the Forest. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
The Little Foxes is a triumphant screen translation of Lillian Hellman's classic stage melodrama, blessed with an exceptional cast and expert direction. True, there are a few minor missteps in the manner in which the play has been "opened up" for the screen, the most obvious being the addition of a rather stereotypical crusading journalist boyfriend for Alexandra. But these flaws are made up for by the glorious production, which manages to add a few new layers to some characters who can, in the wrong hands, come across as a bit too clearly drawn. Presiding over the cast with a velvet glove cast in iron is Bette Davis, turning in the kind of performance that made her a screen legend -- and deservedly so. Davis clearly presents Regina's hardness and severity, but she doesn't overplay that hand; her Regina knows how to charm, and to do so with conviction. The actress also shows the audience the character's vulnerability, but only enough glimpses to make us almost feel for her. She's well-matched by Herbert Marshall's extremely well-judged Horace, Patricia Collinge's magnificent Birdie, and Charles Dingle's dangerous but subtle Ben. Teresa Wright pushes a little too hard to demonstrate Alexandra's innocence and naïveté, but otherwise she's thoroughly engaging. Add in William Wyler's spot-on direction and a first-rate physical production, and the result is a true classic. ~ Craig Butler, All Movie Guide
 

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