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The Last Mistress (2008)
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All reviews for The Last Mistress
Wall-E Weekend. Trade Roughage ...
by
Karina
in
Karina on SpoutBlog
hasn't rated it.
1 out of 2 people found this review helpful.
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"Wanted opened to $51.1 million over the weekend, which is, you know, a fantastic boost for Angelina Jolie’s live-action bankability, but it wasn’t enough to beat Wall-E‘s $62.5 mil for first place. Speaking of boosts: The Last Mistress made $17,596 on each of its screens, which is roughly $17 for every time Asia Argento shows her debatably authentic boobs in it. SAG says they’re not going on strike and any suggestions in that vein coming from the AMPTP are merely “scare tactics.” The AMPTP says SAG is responsible for The End of Hollywood As We Know It. Or, more accurately: “The industry is shutting down because SAG’s Hollywood leadership insisted on 11th-hour negotiations and dragging these talks into July so they can continue attacking AFTRA.” Prince of Broadway and Loot took the big narrative and documentary prizes, respectively,
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Wall-E Weekend. Trade Roughage ...
by
SpoutBlog
in
SpoutBlog on spout.com
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"Wanted opened to $51.1 million over the weekend, which is, you know, a fantastic boost for Angelina Jolie’s live-action bankability, but it wasn’t enough to beat Wall-E‘s $62.5 mil for first place. Speaking of boosts: The Last Mistress made $17,596 on each of its screens, which is roughly $17 for every time Asia Argento shows her debatably authentic boobs in it. SAG says they’re not going on strike and any suggestions in that vein coming from the AMPTP are merely “scare tactics.” The AMPTP says SAG is responsible for The End of Hollywood As We Know It. Or, more accurately: “The industry is shutting down because SAG’s Hollywood leadership insisted on 11th-hour negotiations and dragging these talks into July so they can continue attacking AFTRA.” Prince of Broadway and Loot took the big narrative and documentary prizes, respectively,
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Five Unsexiest Movies About Sex ...
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SpoutBlog
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"I can think of no better poster child for celibacy than Parisian “provocateur” Catherine Breillat, the director of such erotic misfires as Fat Girl, Romance, and more recently, The Last Mistress, which stars another over-hyped “hottie” Asia Argento. Exiting the theater after a Breillat flick, I never want to have sex again. Ostensibly concerned with digging deep into the beating heart of female sexuality, Breillat creates characters that are writhing bundles of drama and pain, anger and confusion. There is no laughter, never any levity nor celebrations of desire at all – just academic intellectualization in lieu of visceral heat, cardboard cutout chemistry between actors, dire emotional consequences hidden in every fuck. The Breillat canon would make for a wonderful addition to those abstinence-only programs George W. loves so much. Take for example this Breillat quote from the press notes for The Last Mistress (which the director adapted from the Jules Barbey d’Aurevilly19th-ce ... "
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Box Office A Superbad Mistress: ...
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SpoutBlog
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"In what Variety makes out to be the great underdog story of the year, Superbad overcame its R rating to make about $31 million in its first weekend. With its name-brand comedy pedigree, summer-long media blitz, and total lack of demographic competition, it really did have it rough. In a brief blurb of a piece from the same trade’s weekly print edition, Pamela McClintock implies that with several strikes looming, it’s actually in the studios’ best interest to downplay their successes. If they stick to pumping the stat that six out of ten films lose money, they might be able to get away with the bargaining stance that they “can’t afford to make many concessions.” Somewhat lost in the last week’s shuffle over IFC downsizing their distribution business (wisely? desperately?) was the news that they’ve acquired Catherine Breillat’s Une vieille maîtresse (the title has been alternately t "
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