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The Killing
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Directed by Stanley Kubrick
The Killing was director Stanley Kubrick's first major film effort -- though, like Kubrick's earlier films, it was economically produced with an inexpensive cast. In a variation of his Asphalt Jungle role, Sterling Hayden plays veteran criminal Johnny Clay, planning one last big heist before settling down to a respectable marriage with Fay (Colleen Gray). Teaming with several cohorts, Johnny masterminds a racetrack robbery. The basic flaw is that all the crooks involved are losers and small-timers who find themselves in way over their heads despite their supposed cleverness. None of the participants is more pathetic than George Peatty (Elisha Cook Jr.), who is goaded into the robbery by his covetous and far-from-faithful wife (Marie Windsor). As in a Greek tragedy, Johnny's best-laid schemes go awry. Prominently featured in the cast of The Killing are offbeat character actors Tim Carey and Joe Turkel, who'd show up with equally showy roles in future Kubrick productions. The Killing is based on the novel Clean Break by Lionel White. ~ Hal Erickson, All Movie Guide
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by Risselada in Risselada Blog
loved it.
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"This is the first film I've seen by director Jules Dassin. Du rififi chez les hommes (Rififi) With a reputation as such a seminal heist film I was anticipating something quite special from Rififi. The elements of a heist and it's unstable aftermath can be compared to some " [More]
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by dibot in dibot Blog
is neutral about it.
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"The Lavender Hill Mob is a British heist movie from 1951 starring Alec Guinness ("A Foreign Field"). The story is told by a man at a fancy club, and, as his tale unfolds, we see exactly how he fits into the story. The heist itself is pretty good. The characters are relatable and there are both genuinely tense and funny moments. But, perhaps I need more flash. Or more grit. Or more " [More]
WindbreakerWindbreaker THE KILLING
by Windbreaker in Windbreaker!
loved it.
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"The mood of The Killing is pretty much summed up by this quote from Johnny Clay:You like money. You've got a great big dollar sign there where most women have a heart.It's near impossible to give a full summary of a classic noir without spoiling. In fact, I never read the back of a DVD case. I just buy/rent and enjoy. It's hard for a director to go wrong " [More]
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by HairyLime in HairyLime Blog
loved it.
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"Unusual Clint Eastwood vehicle, in that he participates in an ensemble cast rather than being the sole focus of the plot. A combination Road Movie/Buddy Picture/Caper Film that I was drawn to after researching the 1974 oscar race, and noticing Jeff Bridges nominated for his role in this film. Michael Cimino puts together a tight, well-paced character study with occasional surreal touches (what's up with the guy with a trunkload of white rabbits?) that carries none of the pretentious bagga " [More]
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by Risselada in Movie Polls
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leeroy711leeroy711 Re:Movies Spout Needs to Watch
by leeroy711 in Community Recommendations
"[quote user="csprague"] [quote user="Risselada"] [quote user="csprague"] So, every week at Spout we watch a movie and discuss it. Sounds fun, no? Well, it is. However, selecting the movie every week is not without it's challenges and as the lucky person who fills up our queue, I feel a lot of pressure to meet several requirements that often seem conflicting. 1) The movie needs to be one which we would not normally watch. The point is to be stretched outside of " [More]
RisseladaRisselada Re:Weekly Theme for January 12: ...
by Risselada in Weekly Theme
"[quote user="leeroy711"] I wasn't really sure what you call this theme. But basically, I'm talking about those great films that start out with a simple plan, that slowly and surely gets more and more screwed up as the story goes along. Many time (but not always) these are 'heist gone wrong' films, such as Stanley Kubrick's The Killing. Or John Huston's [More]
cspraguecsprague Re:Weekly Theme for January 12: ...
by csprague in Weekly Theme
"[quote user="leeroy711"] I wasn't really sure what you call this theme. But basically, I'm talking about those great films that start out with a simple plan, that slowly and surely gets more and more screwed up as the story goes along. Many time (but not always) these are 'heist gone wrong' films, such as Stanley Kubrick's The Killing. Or John Huston's [More]
leeroy711leeroy711 Weekly Theme for January 12: Wh ...
by leeroy711 in Weekly Theme
"I wasn't really sure what you call this theme. But basically, I'm talking about those great films that start out with a simple plan, that slowly and surely gets more and more screwed up as the story goes along. Many time (but not always) these are 'heist gone wrong' films, such as Stanley Kubrick's The Killing. Or John Huston's [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Stanley Kubrick's third feature showed that he was no ordinary director, as he dispensed with traditional time structure to detail the planning and execution of a racetrack heist gone wrong. Combining a non-linear story with a unifying, matter-of-fact voice-over narration, Kubrick constructed an intricate yet lucid cinematic puzzle that shifted back and forth both in time and among the central characters, revealing the personal stakes for each participant by following their individual actions leading up to the fateful seventh race. Johnny the leader thinks he has it all under control, but, in true Kubrick fashion, his plan is not immune to human failure. While the fractured time frame and use of long takes and tracking shots signaled Kubrick's stylistic break from classical form, the sharp black-and-white photography, Marie Windsor's insidious femme fatale, and Sterling Hayden's doomed Johnny place The Killing in the mode of 1940s/1950s film noir. His first film made on a reasonable budget and with an established cast of pros, The Killing caught critics' attention and established Kubrick as a director to watch, especially for such future cinematic time-tricksters as Quentin Tarantino. ~ Lucia Bozzola, All Movie Guide
 

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