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The Kill-Off
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Directed by Maggie Greenwald
Based on a book by the great crime novelist Jim Thompson, this dark thriller is set in a small coastal community in New Jersey, where the only action in town is a run-down nightclub called Pavillion. The club's owner, Pete (Jackson Sims), can barely make the payroll for Rags the bartender (William Russell), Myra the barmaid (Jorjan Fox) (who is also Pete's daughter), and clean-up man Ralph (Steve Monroe), so in a bid to bring in more customers, Pete hires a stripper, Danny Lee (Cathy Haase). Danny Lee's act soon turns Ralph's head, which is not good news for his wife Luanne (Loretta Gross). Twenty years older than her husband, Luanne is unable to get out of bed (though the doctor says that there's no medical explanation for this), and while she grudging allows Ralph to sleep with other women, the notion that he might fall in love with someone else sends her into a fit of rage. Luanne's greatest talent (and her most potent weapon) is her gift for gossip, and when she begins to suspect that Ralph might want to leave her for Danny Lee, she starts spreading ugly rumors that have just enough basis in fact to stick. Before long, Luanne has circulated the word that Myra is a drug addict and that her boyfriend Bobbie (Andrew Lee Barrett) is pushing dope at the club, that Pete had an incestuous relationship with Myra, and that Rags was responsible for the death of his family in a car wreck. As this bitter misinformation sweeps through the town, Luanne turns up dead, but this proves to be the beginning and not the end of a wave of violence and ugliness. The Kill-Off was one of three Jim Thompson adaptations to reach the screen within the space of a year, along with The Grifters and After Dark, My Sweet. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Maggie Greenwald's debut feature The Kill-Off is an ugly, low budget noir that, despite significant flaws, somehow manages to capture the spirit of Jim Thompson's writing. The film is dark in content, full of unsympathetic and unattractive lowlife characters. It's darker still in its depressingly muddy images, shot by Declan Quinn (Leaving Las Vegas), which set just the right tone, although anyone more than a few feet from the camera can be frustratingly difficult to see. The performances are uneven. Jorjan Fox is good as everyone's favorite victim, Myra, and William Russell turns in a nice performance as Rags the bartender, but these are the most low-key, sympathetic characters in the film, and the least showy roles. The actors whose characters drive the action don't fare as well. Loretta Gross, in particular, as the hateful gossip Luane is hard to take. Greenwald must have wanted to highlight the character's unpleasantness, with close-ups of Luane's mouth as she spews her gossip into the phone, as well as an ill-conceived scene of the past-her-prime Luane dancing, intercut with a stripper's routine at The Pavilion. Despite Luane's melodramatic view of the world, Gross' performance still seems over the top. But it doesn't sink the film. Greenwald, who went on to make the well-received rural character studies The Ballad of Little Jo and Songcatcher, proved her resourcefulness on this film. She shot an effective thriller on an extremely low budget. The Kill-Off takes a while to get going, but once it does, it's easy to get involved in its sleazy, convoluted story. ~ Josh Ralske, All Movie Guide
 

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