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The Invisible Man
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Directed by James Whale
A mysterious stranger, his face swathed in bandages and his eyes obscured by dark spectacles, has taken a room at a cozy inn in the British village of Ipping. Never leaving his quarters, the stranger demands that the staff leave him completely alone. Working unmolested with his test tubes, the stranger does not notice when the landlady inadvertently walks into his room one morning. But she notices that her guest seemingly has no head! The stranger, one Jack Griffin, is a scientist, who'd left Ipping several months earlier while conducting a series of tests with a strange new drug called monocane. He returns to the laboratory of his mentor, Dr. Cranley (Henry Travers), where he reveals his secret to onetime partner Dr. Kemp (William Harrigan) and former fiancee Flora Cranley (Gloria Stuart). Monocane is a formula for invisibility, and has rendered Griffin's entire body undetectable to the human eye. Alas, monocane has also had the side effect of driving Griffin insane. With megalomanic glee, Griffin takes Kemp into his confidence, explaining how he plans to prove his superiority over other humans by wreaking as much havoc as possible. At first, his pranks are harmless; then, without batting an eyelash, he turns to murder, beginning with the strangling of a comic-relief constable. When Kemp tries to turn Griffin over to the police, he himself is marked for death. Despite elaborate measures taken by the police, Griffin is able to murder Kemp, considerately taking the time to describe his homicidal methods to his helpless victim. After a reign of terror costing hundreds of lives, Griffin is cornered in a barn, his movements betrayed by his footsteps in the snow. Mortally wounded by police bullets, Griffin is taken to a hospital, where he regretfully tells Flora that he's paying the price for meddling into Things Men Should Not Know. As Griffin dies, his face becomes slowly visible: first the skull, then the nerve endings, then layer upon layer of raw flesh, until he is revealed to be Claude Rains, making his first American film appearance. So forceful was Rains' verbal performance as "The Invisible One" that he became an overnight movie star (after nearly twenty years on stage). Wittily scripted by R.C. Sherriff and an uncredited Philip Wylie, and brilliantly directed by James Whale, The Invisible Man is a near-untoppable combination of horror and humor. Also deserving of unqualified praise are the thorouhgly convincing special effects by John P. Fulton and John Mescall. With the exception of The Invisible Man Returns, none of the sequels came anywhere close to the quality of the 1933 original. Trivia alert: watch for Dwight "Renfield" Frye as a bespectacled reporter, Walter Brennan as the man whose bicycle was stolen, and John Carradine as the fellow in the phone booth who's "gawt a plan to ketch the h'invisible man." ~ Hal Erickson, All Movie Guide
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"This blog entry is part of my “movie year countdown”. To read more about that check out my first Spout filmblog entry. The Invisible Man I've seen a handful of the old Universal monster movies now, and the ones by James Whale have certainly been my favorite. I read the " [More]
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"Hey if you are interested and you didn't happen to find it already, there is actually a group on spout devoted to this topic: Female Hysteria Beyond that I'd say Una O'Connor in The Invisible Man gives a good litt " [More]
RisseladaRisselada Re:The Invisible Man
by Risselada in HORROR MOVIES 101
"[quote user="Dr_Gor"]I cannot let this one just go by ... The Invisible Man was a GREAT movie! Directed by the same insane genious who gave us Frankenstein and [More]
Dr_GorDr_Gor Re:The Invisible Man
by Dr_Gor in HORROR MOVIES 101
"[quote user="Risselada"] So we've talked in this group about many of the classic monsters usually associated with the Universal classic horror movies such as Dracula, Frankenstein and his monster, and the Wolfman.I recently just saw The Invisible Man after reading the H.G. Wells novel. Would you say this character fits into the same category as the above named monsters? I noticed that there are actuall " [More]
RisseladaRisselada The Invisible Man
by Risselada in HORROR MOVIES 101
"So we've talked in this group about many of the classic monsters usually associated with the Universal classic horror movies such as Dracula, Frankenstein and his monster, and the Wolfman.I recently just saw The Invisible Man after reading the H.G. Wells novel. Would you say this character fits into the same category as the above named monsters? I noticed that there are actually more Invisible Man sequ " [More]
RisseladaRisselada Re:The idea of female hysteria ...
by Risselada in Female Hysteria
"I just saw The Invisible Man and I think we can add Una O'Connor to this list. Seriously, check this out if you haven't seen it? I would consider this hysterics. " [More]
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Review by All Movie Guide
All Movie Guide
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James Whale's The Invisible Man was a new kind of horror movie in 1933--one that made audiences laugh almost as much as it frightened them. Whale might simply have relied on the dazzling impact of John Fulton's special effects, which did an extraordinary job of creating the illusion of an invisible man on screen. Instead, he challenged his audience's expectations by playing many of the key scenes for laughs, such as that of the shirt dancing around the room while the police officer chases it; the scenes between the inn keeper (Forrester Harvey) and his hysterical wife (Una O'Connor); and the confusion of various characters trying to describe what they've seen (or, more properly, haven't). Audiences feel as though they've seen two films for the price of one, and the mixing of genres and moods worked so well that Whale was emboldened to try for even more extremes of humor, irony, and horror in his next major movie, The Bride of Frankenstein, 18 months later, and succeeded even further beyond anyone's expectations, creating that rare sequel that outstrips its predecessor. It is on that film, and The Invisible Man, that much of Whale's 70-year-plus reputation as a master filmmaker and horror creator rest, and from these two movies that dozens of modern filmmakers, from Wes Craven and Tobe Hooper to Tim Burton, derived much of the inspiration for their work and their careers. ~ Bruce Eder, All Movie Guide
 

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