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The Informers (2009)
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All reviews for The Informers
Waste of time
by
xBenjaminMichaelx
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xBenjaminMichaelx Blog
disliked it.
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"Informers is a film that follows interweaving characters who are all connected by a very thin premise – they are all going to the same concert. Set in the 1980’s, There are a plethora of characters, all of which are boring and have nothing of importance to say. Billy Bob Thornton plays William; a man who wants both his wife (Kim Bassinger) and his mistress (Winona Ryder) but neither will share. Mickey Rourke plays a useless character that doesn’t get enough time to be effective. Chris Isaak is a creepy father who tries to steal away his son’s new lady on their Hawaiian vacation. All of the aforementioned characters problems are there, and are generally legitimate, however all of the personality traits and quirks these people possess don’t even leave you rooting for them to overcome their issues: you just don’t care. The majority of the screen time goes for Jon Foster, who no longer wants his girlfriend (Amber Heard) to have sex with the ma ... "
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The Informers - Review
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mercurial
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"With three of his literary works already translated onto the big screen, it was only a matter of time before another one of Bret Easton Ellis' novels was adapted into a film. The Informers is a collection of short stories following the lives of various glitterati, dealers of flesh and Colombian snow, and the occasional supernatural bloodsucking fiend. These characters were woven throughout the book to emphasize how their disparate lives and disturbing stories weren't all that different. Somehow this easily adaptable collection of wide-ranging stories with incredible mass appeal has been filmed into a chaotic mess of boring cliches, overstuffed homages to the requisite gaudy hairdos and totally tubular lingo, and oft gratuitous nude scenes that convey nothing within the hour and forty minutes it runs. "
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10 Great Performances Released ...
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1 out of 1 people found this review helpful.
[What do you think?]
"Opening today, Soul Men features the final performance from Bernie Mac, who died unexpectedly on August 9. The movie also includes a cameo from Isaac Hayes, who died one day later. Both men join a long list of people whose last films were released after their deaths, a list that includes Brad Renfro, whose final performance, in The Informers, can be seen in theaters come next May. Unlike some names on that list, Bernie Mac, whose voice can also be heard in the new animated sequel Madagascar: Escape 2 Africa, isn’t likely to receive a posthumous Oscar nomination as a tribute to his final work. But as one of the most underrated comic actors of the past few years, Mac likely gives a great performance as soul singer “Floyd Henderson,” enough to fall in with the crop of posthumously released roles we’ve showcased below:
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Review: The Informers
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Aaron_Peck
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"Star-studded casts are lures at Sundance. They draw the people into the theaters, but sometimes the audience ends up leaving empty-handed. In the case of The Informers, the audience leaves empty-headed. The film is a 98-minute journey into narcissistic nothingness. Set in the '80s in the middle of L.A., The Informers follows around a plethora of characters all of whom, surprise, have problems. Big ones. Kidnapping, sexually transmitted diseases, cheating partners, underage infatuations, and confusion over sexuality just to name a few. There are so many characters and so many story lines, packed into such a short movie that none of them approach anything considered coherence or resolution. The characters are thinly connected to one another, but there’s nothing that truly brings them all together. There’s even a completely superfluous plot line that involves a young kid and his father in Hawaii. This movie wants so bad to be a quirky character romp in the vein of Pulp Fic ... "
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FilmCouch #104: Gran Torino, Su ...
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"Clint Eastwood’s new cranky-old-man epic, Gran Torino, sped past the competition to prove its raw masculine authority at box office. Over the past twenty years, Eastwood has perfected his own sub-genre: the grizzled old timer who comes back for one last hurrah. This latest iteration adds a surprising dose of compassion. Karina shares which movies she’s most excited to see at Sundance this year. The list includes, Moon, The Clone Returns Home, Hump Day, O’er the Land, The September Issue, "
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R-Rated ‘Informers’ Trailer. Cl ...
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"I can’t explain what attracts me so much to the highly unlikable characters of Bret Easton Ellis’ fiction — or, in my case, since I’ve never actually read his books, of movies based on Bret Easton Ellis’ fiction — but I absolutely love Less Than Zero, American Psycho, and especially The Rules of Attraction. However, I have to give more credit to the filmmakers behind each of these films, because all three adaptations have their own appreciable style that helps me to enjoy the stories of these horrible people. The Informers may look like it fits in with the rest of the filmed versions of Ellis, but I’m skeptical. I was quite bored with director Gregor Jordan’s war satire "
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10 Posthumous Oscar Nominations ...
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"Though I first buzzed about an Academy Award nomination for Heath Ledger in The Dark Knight more than a month before his death, I now want to take it all back. I feel all the talk of Ledger’s posthumous Oscar chances will cloud my mind when I finally do see it, and it will probably also cloud the Academy’s judgment, too. Six months from now, when the nominations are announced on January 22 (coincidentally the one-year anniversary of Ledger’s death), if Ledger is not recognized for his role as The Joker, there will surely be an uproar — actually, Hollywood might just up and self-implode. I’m not the only one annoyed by all the Oscar buzz. Terry Gilliam, who directed Ledger in The Brothers Grimm and the upcoming The Imaginarium of Doctor Parnassus, is ca "
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Bret Easton Ellis: Struggling S ...
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Karina
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"With an almost completely dead, holiday hungover RSS, I spent the morning leisurely slogging through this LA Times profile of 80s it-boy novelist Bret Easton Ellis. Much of the story’s 3,000 words are devoted to defenses of Ellis’ literary reputation, most notably for our purposes from New York Times film critic A.O. Scott, who praises Ellis as “a much more radical writer than he seems.” The rest of it details the oft-adapted novelist’s own attempts to break into screenwriting. Ellis’ published work has so far formed the basis of three released films: the gloriously trashy Less Than Zero, in which Robert Downey Jr. essentially plays a future version of himself; Mary Harron’s American Psycho, which broke with Ellis’ trademark moral passivity in order to turn the material into obvious satire; and Roger Avery’s Rules of Attraction, which seemed to be kind of more about Roger Avery learning how to use Final Cut Pro than anything else. Somewhere along the way, Ellis app "
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Bret Easton Ellis: Struggling S ...
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SpoutBlog
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"With an almost completely dead, holiday hungover RSS, I spent the morning leisurely slogging through this LA Times profile of 80s it-boy novelist Bret Easton Ellis. Much of the story’s 3,000 words are devoted to defenses of Ellis’ literary reputation, most notably for our purposes from New York Times film critic A.O. Scott, who praises Ellis as “a much more radical writer than he seems.” The rest of it details the oft-adapted novelist’s own attempts to break into screenwriting. Ellis’ published work has so far formed the basis of three released films: the gloriously trashy Less Than Zero, in which Robert Downey Jr. essentially plays a future version of himself; Mary Harron’s American Psycho, which broke with Ellis’ trademark moral passivity in order to turn the material into obvious satire; and Roger Avery’s Rules of Attraction, which seemed to be kind of more about Roger Avery learning how to use Final Cut Pro than anything else. Somewhere along the way, Ellis app "
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