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The Importance of Being Earnest
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Directed by Oliver Parker
A superb cast brings Oscar Wilde's classic comedy of manners to life in the third big-screen adaptation of this hilarious look at fun, games, and dubious ethics among the British upper crust. Algernon Moncrieff (Rupert Everett) is a slightly shady, but charming gentlemen from a wealthy family who has a bad habit of throwing his money away. Algernon has a close friend named Jack Worthing (Colin Firth), a self-made man who acts as a ward to his cousin, a beautiful young lady named Cecily (Reese Witherspoon). Algernon has created an alter ego to help him get out of tight spots brought on by his financial improprieties, and when he learns that Jack has created a false identity of his own -- Earnest, a brother living in London whose exploits have earned him no small amount of notoriety -- Algernon arrives for a weekend visit in the country posing as the mysterious Earnest. Having heard of Earnest's misadventures many times over the years, Cecily had developed something of an infatuation with the lovable rogue, and Algernon's impersonation of him works no small degree of magic on Cecily. Meanwhile, Algernon's cousin, Gwendolyn (Frances O'Connor), arrives for the weekend, and is startled to discover Jack is also there -- except that she knows him as bad-boy Earnest. So just who is in love with who? How will Lady Bracknell (Judi Dench) handle the matter of her daughter Gwendolyn's suitors? And what's the truth about Jack's mysterious heritage? The Importance of Being Earnest was director Oliver Parker's second film adaptation of an Oscar Wilde comedy; he previously helmed An Ideal Husband, which also starred Rupert Everett. Everett and Colin Firth also co-starred in the 1984 drama Another Country. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The weightlessness of The Importance of Being Earnest makes it clear why Miramax released this trifle as counterprogramming to Star Wars, Episode II: Attack of the Clones rather than during its traditional Oscar season. A mistaken-identity farce to rival Shakespeare, Oscar Wilde's play has always been considered a classic comedy of manners/errors. But Oliver Parker's film suffers a bit by following the recent deluge of British period comedies, among them The Ideal Husband (also starring Rupert Everett and directed by Parker) and Emma. Everyone is having a jolly good time, and the production is as handsome as one could want, but there's no fresh sense of rediscovery, which might have accompanied the film had it come out a couple years earlier. It's so trivial that there's also no sense of peril about the fragile relations falling short of a happy conclusion, nor the whole enterprise unraveling under the stern displeasure of Judi Dench's imperious Lady Bracknell. Fortunately, no one's really expecting a near tragedy, especially with that giddy soundtrack and the ready grins of all the performers. While most of the cast is accustomed to this milieu, Reese Witherspoon acquits herself surprisingly well in the new form, her natural bird-like prissiness used to good effect and her accent passable. Overall, Parker has an exquisitely literate, humorous, and watchable film on his hands, and the fact that it doesn't stick long after leaving the theater is kind of irrelevant. ~ Derek Armstrong, All Movie Guide
 

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