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The House on 92nd Street
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Directed by Henry Hathaway
Filmed in semi-documentary fashion, House on 92nd Street is a "now it can be told" drama about the smashing of a Nazi spy ring operating the U.S. Thanks to covert surveillance, the FBI learns of the presence of several suspicious persons in NYC. William Eythe is a German-American college student approached by the spies to become a secret Nazi operative. Eythe instead heads directly to FBI chief Lloyd Nolan and offers his services as a double agent. His mission is to locate the head of the spy ring, an unseen figure known only as Mr. Christopher, and to that end Eythe infiltrates the ring, headquarted in a town house on 92nd street. Among the conspirators are an erudite German colonel (Leo G. Carroll) and the beautiful female owner of the house (Signe Hasso). Part of the plot involves the smuggling to Germany of America's atomic secrets by a weak-willed document clerk (played by Gene Lockhart, one of the best "cringers" in the business). Dwelling a bit too long on the meticulous research techniques of the FBI, House on 92nd Street picks up momentum in the final sequence, wherein "Mr. Christopher" is revealed and double agent Eythe barely escapes with his skin intact. ~ Hal Erickson, All Movie Guide
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Made with the blessing of the FBI and produced by March of Time newsreel creator Louis de Rochemont, The House on 92nd Street (1945) became the first major semi-documentary crime thriller. Working from a World War II case of domestic espionage involving the atomic bomb, director Henry Hathaway combined newsreel footage of suspected German spies with scenes shot on location in New York and Washington D.C., to depict the FBI's infiltration of a Nazi spy ring housed in the New York building of the title. With a cast composed mostly of character and stage actors rather than glamorous movie stars, Hathaway enhanced the documentary atmosphere with objective, explanatory narration and title cards that explain the story's factual origins and note the presence of FBI staff as extras. Despite the documentary emphasis, the tightly paced action, eccentric spies, and sharp, film noir, black-and-white photography wrap the facts in entertainingly restrained yet stylish suspense. A critical and box office hit, The House on 92nd Street won a screenplay Oscar and inspired a series of late 1940s semi-documentary crime movies, including Hathaway's own 13 Rue Madeleine (1946) and Kiss of Death (1947) and Elia Kazan's Boomerang! (1947). ~ Lucia Bozzola, All Movie Guide
 

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