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The Harvey Girls
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Directed by George Sidney
This glorified Technicolor commercial for the Fred Harvey restaurants stars Judy Garland as a 19th-century mail-order bride. Upon arriving in New Mexico, Garland discovers that her husband-to-be is the town drunk. She cuts her losses and takes a job at the local Harvey restaurant, an establishment which endeavors to bring a little civilization and class to the wide open spaces. Harvey's operation is challenged by saloon-owner John Hodiak, corrupt-judge Preston S. Foster, and local-madam Angela Lansbury. With the help of tenderfoot Ray Bolger, Garland and her fellow waitresses foil the corrupt elements in town. Prominent in the supporting cast are Cyd Charisse, Marjorie Main, Chill Wills, Kenny Baker and Virginia O'Brien (whose musical numbers aren't quite as rambunctious as the contributions of the others, mainly because O'Brien was pregnant during filming). The songs are for the most part perfunctory, with the spectacular exception of the Harry Warren and Johnny Mercer's Oscar-winning "Atchison, Topeka and the Santa Fe." The Harvey Girls is tenuously based on a more sober-sided historical volume by Samuel Hopkins Adams. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Judy Garland was already starting her "problem period" by 1946, but one would never know it from looking at The Harvey Girls -- and that's all to the film's benefit, for she has to carry a great deal of it herself. The screenplay is partly at fault; it's serviceable, but no more, even though the basic idea and setting are unusual enough to have inspired much better. The bigger problem for Garland is that she has in John Hodiak one of the dullest and least appealing leading men of her career and so has to work extra hard to make their story believable. She gets a good deal more support from the score, which is always pleasant and contains two outstanding numbers, "On the Atchison, Topeka and the Santa Fe" and the slightly melancholy "It's a Great Big World." Choreographer Robert Alton is also an asset, especially in these two numbers, as well as "Swing Your Partner Round and Round" and young Cyd Charisse's dance to "Wait and See." Aside from Hodiak, the cast all provide solid performances, and the film has the polished beauty one expects from the legendary Freed Unit, but it's still Garland's show all the way. Whether imbuing a song with her special throbbing belt or comically retrieving steaks purloined from the restaurant, she makes an average picture into something a little special. ~ Craig Butler, All Movie Guide
 

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