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The Grey Zone
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Directed by Tim Blake Nelson
Actor, writer, and director Tim Blake Nelson adapts this grim look at the Holocaust from his own play, based on Miklós Nyiszli's book, Auschwitz: A Doctor's Eyewitness Account. The film centers on the Sonderkommando: Jewish concentration camp prisoners whose job was to herd their fellow Jews into the gas chamber, and to dispose of the bodies following the execution. In return, these prisoners received food and a little more time before their own executions. As the members of the sonderkommando struggle to orchestrate what would be the only armed insurrection in Auschwitz, a group of them discover a 14-year-old girl who somehow survived the gas chamber. The girl becomes a symbol for their own spiritual salvation and they become obsessed with keeping the girl alive, even if it endangers the uprising that could save thousands. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
This wrenching Holocaust film tells the story of the Sonderkommandos, squads of Jews in the death camps who performed the Nazis' dirty work -- presiding over the inmates' extermination, loading the dead into ovens, shoveling the ash of the newly incinerated -- in exchange for a brief reprieve from death. Based on a play of the same name by director Tim Blake Nelson, The Grey Zone is an earnest, if problematic, evocation of the 20th century's darkest moment. Nelson's interrogation of the moral conundrums that his characters face takes the form of a stage-bound script that is too declarative by half. Compounding matters is the too-familiar cast; recognizable faces like David Arquette, Mira Sorvino, and Steve Buscemi are a constant reminder of the movie's artifice. Flawed as it is, The Grey Zone carries undeniable visceral impact. The film offers perhaps the most unflinchingly brutal depiction of the workings of a death camp ever captured in a fiction film. Although some critics have suggested that Nelson's meticulous re-creation somehow trivializes its subject, The Grey Zone never comes across as an exploitative effort. In a way, the movie's unrelenting horror, its aversion to affirmation, and the complete absence of redemption are a testament to its integrity, if not an outright rebuke to recent Holocaust films that, inadvertently or not, have domesticated the tragedy to appeal to mass audiences. ~ Elbert Ventura, All Movie Guide
 

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