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The Godfather Part III
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After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide
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"At the same time I was revisiting the Marx Brothers early films I felt the need to hit the Godfather films once again and engage in some serious pathos over the notions of what’s right, what’s wrong and how far is too far in your attempts to keep your family - both extended and immediate - safe and provided for. Any criticism, even of Godfather Part III, is " [More]
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The Godfather Part III is both a continuation of and commentary on the first two films, reuniting stars Al Pacino, Diane Keaton, and Talia Shire, as well as writer Mario Puzo, cinematographer Gordon Willis, and production designer Dean Tavoularis. Coppola transfers the action from gray Lake Tahoe to the burnished browns and blacks of New York, as the near-mythically powerful and wealthy Michael Corleone attempts to make the family business fully legit. Violently revisiting famed set pieces, particularly Part II's Little Italy assassination and Part I's baptism, Coppola reveals the depth of Mafia corruption in hallowed institutions and the utter venality of the next mobster generation. The Corleone saga's operatic tone reaches its appropriate climax at the opera, while Michael's silent scream and lonely end eloquently attest to the psychological as well as physical cost of putting Family before family. Although Pacino's energetic gravitas earned praise and Andy Garcia's trigger-happy Vincent was a star-maker, critics hammered last-minute substitute Sofia Coppola (for ailing Winona Ryder), and the cumbersome plot. Still, The Godfather Part III earned seven Oscar nominations (including Best Picture and Willis' first nod for the groundbreakingly shot trilogy), and respectable if unspectacular grosses. ~ Lucia Bozzola, All Movie Guide
 

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