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The Front
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Directed by Martin Ritt
The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, All Movie Guide
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"The Front is an overrated drama that probably got its reputation through its message and not by its (admitantly acceptable) filmmaking. Its one of the few movies that Woody Allen performs in but does not otherwise contribute artistically. It is also the film in which he strays the most from his usual persona. Although he still plays a little nebbish man, he is not an upper class intellectual but rather an uneducated cashier with few neurosis. There are still some standard All " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
The Front is not about politics. It is about survival. Director Martin Ritt, star Zero Mostel, screenwriter Walter Bernstein, and many other talents involved with The Front were victims of the Hollywood blacklist. With this film, they take their collective pain and fashion a comedy born out of desperation, history, and personal pride. They, along with lead actor Woody Allen, manage to find honest laughs in a most painful period from these men's lives. When filmmakers explain a particular injustice, the audience is enlightened; when they display that injustice happening to someone the audience cares about, viewers respond with sympathy; having that character see the mordant humor in the injustice, comment on it, and still refuse to buckle to it (even though the temptation to do so is huge) makes a hero. That is what these filmmakers achieve. Very few films are this adept at finding humor in characters whose lives are so seriously compromised. Coming from people who survived such a painful time -- people tempted by that compromise -- The Front is more than a history lesson, a comedy, or a successful group therapy session. Its existence is a validation of both art and life. ~ Perry Seibert, All Movie Guide
 

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