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The Double Life of Veronique
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The Double Life of Véronique is the story of two young women who are -- in some mysterious and irresolvable way -- the same woman leading two different yet interconnected lives. Those familiar with Polish director Krzysztof Kieslowski's later "Three Colors" trilogy of Blue, White, and Red will recognize his fascination with accidental happenings and chance encounters, as well as Irène Jacob (from Red) whose performance as both Veronika and Veronique won the 1991 Cannes Film Festival award for best actress. Veronika and Véronique are born on the same day in 1966, one in Poland, the other in France. They grow up separately, unaware of each other's existence, but with the vague and rarely expressed feeling that they are "not alone." The story begins in Poland, where Veronika (like Véronique) is a talented vocalist and music student who wins a prestigious singing competition and is given the chance to perform with a local symphony. On the night of the concert, while singing a duet onstage, Veronika loses consciousness and dies. Véronique is emotionally wounded by the loss of her double and decides to end her singing career. The film charts the effect of Veronika's death on Véronique and on her dispassionate and unsatisfying relationships with men, especially her father. She is led to puppeteer and children's book author Alexandre Fabbri (Philippe Volter), whose puppet shows and stories are dramatic variants on her own mysterious problem. While looking through photographs of Véronique's trip to Poland, Fabbri discovers a picture of Veronika walking through a student demonstration in Kracow. He shows the picture to Véronique, who intuits the significance of Veronika's perfect likeness to herself. ~ Anthony Reed, All Movie Guide
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"On last week’s edition of FilmCouch, I revealed one of my dirtiest secrets: on some level, I’m more interested in bad movies than good " [More]
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"The Double Life of Veronique (1991) is one of the slowest, most boring, self-indulgent and obscurantist films I’ve ever seen. Apparently, Veronique of Paris (Irene Jacob) has a double Veronika of Krakow " [More]
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All Movie Guide
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Polish master Krzysztof Kieslwoski's most ravishing film is an ethereal rhapsody grounded in the resolutely sensual presence of its lead, Irene Jacob. With its oblique story line, cryptic rhyming patterns, and focus on mood and tone, this elusive movie is more poem than narrative. Slawomir Idziak's shimmering cinematography gives the movie a spectral sheen, perfectly conveying the rich and shifting mysteries of coincidence, fate, and human connection Kieslowski explores. The movie bears more than a passing resemblance to Kieslowski's final film, Red, yet another movie that evinces the filmmaker's obsession with fraternity, not to mention Irene Jacob's face. Mostly captivating, Double Life's metaphysical meditation occasionally verges on silly self-absorption; at its worst, the movie's solemn search for profundities could almost be a parody of European artiness. Even at its most dubious though, the movie is unfailingly alluring; its golden, lambent beauty remains rapturous throughout. Lyrical and elliptical, the movie can also be read simply as an ode to its lead: Jacob's Veronique is clearly an idealized projection of feminine perfection, so perfect that Kieslowski had to make two of her. Muse and artist were rewarded equally upon the film's release, as the movie won Jacob a Best Actress award at the 1991 Cannes Film Festival and garnered Kieslowski the best reviews of his career at the time. ~ Elbert Ventura, All Movie Guide
 

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