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The Dinner Game
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Directed by Francis Veber
Francis Veber wrote and directed this film adaptation (with animated opening credits) of his own play, Le diner de cons, about a competition among a group of friends to see who can find the stupidest person to bring to dinner (as indicated by the original French title, since "con" means someone who's a total dumbbell). The dinners are held each Wednesday night, and French publisher Pierre Brochant (Thierry Lhermitte) has found a world class nincompoop -- Finance Ministry accountant Francois Pignon (Jacques Villeret) who uses matchsticks to build small-scale replicas of monuments. Things quickly go awry after Pierre wrenches his back at golf. He nevertheless makes an effort to attend the dinner with his prize dunce. Francois arrives at Pierre's luxury apartment, but Pierre is in such pain they never exit the apartment for the dinner. Instead, Pierre is trapped in a situation where Francois' stupidity turns his life into a comic hell. In 1993, Villeret created the role of the dimwit onstage during 600 performances of a 27-month run, and the play also had a 1994 London production. In addition to Veber's Oscar-nominated screenplay adaptation of Jean Poiret's La Cage aux Folles (1978), reworked into The Birdcage (1996), other American comedies originated in French screenplays by Veber -- The Toy (1982), The Man with One Red Shoe- (1985), Three Fugitives (1989), and Fathers' Day (1997). Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Comedies which rely on persons of limited intelligence to generate laughs range from the sublime (the work of Laurel and Hardy) to the questionable (Dumb and Dumber). In the case of Francis Veber's The Dinner Game, the laughs are on the allegedly intelligent and cultured Pierre Brochant (Thierry Lhermitte), and not at the expense of the dimwitted Francois Pignon (Jacques Villeret). Francois is the innocent victim of an elaborate joke Pierre and his friends play, but when Pierre finds himself in need of a true friend, the ever-trusting Francois is his man. In Veber's skilled hands, this is a comedy with neither malice nor mush, just a witty examination of bourgeois pretensions. One shudders to think how an American remake with, say, Adam Sandler, is likely to contain big helpings of both elements. ~ Tom Wiener, All Movie Guide
 

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