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The Descent
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Directed by Neil Marshall
A group of close female friends on a yearly adventure vacation find themselves trapped and hunted in a series of caves by an unknown force that lurks in the shadows in The Descent, the second horror feature from Dog Soldiers writer/director Neil Marshall. After suffering a devastating car crash one year before, Sarah (Shauna Macdonald) is lured to the States with her friend Beth (Alex Reid) to a special spelunking trip by the fearless Juno (Natalie Mendoza), who abruptly fled from the U.K. after Sarah's accident. Along with two old friends and a new acquaintance of Juno's, the group embark on a cave expedition that takes a turn for the worse after a rock fall leaves them stranded in an uncharted cave with no map and only a handful of supplies to last them the rest of the trip. As tensions arise in the group, they are faced with another danger -- one whose love of the dark is as strong as its lust for blood. Opening to rave reviews in the U.K. in July of 2005, the creature-feature went on to show at the Venice Film Festival and garnered the top prize for Euro feature at Sweden's Fantastic Film Festival. The Descent was picked up for future U.S. distribution by Lion's Gate, whose work was cut out for them considering the tame opening of the similarly-themed stateside production of The Cave in late-August of the same year. ~ Jeremy Wheeler, All Movie Guide
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"Last week, Roger Ebert finally got around to destroying [More]
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"One of the most enjoyable movies I've seen recently is a bizarre but cookin' action movie called Doomsday. It's Neil Marshall's (Dog Soldiers, The Descent) latest horror/sci-fi movie. Doomsday is like Escape From N " [More]
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by glowbugg in glowbugg ramblings
loved it.
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"Wow! I wasn't expecting much from this film considering the all girl cast and the fact that I usually hate chicks in these kind of movies because thay are usually the ones who fall down or can't keep their whimperings to a minimum when the boogey is near. This movie rocked! Very uber-creepy boogeys with their mewlings and milky-eyed blindness. Very highmarks for this one. One of my favorites now. " [More]
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by dj4our in dj4our Blog
loved it.
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"THE DESCENT (2005)***1 hr. 39 min.R for strong violence/gore and language. written by: Neil Marshallproduced by: Christian Colsondirected by: Neil MarshallI made sure I watched this mo " [More]
mercurialmercurial Re:Weekly Theme for May 11: Cam ...
by mercurial in Weekly Theme
"Some really good, and really awful, horror movies involve camping. Friday the 13th was already mentioned. I thought Campire Tales might have been good after seeing that James Marsden, Ron Livingston and Christine Taylor were it in, but alas, it wasn't. The updated [More]
divinemsjunebugdivinemsjunebug Re:FilmCouch #105: My Bloody Va ...
by divinemsjunebug in HORROR MOVIES 101
"You know, it's so funny because I had forgotten a lot of the parts about the creatures but the scariest for me was the claustrophobia and falling off the cliff, not finding a way out. I did like the idea that there was something down there with them that was tracking them, I also liked the ending. I always like the "fool you" ending. But I agree those creatures were a little "over the top" - I did find myself holding my breath through a lot of the movie. I enjoy 3D m " [More]
seelyseely Re:FilmCouch #105: My Bloody Va ...
by seely in HORROR MOVIES 101
"[quote user="joem18b"] I read some decent reviews of The Descent,and queued it up for my spouse and myself. She seemed to enjoy it - the women in distress, the claustrophobic situation, the injuries - until the creatures showed up. The viewing ended there, labelled "stupid." [/quote] Your review is a lot like others I've read, and echoes what Kevin and Adam said in their podcast. They had an excellent point that [More]
divinemsjunebugdivinemsjunebug Re:FilmCouch #105: My Bloody Va ...
by divinemsjunebug in HORROR MOVIES 101
"Good topic Seely. I have to say that the only reason I liked this last My Bloody Valentine was because it was in 3D, I just thought it was fun. BUT actually the story was kind of boring and the characters just weren't as rich as the original. In other words, if it wasn't for the "gimmick" it would have been so/so. That is so true, for people like most of us on here, we have seen thousands of horror movies, it really takes a LOT to impress me. Of course I " [More]
seelyseely FilmCouch #105: My Bloody Valen ...
by seely in HORROR MOVIES 101
"Anyone check out this week's FilmCouch podcast? Kevin and Adam talk about My Bloody Valentine 3D, which leads into what I thought was a great discussion about what truly makes a horror film great, and how gimmicks don't necessarily equal great filmmaking (though directors often seem to think they do--[More]
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Review by All Movie Guide
All Movie Guide
liked it.
A bloody great achievement in pure terror, Neil Marshall's British pulse-pounder The Descent is a terrifying journey into madness that will leave even the most hardened horror veterans shaken to their cores and loving every minute of it. Boldly sporting an all-female cast, the fright flick sidesteps genre stereotypes and throws this particularly gifted ensemble group through the darkest reaches of hell, where there's zero light and little chance for hope. The frights themselves range from nail-biting thrills to extreme blood-curdling shocks that escalate in pure ferocity as the viewer is trapped in an unrelenting exercise in fear. While his peers tend to concern themselves with continually ripping off David Fincher's flash and grime (à la Seven), here Marshall turns his inspiration toward Alien and The Shining, with a bit of Deliverance added in for good measure. While he's admitted this fact in public arenas, these particular similarities are unmistakable and their influence on the film is evidenced in every second of this unique monster flick. Thanks to its heightened sense of claustrophobia and desperate human drama that ratchets up the first half of the picture, the director proves that he's learned what it takes to thoroughly engross an audience and then scare the living hell out of them. With fine casting and pristine makeup work complimenting the ingenious production design and stark cinematography, the film is a home run on all sides of production and sets the bar for small-budgeted indie shockers (the budget ended up only being around six million dollars). Modern horror films don't even begin to match what The Descent has in store for its viewers -- which is a good thing, because one wouldn't want it to get any better than this. ~ Jeremy Wheeler, All Movie Guide
 

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divinemsjunebug
divinemsjunebug
loved it.
dj4our
dj4our
loved it.
mercurial
mercurial
loved it.
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Zularian
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