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The Deadly Affair
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Directed by Sidney Lumet
John LeCarre's Call for the Dead was the basis for this gloomy, complex spy story. James Mason plays a British secret agent puzzled by the sudden suicide of Foreign Office higher-up Robert Flemyng. Mason had worked on Flemyng's security clearance himself, and can't fathom what personality quirk he might have missed. The agent suspects that the dead man's wife (Simone Signoret), a concentration camp survivor, may hold the answer to Flemyng's despair, but the Foreign Office wants Mason to drop the case. Mason hires retiring Inspector Harry Andrews to do some private detective work. What Mason and Andrews find out is more insidious than they've imagined; worse, Mason is saddled with a new dilemma--his wife (Harriet Andersson) has been unfaithful with a colleague (Maximillian Schell). The Deadly Affair is not for the spell-things-out James Bond crowd, but those willing to stick with it will find the experience rewarding, if ultimately depressing. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Sidney Lumet's The Deadly Affair comes out of the same tradition (and from the same source-author) as Martin Ritt's The Spy Who Came In From The Cold -- and it manages to be just as grim and absorbing, even amid the beautiful color cinematography of Freddy Young, who still manages to make London look drab and threatening. James Mason gives a beautifully understated performance as an intelligence agent who finds himself caught amid a bureaucratic maze that may be shielding an intelligence disaster -- one that may be a lot closer to home on two different fronts than he would like to admit. He gets great support from a cast that is more than first rate from top to bottom. The plot may be a little more complicated than devotees of 1960's espionage films are accustomed to seeing, but that's the way with John LeCarre's stories -- this one is a little simpler than The Spy Who Came In From The Cold but also very viscerally compelling, and overall this is about as good an espionage/mystery thriller as came out of anywhere in the decade in which it was made, and even mansges to work in some much-needed and welcomed moments of sardonic humor, amid its seriousness -- a difference that might make it preferable to much of its competition of the era, including Ritt's The Spy Who Came In From The Cold. ~ Bruce Eder, All Movie Guide
 

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