Movie news on your iPhone today!
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Find movies you'll love
The Dark at the Top of the Stairs
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Directed by Delbert Mann
Robert Preston plays the flip side of his eternally ebullient Professor Harold Hill in Dark at the Top of the Stairs. Preston portrays an early 20th-century harness salesman, fully aware that his product is rapidly becoming obsolete. He tries to compensate for his own lack of self-esteem by cheating on his patient wife Dorothy McGuire; Preston's "other woman" is played by Angela Lansbury. Meanwhile, daughter Shirley Knight falls in love with Jewish boy Lee Kinsolving, who kills himself in the face of relentless bigotry. And McGuire's sister Eve Arden is stuck in a loveless marriage with spineless Frank Overton. Robert Eyer plays the young alter-ego of William Inge, who wrote the Pulitzer Prize-winning play on which this film is based. Eyer's fear of the "dark at the top of the stairs" is meant to be symbolic of the other characters' inner demons, a fact that Inge drives home every three minutes or so. In typical Inge fashion, an unlikely happy ending is reached just before "The End." ~ Hal Erickson, All Movie Guide
[More]
 
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Although generally derided today, for about a decade William Inge was one of the hottest playwrights in America. The Dark at the Top of the Stairs was the last of Inge's four major dramas to make the transition to the screen, and despite the datedness and sometimes obvious mechanics that pervade the playwright's work, it is still a powerful and moving experience. Modern audiences may find the symbolism too obvious and may feel cheated by a tacked-on happy end, but they will also be pleasantly surprised at the powerful change-of-pace performance from Robert Preston. Preston is in top form here, creating a believable and touching portrait of a man in crisis, albeit one who doesn't understand that the real crisis lies in his inability to communicate openly and honestly. Angela Lansbury, getting the chance to play a sympathetic character, also turns in fine work, and Dorothy McGuire provides the proper mixture of neediness and love to make her character real. Delbert Mann has directed with his usual careful attention to wringing optimum meaning from the simplest of moments, although he occasionally goes a bit too far in this direction. Inge, who did not write the screenplays for this or previous adaptations of his work, would emerge as an Oscar-winning scenarist the next year for his Splendor in the Grass. ~ Craig Butler, All Movie Guide
 

Community ratings

mavens
Spout mavens
haven't rated it
most people
Most people
haven't rated it

Other opinions