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The Color of Pomegranates
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Directed by Sergei Paradjanov
Director Sergei Paradjanov made a practice of making highly idiosyncratic films based on the folklore of regions in the former Soviet Union. In 1969 he made this film, based in part on the life of the 18th-century Armenian poet, Sayat Nova ('The King of Song'). Renowned for his writings and his religious lifestyle, Sayat Nova became a martyr when he grew too influential for the authorities to control. Seriously out of favor with Soviet governmental bureaucrats, this film was not seen in the international arena until 1977. Then, The Color of Pomegranates was widely acclaimed for its poetic and non-narrative blending of historical and biographical Armenian imagery. ~ Clarke Fountain, All Movie Guide
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When director Sergei Paradjanov asserts that directors are born and not made (in a documentary that appears on the DVD version of this, his acknowledged masterwork), he is clearly attempting to elevate filmmaking to the level of artistry that is enjoyed by literature -- literature such as that created by the poet Sayat Nova. In this film, Paradjanov presents Nova's life in a series of tableaux that are ravishing to look at and almost impossible to comprehend without at least a basic knowledge of the poet's work and the culture from which it sprang. Paradjanov is uninterested in conventional narrative, choosing to express the life of an artist as a poetic cycle. This can be seen as contempt for or, at best, indifference to an audience; the same might be said, for example, of Finnegan's Wake or Le Sacre du Printemps, works whose artistic reputations far exceed their accessibility. For the uninitiated who see a glass half full of water, The Color of Pomegranates may be taken as an introduction to the life and times of Sayat Nova; for those who see the glass as half empty, the film will likely come off as a visual experience devoid of interest beyond its imagery. ~ Tom Wiener, All Movie Guide
 

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